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Color name
HEX #7F1F2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F1F2A it is the complementary color #80E0D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F1F2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F1F2A shade: #841F25, #953138, #A6434B, #B7555E and #C86771

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F1F2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F1F2A shade: #7F1F2A, #6E0D17, #5D0004, #4C0000 and #3B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F1F2A shade: #7F1F2A and #7F1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F1F2A shade: #7F1F2A, #7F1F44, #7F1F5E, #7F1F78 and #6D1F7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F1F2A shade matches the following richer shades: #7F1F2A, #8C1220 and #990516

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F1F2A shade: #7F1F2A, #722C34, #66383E, #594547 and #4C5251

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F1F2A shade: #7F1F5E, #7F1F44, #7F1F2A, #7F2D1F and #7F471F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F1F2A shade: #3D0F14, #5E171F, #7F1F2A, #A02735 and #C22F40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F1F2A shade: #7F1F2A, #777F1F and #1F517F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F1F2A shade: #7F1F2A, #2A7F1F and #1F2A7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F1F2A shade: #7F1F2A, #777F1F, #1F7F74 and #271F7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F1F2A shade: #7F1F2A, #5A7F1F, #1F7F74 and #441F7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 67 / 50

HEX #7F1F2A

RGB 127 31 42

HSL 353.13, 0.61%, 0.31%

LAB 28.54, 41.37, 17.94

 

Complementary color

CMYK 43 / 0 / 5 / 12

HEX #80E0D5

RGB 128 224 213

HSL 173.13, 0.61%, 0.69%

LAB 83.29, -30.99, -3.5

 

CMYK 0 / 77 / 72 / 48

HEX #841F25

RGB 132 31 37

HSL 356.44, 0.62%, 0.32%

LAB 29.46, 42.73, 22.56

 

CMYK 0 / 67 / 62 / 42

HEX #953138

RGB 149 49 56

HSL 355.8, 0.51%, 0.39%

LAB 35.74, 42.35, 19.02

 

CMYK 0 / 60 / 55 / 35

HEX #A6434B

RGB 166 67 75

HSL 355.15, 0.42%, 0.46%

LAB 42.2, 41.51, 16.25

 

CMYK 0 / 54 / 49 / 28

HEX #B7555E

RGB 183 85 94

HSL 354.49, 0.4%, 0.53%

LAB 48.73, 40.5, 14.04

 

CMYK 0 / 49 / 44 / 22

HEX #C86771

RGB 200 103 113

HSL 353.81, 0.47%, 0.59%

LAB 55.25, 39.46, 12.22

 

CMYK 0 / 76 / 67 / 50

HEX #7F1F2A

RGB 127 31 42

HSL 353.13, 0.61%, 0.31%

LAB 28.54, 41.37, 17.94

 

CMYK 0 / 88 / 79 / 57

HEX #6E0D17

RGB 110 13 23

HSL 353.81, 0.79%, 0.24%

LAB 22.53, 40.76, 22.38

 

CMYK 0 / 100 / 96 / 64

HEX #5D0004

RGB 93 0 4

HSL 357.42, 1%, 0.18%

LAB 17.16, 38.43, 24.91

 

CMYK 0 / 100 / 100 / 70

HEX #4C0000

RGB 76 0 0

HSL 0, 1%, 0.15%

LAB 12.84, 33.37, 20.14

 

CMYK 0 / 100 / 100 / 77

HEX #3B0000

RGB 59 0 0

HSL 0, 1%, 0.12%

LAB 8.39, 28.22, 13.26

 

CMYK 0 / 76 / 67 / 50

HEX #7F1F2A

RGB 127 31 42

HSL 353.13, 0.61%, 0.31%

LAB 28.54, 41.37, 17.94

 

CMYK 0 / 76 / 76 / 50

HEX #7F1F1F

RGB 127 31 31

HSL 0, 0.61%, 0.31%

LAB 28.36, 40.77, 24.83

 

CMYK 0 / 76 / 67 / 50

HEX #7F1F2A

RGB 127 31 42

HSL 353.13, 0.61%, 0.31%

LAB 28.54, 41.37, 17.94

 

CMYK 0 / 76 / 46 / 50

HEX #7F1F44

RGB 127 31 68

HSL 336.88, 0.61%, 0.31%

LAB 29.18, 43.52, 1.51

 

CMYK 0 / 76 / 26 / 50

HEX #7F1F5E

RGB 127 31 94

HSL 320.63, 0.61%, 0.31%

LAB 30.16, 46.63, -14.16

 

CMYK 0 / 76 / 6 / 50

HEX #7F1F78

RGB 127 31 120

HSL 304.38, 0.61%, 0.31%

LAB 31.46, 50.6, -28.8

 

CMYK 14 / 76 / 0 / 50

HEX #6D1F7F

RGB 109 31 127

HSL 288.75, 0.61%, 0.31%

LAB 28.81, 47.74, -37.62

 

CMYK 0 / 76 / 67 / 50

HEX #7F1F2A

RGB 127 31 42

HSL 353.13, 0.61%, 0.31%

LAB 28.54, 41.37, 17.94

 

CMYK 0 / 87 / 77 / 45

HEX #8C1220

RGB 140 18 32

HSL 353.11, 0.77%, 0.31%

LAB 29.69, 48.84, 26.45

 

CMYK 0 / 97 / 86 / 40

HEX #990516

RGB 153 5 22

HSL 353.11, 0.94%, 0.31%

LAB 31.67, 54.35, 35.38

 

CMYK 0 / 76 / 67 / 50

HEX #7F1F2A

RGB 127 31 42

HSL 353.13, 0.61%, 0.31%

LAB 28.54, 41.37, 17.94

 

