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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #803E17 it is the complementary color #7FC1E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #803E17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #803E17: #853E12, #965025, #A76238, #B8744B and #C9865E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #803E17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #803E17: #803E17, #6F2C04, #5E1A00, #4D0800 and #3C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 82 / 50

HEX #803E17

RGB 128 62 23

HSL 22.29, 0.7%, 0.3%

LAB 34.18, 25.72, 35.52

 

Complementary color

CMYK 45 / 17 / 0 / 9

HEX #7FC1E8

RGB 127 193 232

HSL 202.29, 0.7%, 0.7%

LAB 75.13, -10.78, -25.93

 

CMYK 0 / 53 / 86 / 48

HEX #853E12

RGB 133 62 18

HSL 22.96, 0.76%, 0.3%

LAB 34.95, 27.7, 38.85

 

CMYK 0 / 47 / 75 / 41

HEX #965025

RGB 150 80 37

HSL 22.83, 0.6%, 0.37%

LAB 41.77, 25.78, 37.23

 

CMYK 0 / 41 / 66 / 35

HEX #A76238

RGB 167 98 56

HSL 22.7, 0.5%, 0.44%

LAB 48.56, 24.1, 35.36

 

CMYK 0 / 37 / 59 / 28

HEX #B8744B

RGB 184 116 75

HSL 22.57, 0.43%, 0.51%

LAB 55.27, 22.64, 33.57

 

CMYK 0 / 33 / 53 / 21

HEX #C9865E

RGB 201 134 94

HSL 22.43, 0.5%, 0.58%

LAB 61.89, 21.39, 31.91

 

CMYK 0 / 52 / 82 / 50

HEX #803E17

RGB 128 62 23

HSL 22.29, 0.7%, 0.3%

LAB 34.18, 25.72, 35.52

 

CMYK 0 / 60 / 96 / 56

HEX #6F2C04

RGB 111 44 4

HSL 22.43, 0.93%, 0.23%

LAB 27.27, 27.75, 36.68

 

CMYK 0 / 72 / 100 / 63

HEX #5E1A00

RGB 94 26 0

HSL 16.6, 1%, 0.18%

LAB 20.51, 29.79, 30.51

 

CMYK 0 / 90 / 100 / 70

HEX #4D0800

RGB 77 8 0

HSL 6.23, 1%, 0.15%

LAB 14.12, 30.71, 21.89

 

CMYK 0 / 100 / 100 / 76

HEX #3C0000

RGB 60 0 0

HSL 0, 1%, 0.12%

LAB 8.66, 28.53, 13.68

 

CMYK 0 / 52 / 82 / 50

HEX #803E17

RGB 128 62 23

HSL 22.29, 0.7%, 0.3%

LAB 34.18, 25.72, 35.52

 

CMYK 0 / 38 / 83 / 49

HEX #825016

RGB 130 80 22

HSL 32.22, 0.71%, 0.3%

LAB 38.8, 16.16, 40.42

 

CMYK 0 / 25 / 83 / 49

HEX #826116

RGB 130 97 22

HSL 41.67, 0.71%, 0.3%

LAB 43.29, 6.12, 44.5

 

CMYK 0 / 12 / 83 / 49

HEX #827316

RGB 130 115 22

HSL 51.67, 0.71%, 0.3%

LAB 48.34, -4.27, 48.98

 

CMYK 3 / 0 / 83 / 49

HEX #7E8216

RGB 126 130 22

HSL 62.22, 0.71%, 0.3%

LAB 52.35, -14.4, 52.34

 

CMYK 0 / 52 / 82 / 50

HEX #803E17

RGB 128 62 23

HSL 22.29, 0.7%, 0.3%

LAB 34.18, 25.72, 35.52

 

CMYK 0 / 51 / 82 / 30

HEX #B35720

RGB 179 87 32

HSL 22.45, 0.7%, 0.41%

LAB 47.63, 33.93, 46.86

 

CMYK 0 / 52 / 82 / 10

HEX #E66F29

RGB 230 111 41

HSL 22.22, 0.79%, 0.53%

LAB 60.21, 42.18, 57.32

 

CMYK 0 / 50 / 81 / 90

HEX #1A0D05

RGB 26 13 5

HSL 22.86, 0.68%, 0.06%

LAB 4.68, 4.28, 5.04

 

CMYK 0 / 52 / 82 / 70

HEX #4D250E

RGB 77 37 14

HSL 21.9, 0.69%, 0.18%

LAB 19.77, 16.8, 22.92

 

CMYK 0 / 52 / 82 / 50

HEX #803E17

RGB 128 62 23

HSL 22.29, 0.7%, 0.3%

LAB 34.18, 25.72, 35.52

 

CMYK 47 / 0 / 83 / 49

HEX #458216

RGB 69 130 22

HSL 93.89, 0.71%, 0.3%

LAB 48.62, -38.01, 47.59

 

CMYK 83 / 80 / 0 / 49

HEX #161A82

RGB 22 26 130

HSL 237.78, 0.71%, 0.3%

LAB 18.01, 37.3, -57.56

 

CMYK 0 / 52 / 82 / 50

HEX #803E17

RGB 128 62 23

HSL 22.29, 0.7%, 0.3%

LAB 34.18, 25.72, 35.52

 

CMYK 83 / 0 / 52 / 49

HEX #16823E

RGB 22 130 62

HSL 142.22, 0.71%, 0.3%

LAB 47.6, -44.72, 28.58

 

CMYK 52 / 83 / 0 / 49

HEX #3E1682

RGB 62 22 130

HSL 262.22, 0.71%, 0.3%

LAB 20.86, 43.48, -52.73

 

CMYK 0 / 52 / 82 / 50

HEX #803E17

RGB 128 62 23

HSL 22.29, 0.7%, 0.3%

LAB 34.18, 25.72, 35.52

 

CMYK 47 / 0 / 83 / 49

HEX #458216

RGB 69 130 22

HSL 93.89, 0.71%, 0.3%

LAB 48.62, -38.01, 47.59

 

CMYK 83 / 31 / 0 / 49

HEX #165A82

RGB 22 90 130

HSL 202.22, 0.71%, 0.3%

LAB 36.17, -5.58, -28.22

 

CMYK 36 / 83 / 0 / 49

HEX #531682

RGB 83 22 130

HSL 273.89, 0.71%, 0.3%

LAB 23.75, 46.71, -47.89

 

CMYK 0 / 52 / 82 / 50

HEX #803E17

RGB 128 62 23

HSL 22.29, 0.7%, 0.3%

LAB 34.18, 25.72, 35.52

 

CMYK 72 / 0 / 83 / 49

HEX #258216

RGB 37 130 22

HSL 111.67, 0.71%, 0.3%

LAB 47.52, -46.81, 46.17

 

CMYK 83 / 31 / 0 / 49

HEX #165A82

RGB 22 90 130

HSL 202.22, 0.71%, 0.3%

LAB 36.17, -5.58, -28.22

 

CMYK 12 / 83 / 0 / 49

HEX #731682

RGB 115 22 130

HSL 291.67, 0.71%, 0.3%

LAB 28.98, 52.6, -39.17

 

Description

Color code: HEX #803E17 | qconv.com Color code: HEX #803E17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 62 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 62 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 82 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 82% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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