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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #801F5E it is the complementary color #7FE0A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #801F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #801F5E shade: #851F59, #96316C, #A7437F, #B85592 and #C967A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #801F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #801F5E shade: #801F5E, #6F0D4B, #5E0038, #4D0025 and #3C0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #801F5E shade: #7F1F5D, #7F1F43, #7F1F29 and #7F1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #801F5E shade: #7F1F5D, #7F1F77, #6D1F7F, #531F7F and #391F7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #801F5E shade matches the following richer shades: #7F1F5D, #8C1261 and #990565

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #801F5E shade: #7F1F5D, #722C5A, #663856, #594552 and #4C524E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #801F5E shade: #6E1F7F, #7F1F77, #7F1F5E, #7F1F44 and #7F1F2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #801F5E shade: #3D0F2D, #5E1745, #7F1F5D, #A02776 and #C22F8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #801F5E shade: #801F5E, #7F541F and #1F7F7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #801F5E shade: #801F5E, #5E7F1F and #1F5E7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #801F5E shade: #801F5E, #7F541F, #1F7F41 and #1F4A7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #801F5E shade: #801F5E, #7F711F, #1F7F41 and #1F2D7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 27 / 50

HEX #801F5E

RGB 128 31 94

HSL 321.03, 0.61%, 0.31%

LAB 30.35, 46.91, -13.86

 

Complementary color

CMYK 43 / 0 / 28 / 12

HEX #7FE0A1

RGB 127 224 161

HSL 141.03, 0.61%, 0.69%

LAB 82.05, -42.29, 22.13

 

CMYK 0 / 77 / 33 / 48

HEX #851F59

RGB 133 31 89

HSL 325.88, 0.62%, 0.32%

LAB 31.09, 47.64, -9.39

 

CMYK 0 / 67 / 28 / 41

HEX #96316C

RGB 150 49 108

HSL 324.95, 0.51%, 0.39%

LAB 37.41, 48.03, -11.68

 

CMYK 0 / 60 / 24 / 35

HEX #A7437F

RGB 167 67 127

HSL 324, 0.43%, 0.46%

LAB 43.89, 47.8, -13.36

 

CMYK 0 / 54 / 21 / 28

HEX #B85592

RGB 184 85 146

HSL 323.03, 0.41%, 0.53%

LAB 50.41, 47.26, -14.67

 

CMYK 0 / 49 / 18 / 21

HEX #C967A5

RGB 201 103 165

HSL 322.04, 0.48%, 0.6%

LAB 56.91, 46.57, -15.72

 

CMYK 0 / 76 / 27 / 50

HEX #801F5E

RGB 128 31 94

HSL 321.03, 0.61%, 0.31%

LAB 30.35, 46.91, -13.86

 

CMYK 0 / 88 / 32 / 56

HEX #6F0D4B

RGB 111 13 75

HSL 322.04, 0.79%, 0.24%

LAB 24.24, 45.38, -10.9

 

CMYK 0 / 100 / 40 / 63

HEX #5E0038

RGB 94 0 56

HSL 324.26, 1%, 0.18%

LAB 18.65, 42.03, -6.61

 

CMYK 0 / 100 / 52 / 70

HEX #4D0025

RGB 77 0 37

HSL 331.17, 1%, 0.15%

LAB 13.89, 35.81, -0.35

 

CMYK 0 / 100 / 70 / 76

HEX #3C0012

RGB 60 0 18

HSL 342, 1%, 0.12%

LAB 9.03, 29.53, 6.09

 

CMYK 0 / 76 / 27 / 50

HEX #7F1F5D

RGB 127 31 93

HSL 321.25, 0.61%, 0.31%

LAB 30.11, 46.5, -13.58

 

CMYK 0 / 76 / 47 / 50

HEX #7F1F43

RGB 127 31 67

HSL 337.5, 0.61%, 0.31%

LAB 29.15, 43.42, 2.13

 