CMYK 0 / 61 / 54 / 55

HEX #722C34

RGB 114 44 52

HSL 353.14, 0.44%, 0.31%

LAB 28.45, 31.65, 10.77

 

CMYK 0 / 45 / 39 / 60

HEX #66383E

RGB 102 56 62

HSL 352.17, 0.29%, 0.31%

LAB 29.41, 21.19, 5.25

 

CMYK 0 / 22 / 20 / 65

HEX #594547

RGB 89 69 71

HSL 354, 0.13%, 0.31%

LAB 31.43, 8.93, 2.07

 

CMYK 7 / 0 / 1 / 68

HEX #4C5251

RGB 76 82 81

HSL 170, 0.04%, 0.31%

LAB 34.32, -2.62, -0.25

 

CMYK 0 / 76 / 26 / 50

HEX #7F1F5E

RGB 127 31 94

HSL 320.63, 0.61%, 0.31%

LAB 30.16, 46.63, -14.16

 

CMYK 0 / 76 / 46 / 50

HEX #7F1F44

RGB 127 31 68

HSL 336.88, 0.61%, 0.31%

LAB 29.18, 43.52, 1.51

 

CMYK 0 / 76 / 67 / 50

HEX #7F1F2A

RGB 127 31 42

HSL 353.13, 0.61%, 0.31%

LAB 28.54, 41.37, 17.94

 

CMYK 0 / 65 / 76 / 50

HEX #7F2D1F

RGB 127 45 31

HSL 8.75, 0.61%, 0.31%

LAB 30.61, 34.64, 27.38

 

CMYK 0 / 44 / 76 / 50

HEX #7F471F

RGB 127 71 31

HSL 25, 0.61%, 0.31%

LAB 36.21, 20.48, 33.45

 

CMYK 0 / 75 / 67 / 76

HEX #3D0F14

RGB 61 15 20

HSL 353.48, 0.61%, 0.15%

LAB 11.85, 22.9, 8.82

 

CMYK 0 / 76 / 67 / 63

HEX #5E171F

RGB 94 23 31

HSL 353.24, 0.61%, 0.23%

LAB 20.41, 32.52, 13.57

 

CMYK 0 / 76 / 67 / 50

HEX #7F1F2A

RGB 127 31 42

HSL 353.13, 0.61%, 0.31%

LAB 28.54, 41.37, 17.94

 

CMYK 0 / 76 / 67 / 37

HEX #A02735

RGB 160 39 53

HSL 353.06, 0.61%, 0.39%

LAB 36.33, 49.73, 22.1

 

CMYK 0 / 76 / 67 / 24

HEX #C22F40

RGB 194 47 64

HSL 353.06, 0.61%, 0.47%

LAB 44.05, 58.03, 26.37

 

CMYK 0 / 76 / 67 / 50

HEX #7F1F2A

RGB 127 31 42

HSL 353.13, 0.61%, 0.31%

LAB 28.54, 41.37, 17.94

 

CMYK 6 / 0 / 76 / 50

HEX #777F1F

RGB 119 127 31

HSL 65, 0.61%, 0.31%

LAB 50.92, -15.6, 47.87

 

CMYK 76 / 36 / 0 / 50

HEX #1F517F

RGB 31 81 127

HSL 208.75, 0.61%, 0.31%

LAB 33.37, 0.11, -30.76

 

CMYK 0 / 76 / 67 / 50

HEX #7F1F2A

RGB 127 31 42

HSL 353.13, 0.61%, 0.31%

LAB 28.54, 41.37, 17.94

 

CMYK 67 / 0 / 76 / 50

HEX #2A7F1F

RGB 42 127 31

HSL 113.13, 0.61%, 0.31%

LAB 46.67, -44.01, 42.26

 

CMYK 76 / 67 / 0 / 50

HEX #1F2A7F

RGB 31 42 127

HSL 233.13, 0.61%, 0.31%

LAB 21.87, 26.87, -49.29

 

CMYK 0 / 76 / 67 / 50

HEX #7F1F2A

RGB 127 31 42

HSL 353.13, 0.61%, 0.31%

LAB 28.54, 41.37, 17.94

 

CMYK 6 / 0 / 76 / 50

HEX #777F1F

RGB 119 127 31

HSL 65, 0.61%, 0.31%

LAB 50.92, -15.6, 47.87

 

CMYK 76 / 0 / 9 / 50

HEX #1F7F74

RGB 31 127 116

HSL 173.13, 0.61%, 0.31%

LAB 47.92, -29.61, -1.86

 

CMYK 69 / 76 / 0 / 50

HEX #271F7F

RGB 39 31 127

HSL 245, 0.61%, 0.31%

LAB 19.82, 34.91, -52.64

 

CMYK 0 / 76 / 67 / 50

HEX #7F1F2A

RGB 127 31 42

HSL 353.13, 0.61%, 0.31%

LAB 28.54, 41.37, 17.94

 

CMYK 29 / 0 / 76 / 50

HEX #5A7F1F

RGB 90 127 31

HSL 83.13, 0.61%, 0.31%

LAB 48.82, -28.21, 45.12

 

CMYK 76 / 0 / 9 / 50

HEX #1F7F74

RGB 31 127 116

HSL 173.13, 0.61%, 0.31%

LAB 47.92, -29.61, -1.86

 

CMYK 46 / 76 / 0 / 50

HEX #441F7F

RGB 68 31 127

HSL 263.13, 0.61%, 0.31%

LAB 22.8, 39.37, -47.64

 

Description

Color code: HEX #7F1F2A | qconv.com Color code: HEX #7F1F2A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 31 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 31 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 67 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 67% 50% C M Y K

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Provide designers and agencies with accurate color values.

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