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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #803788 it is the complementary color #7FC877. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #803788. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #803788: #853783, #964996, #A75BA9, #B86DBC and #C97FCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #803788. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #803788: #803788, #6F2575, #5E1362, #4D014F and #3C003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 60 / 0 / 47

HEX #803788

RGB 128 55 136

HSL 294.07, 0.42%, 0.37%

LAB 36.17, 43.57, -31.31

 

Complementary color

CMYK 37 / 0 / 41 / 22

HEX #7FC877

RGB 127 200 119

HSL 114.07, 0.42%, 0.63%

LAB 74.29, -38.69, 33.48

 

CMYK 0 / 59 / 2 / 48

HEX #853783

RGB 133 55 131

HSL 301.54, 0.41%, 0.37%

LAB 36.66, 44.01, -27.41

 

CMYK 0 / 51 / 0 / 41

HEX #964996

RGB 150 73 150

HSL 300, 0.35%, 0.44%

LAB 43.44, 43.5, -28.2

 

CMYK 1 / 46 / 0 / 34

HEX #A75BA9

RGB 167 91 169

HSL 298.46, 0.31%, 0.51%

LAB 50.17, 42.81, -28.8

 

CMYK 2 / 42 / 0 / 26

HEX #B86DBC

RGB 184 109 188

HSL 296.96, 0.37%, 0.58%

LAB 56.84, 42.06, -29.28

 

CMYK 3 / 39 / 0 / 19

HEX #C97FCF

RGB 201 127 207

HSL 295.5, 0.45%, 0.65%

LAB 63.43, 41.3, -29.68

 

CMYK 6 / 60 / 0 / 47

HEX #803788

RGB 128 55 136

HSL 294.07, 0.42%, 0.37%

LAB 36.17, 43.57, -31.31

 

CMYK 5 / 68 / 0 / 54

HEX #6F2575

RGB 111 37 117

HSL 295.5, 0.52%, 0.3%

LAB 29.38, 43.76, -30.37

 

CMYK 4 / 81 / 0 / 62

HEX #5E1362

RGB 94 19 98

HSL 296.96, 0.68%, 0.23%

LAB 22.75, 43.1, -28.82

 

CMYK 3 / 99 / 0 / 69

HEX #4D014F

RGB 77 1 79

HSL 298.46, 0.98%, 0.16%

LAB 16.33, 41.32, -26.54

 

CMYK 0 / 100 / 0 / 76

HEX #3C003C

RGB 60 0 60

HSL 300, 1%, 0.12%

LAB 11.18, 35, -21.67

 

CMYK 6 / 60 / 0 / 47

HEX #803788

RGB 128 55 136

HSL 294.07, 0.42%, 0.37%

LAB 36.17, 43.57, -31.31

 

CMYK 0 / 59 / 4 / 48

HEX #853680

RGB 133 54 128

HSL 303.8, 0.42%, 0.37%

LAB 36.34, 43.95, -26.07

 

CMYK 0 / 59 / 14 / 48

HEX #853673

RGB 133 54 115

HSL 313.67, 0.42%, 0.37%

LAB 35.72, 41.68, -18.92

 

CMYK 0 / 59 / 23 / 48

HEX #853666

RGB 133 54 102

HSL 323.54, 0.42%, 0.37%

LAB 35.17, 39.6, -11.56

 

CMYK 0 / 59 / 33 / 48

HEX #853659

RGB 133 54 89

HSL 333.42, 0.42%, 0.37%

LAB 34.69, 37.75, -3.98

 

CMYK 6 / 60 / 0 / 47

HEX #803788

RGB 128 55 136

HSL 294.07, 0.42%, 0.37%

LAB 36.17, 43.57, -31.31

 

CMYK 6 / 59 / 0 / 27

HEX #B04CBB

RGB 176 76 187

HSL 294.05, 0.45%, 0.52%

LAB 49.48, 56.13, -40.3

 

CMYK 6 / 60 / 0 / 7

HEX #E060EE

RGB 224 96 238

HSL 294.08, 0.81%, 0.65%

LAB 61.99, 68.44, -49.04

 

CMYK 6 / 59 / 0 / 87

HEX #200E22

RGB 32 14 34

HSL 294, 0.42%, 0.09%

LAB 6.65, 13.41, -9.94

 

CMYK 6 / 60 / 0 / 67

HEX #502255

RGB 80 34 85

HSL 294.12, 0.43%, 0.23%

LAB 21.96, 29.99, -21.6

 

CMYK 6 / 60 / 0 / 47

HEX #803788

RGB 128 55 136

HSL 294.07, 0.42%, 0.37%

LAB 36.17, 43.57, -31.31

 

CMYK 0 / 53 / 59 / 48

HEX #853E36

RGB 133 62 54

HSL 6.08, 0.42%, 0.37%

LAB 35.4, 29.72, 19.3

 

CMYK 59 / 0 / 29 / 48

HEX #36855E

RGB 54 133 94

HSL 150.38, 0.42%, 0.37%

LAB 49.94, -33.88, 13.94

 

CMYK 6 / 60 / 0 / 47

HEX #803788

RGB 128 55 136

HSL 294.07, 0.42%, 0.37%

LAB 36.17, 43.57, -31.31

 

CMYK 0 / 5 / 59 / 48

HEX #857E36

RGB 133 126 54

HSL 54.68, 0.42%, 0.37%

LAB 52.03, -7.19, 39.35

 

CMYK 59 / 0 / 5 / 48

HEX #36857E

RGB 54 133 126

HSL 174.68, 0.42%, 0.37%

LAB 50.76, -25.78, -3.48

 

CMYK 6 / 60 / 0 / 47

HEX #803788

RGB 128 55 136

HSL 294.07, 0.42%, 0.37%

LAB 36.17, 43.57, -31.31

 

CMYK 0 / 53 / 59 / 48

HEX #853E36

RGB 133 62 54

HSL 6.08, 0.42%, 0.37%

LAB 35.4, 29.72, 19.3

 

CMYK 53 / 0 / 59 / 48

HEX #3E8536

RGB 62 133 54

HSL 113.92, 0.42%, 0.37%

LAB 49.58, -38.7, 35.32

 

CMYK 59 / 5 / 0 / 48

HEX #367E85

RGB 54 126 133

HSL 185.32, 0.42%, 0.37%

LAB 48.76, -20.1, -10.57

 

CMYK 6 / 60 / 0 / 47

HEX #803788

RGB 128 55 136

HSL 294.07, 0.42%, 0.37%

LAB 36.17, 43.57, -31.31

 

CMYK 0 / 35 / 59 / 48

HEX #855636

RGB 133 86 54

HSL 24.3, 0.42%, 0.37%

LAB 41.07, 15.95, 26.45

 

CMYK 53 / 0 / 59 / 48

HEX #3E8536

RGB 62 133 54

HSL 113.92, 0.42%, 0.37%

LAB 49.58, -38.7, 35.32

 

CMYK 59 / 23 / 0 / 48

HEX #366685

RGB 54 102 133

HSL 203.54, 0.42%, 0.37%

LAB 41.19, -6.53, -22.13

 

Description

Color code: HEX #803788 | qconv.com Color code: HEX #803788 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 55 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 55 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 60 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 60% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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