CMYK 0 / 76 / 68 / 50

HEX #7F1F29

RGB 127 31 41

HSL 353.75, 0.61%, 0.31%

LAB 28.52, 41.31, 18.57

 

CMYK 0 / 76 / 76 / 50

HEX #7F1F1F

RGB 127 31 31

HSL 0, 0.61%, 0.31%

LAB 28.36, 40.77, 24.83

 

CMYK 0 / 76 / 27 / 50

HEX #7F1F5D

RGB 127 31 93

HSL 321.25, 0.61%, 0.31%

LAB 30.11, 46.5, -13.58

 

CMYK 0 / 76 / 6 / 50

HEX #7F1F77

RGB 127 31 119

HSL 305, 0.61%, 0.31%

LAB 31.4, 50.44, -28.25

 

CMYK 14 / 76 / 0 / 50

HEX #6D1F7F

RGB 109 31 127

HSL 288.75, 0.61%, 0.31%

LAB 28.81, 47.74, -37.62

 

CMYK 35 / 76 / 0 / 50

HEX #531F7F

RGB 83 31 127

HSL 272.5, 0.61%, 0.31%

LAB 24.8, 42.23, -44.29

 

CMYK 55 / 76 / 0 / 50

HEX #391F7F

RGB 57 31 127

HSL 256.25, 0.61%, 0.31%

LAB 21.51, 37.48, -49.79

 

CMYK 0 / 76 / 27 / 50

HEX #7F1F5D

RGB 127 31 93

HSL 321.25, 0.61%, 0.31%

LAB 30.11, 46.5, -13.58

 

CMYK 0 / 87 / 31 / 45

HEX #8C1261

RGB 140 18 97

HSL 321.15, 0.77%, 0.31%

LAB 31.51, 54.07, -13.81

 

CMYK 0 / 97 / 34 / 40

HEX #990565

RGB 153 5 101

HSL 321.08, 0.94%, 0.31%

LAB 33.61, 59.59, -12.96

 

CMYK 0 / 76 / 27 / 50

HEX #7F1F5D

RGB 127 31 93

HSL 321.25, 0.61%, 0.31%

LAB 30.11, 46.5, -13.58

 

CMYK 0 / 61 / 21 / 55

HEX #722C5A

RGB 114 44 90

HSL 320.57, 0.44%, 0.31%

LAB 29.71, 36.54, -12.45

 

CMYK 0 / 45 / 16 / 60

HEX #663856

RGB 102 56 86

HSL 320.87, 0.29%, 0.31%

LAB 30.22, 25.02, -9.25

 

CMYK 0 / 22 / 8 / 65

HEX #594552

RGB 89 69 82

HSL 321, 0.13%, 0.31%

LAB 31.78, 11.05, -4.49

 

CMYK 7 / 0 / 5 / 68

HEX #4C524E

RGB 76 82 78

HSL 140, 0.04%, 0.31%

LAB 34.23, -3.28, 1.51

 

CMYK 13 / 76 / 0 / 50

HEX #6E1F7F

RGB 110 31 127

HSL 289.38, 0.61%, 0.31%

LAB 28.97, 47.96, -37.34

 

CMYK 0 / 76 / 6 / 50

HEX #7F1F77

RGB 127 31 119

HSL 305, 0.61%, 0.31%

LAB 31.4, 50.44, -28.25

 

CMYK 0 / 76 / 26 / 50

HEX #7F1F5E

RGB 127 31 94

HSL 320.63, 0.61%, 0.31%

LAB 30.16, 46.63, -14.16

 

CMYK 0 / 76 / 46 / 50

HEX #7F1F44

RGB 127 31 68

HSL 336.88, 0.61%, 0.31%

LAB 29.18, 43.52, 1.51

 

CMYK 0 / 76 / 67 / 50

HEX #7F1F2A

RGB 127 31 42

HSL 353.13, 0.61%, 0.31%

LAB 28.54, 41.37, 17.94

 

CMYK 0 / 75 / 26 / 76

HEX #3D0F2D

RGB 61 15 45

HSL 320.87, 0.61%, 0.15%

LAB 12.75, 26.11, -8.32

 

CMYK 0 / 76 / 27 / 63

HEX #5E1745

RGB 94 23 69

HSL 321.13, 0.61%, 0.23%

LAB 21.66, 36.72, -11.07

 

CMYK 0 / 76 / 27 / 50

HEX #7F1F5D

RGB 127 31 93

HSL 321.25, 0.61%, 0.31%

LAB 30.11, 46.5, -13.58

 

CMYK 0 / 76 / 26 / 37

HEX #A02776

RGB 160 39 118

HSL 320.83, 0.61%, 0.39%

LAB 38.26, 55.86, -16.5

 

CMYK 0 / 76 / 27 / 24

HEX #C22F8E

RGB 194 47 142

HSL 321.22, 0.61%, 0.47%

LAB 46.25, 64.95, -18.46

 

CMYK 0 / 76 / 27 / 50

HEX #801F5E

RGB 128 31 94

HSL 321.03, 0.61%, 0.31%

LAB 30.35, 46.91, -13.86

 

CMYK 0 / 34 / 76 / 50

HEX #7F541F

RGB 127 84 31

HSL 33.13, 0.61%, 0.31%

LAB 39.5, 12.79, 36.87

 

CMYK 76 / 0 / 4 / 50

HEX #1F7F7A

RGB 31 127 122

HSL 176.88, 0.61%, 0.31%

LAB 48.1, -27.81, -5.13

 

CMYK 0 / 76 / 27 / 50

HEX #801F5E

RGB 128 31 94

HSL 321.03, 0.61%, 0.31%

LAB 30.35, 46.91, -13.86

 

CMYK 26 / 0 / 76 / 50

HEX #5E7F1F

RGB 94 127 31

HSL 80.63, 0.61%, 0.31%

LAB 49.08, -26.56, 45.45

 

CMYK 76 / 26 / 0 / 50

HEX #1F5E7F

RGB 31 94 127

HSL 200.63, 0.61%, 0.31%

LAB 37.53, -8.05, -24.22

 

CMYK 0 / 76 / 27 / 50

HEX #801F5E

RGB 128 31 94

HSL 321.03, 0.61%, 0.31%

LAB 30.35, 46.91, -13.86

 

CMYK 0 / 34 / 76 / 50

HEX #7F541F

RGB 127 84 31

HSL 33.13, 0.61%, 0.31%

LAB 39.5, 12.79, 36.87

 

CMYK 76 / 0 / 49 / 50

HEX #1F7F41

RGB 31 127 65

HSL 141.25, 0.61%, 0.31%

LAB 46.78, -41.79, 25.96

 

CMYK 76 / 42 / 0 / 50

HEX #1F4A7F

RGB 31 74 127

HSL 213.13, 0.61%, 0.31%

LAB 31.16, 4.73, -34.27

 

CMYK 0 / 76 / 27 / 50

HEX #801F5E

RGB 128 31 94

HSL 321.03, 0.61%, 0.31%

LAB 30.35, 46.91, -13.86

 

CMYK 0 / 11 / 76 / 50

HEX #7F711F

RGB 127 113 31

HSL 51.25, 0.61%, 0.31%

LAB 47.52, -4.17, 44.86

 

CMYK 76 / 0 / 49 / 50

HEX #1F7F41

RGB 31 127 65

HSL 141.25, 0.61%, 0.31%

LAB 46.78, -41.79, 25.96

 

CMYK 76 / 65 / 0 / 50

HEX #1F2D7F

RGB 31 45 127

HSL 231.25, 0.61%, 0.31%

LAB 22.66, 24.82, -48

 

Description

Color code: HEX #801F5E | qconv.com Color code: HEX #801F5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 31 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 31 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 27 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 27% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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