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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #801C62 it is the complementary color #7FE39D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #801C62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #801C62: #851C5D, #962E70, #A74083, #B85296 and #C964A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #801C62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #801C62: #801C62, #6F0A4F, #5E003C, #4D0029 and #3C0016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 23 / 50

HEX #801C62

RGB 128 28 98

HSL 318, 0.64%, 0.31%

LAB 30.16, 48.49, -16.74

 

Complementary color

CMYK 44 / 0 / 31 / 11

HEX #7FE39D

RGB 127 227 157

HSL 138, 0.64%, 0.69%

LAB 82.85, -44.32, 25.29

 

CMYK 0 / 79 / 30 / 48

HEX #851C5D

RGB 133 28 93

HSL 322.86, 0.65%, 0.32%

LAB 30.9, 49.14, -12.28

 

CMYK 0 / 69 / 25 / 41

HEX #962E70

RGB 150 46 112

HSL 321.92, 0.53%, 0.38%

LAB 37.13, 49.8, -14.63

 

CMYK 0 / 62 / 22 / 35

HEX #A74083

RGB 167 64 131

HSL 320.97, 0.45%, 0.45%

LAB 43.54, 49.74, -16.34

 

CMYK 0 / 55 / 18 / 28

HEX #B85296

RGB 184 82 150

HSL 320, 0.42%, 0.52%

LAB 50.01, 49.31, -17.65

 

CMYK 0 / 50 / 16 / 21

HEX #C964A9

RGB 201 100 169

HSL 319.01, 0.48%, 0.59%

LAB 56.48, 48.69, -18.7

 

CMYK 0 / 78 / 23 / 50

HEX #801C62

RGB 128 28 98

HSL 318, 0.64%, 0.31%

LAB 30.16, 48.49, -16.74

 

CMYK 0 / 91 / 29 / 56

HEX #6F0A4F

RGB 111 10 79

HSL 319.01, 0.83%, 0.24%

LAB 24.2, 46.55, -13.67

 

CMYK 0 / 100 / 36 / 63

HEX #5E003C

RGB 94 0 60

HSL 321.7, 1%, 0.18%

LAB 18.83, 42.48, -9.16

 

CMYK 0 / 100 / 47 / 70

HEX #4D0029

RGB 77 0 41

HSL 328.05, 1%, 0.15%

LAB 14.05, 36.21, -3.09

 

CMYK 0 / 100 / 63 / 76

HEX #3C0016

RGB 60 0 22

HSL 338, 1%, 0.12%

LAB 9.15, 29.84, 3.61

 

CMYK 0 / 78 / 23 / 50

HEX #801C62

RGB 128 28 98

HSL 318, 0.64%, 0.31%

LAB 30.16, 48.49, -16.74

 

CMYK 0 / 78 / 36 / 49

HEX #811C52

RGB 129 28 82

HSL 327.92, 0.64%, 0.31%

LAB 29.68, 46.7, -6.99

 

CMYK 0 / 78 / 50 / 49

HEX #811C41

RGB 129 28 65

HSL 338.02, 0.64%, 0.31%

LAB 29.11, 44.9, 3.45

 

CMYK 0 / 78 / 63 / 49

HEX #811C30

RGB 129 28 48

HSL 348.12, 0.64%, 0.31%

LAB 28.67, 43.51, 14.22

 

CMYK 0 / 78 / 76 / 49

HEX #811C1F

RGB 129 28 31

HSL 358.22, 0.64%, 0.31%

LAB 28.37, 42.53, 24.95

 

CMYK 0 / 78 / 23 / 50

HEX #801C62

RGB 128 28 98

HSL 318, 0.64%, 0.31%

LAB 30.16, 48.49, -16.74

 

CMYK 0 / 78 / 23 / 30

HEX #B32789

RGB 179 39 137

HSL 318, 0.64%, 0.43%

LAB 42.52, 63.03, -21.39

 

CMYK 0 / 78 / 23 / 10

HEX #E632B0

RGB 230 50 176

HSL 318, 0.78%, 0.55%

LAB 54.28, 76.73, -25.76

 

CMYK 0 / 77 / 23 / 90

HEX #1A0614

RGB 26 6 20

HSL 318, 0.63%, 0.06%

LAB 3.62, 9.7, -3.87

 

CMYK 0 / 78 / 23 / 70

HEX #4D113B

RGB 77 17 59

HSL 318, 0.64%, 0.18%

LAB 16.96, 32.57, -11.63

 

CMYK 0 / 78 / 23 / 50

HEX #801C62

RGB 128 28 98

HSL 318, 0.64%, 0.31%

LAB 30.16, 48.49, -16.74

 

CMYK 0 / 39 / 78 / 49

HEX #814F1C

RGB 129 79 28

HSL 30.3, 0.64%, 0.31%

LAB 38.45, 16.54, 37.35

 

CMYK 78 / 0 / 8 / 49

HEX #1C8177

RGB 28 129 119

HSL 174.06, 0.64%, 0.31%

LAB 48.61, -30.06, -2.62

 

CMYK 0 / 78 / 23 / 50

HEX #801C62

RGB 128 28 98

HSL 318, 0.64%, 0.31%

LAB 30.16, 48.49, -16.74

 

CMYK 23 / 0 / 78 / 49

HEX #63811C

RGB 99 129 28

HSL 77.82, 0.64%, 0.31%

LAB 50.02, -25.61, 47.56

 

CMYK 78 / 23 / 0 / 49

HEX #1C6381

RGB 28 99 129

HSL 197.82, 0.64%, 0.31%

LAB 39.17, -10.71, -22.91

 

CMYK 0 / 78 / 23 / 50

HEX #801C62

RGB 128 28 98

HSL 318, 0.64%, 0.31%

LAB 30.16, 48.49, -16.74

 

CMYK 0 / 39 / 78 / 49

HEX #814F1C

RGB 129 79 28

HSL 30.3, 0.64%, 0.31%

LAB 38.45, 16.54, 37.35

 

CMYK 78 / 0 / 55 / 49

HEX #1C813A

RGB 28 129 58

HSL 137.82, 0.64%, 0.31%

LAB 47.3, -44.19, 30.34

 

CMYK 78 / 39 / 0 / 49

HEX #1C4F81

RGB 28 79 129

HSL 209.7, 0.64%, 0.31%

LAB 32.75, 1.78, -32.98

 

CMYK 0 / 78 / 23 / 50

HEX #801C62

RGB 128 28 98

HSL 318, 0.64%, 0.31%

LAB 30.16, 48.49, -16.74

 

CMYK 0 / 16 / 78 / 49

HEX #816D1C

RGB 129 109 28

HSL 48.12, 0.64%, 0.31%

LAB 46.56, -1.09, 45.2

 

CMYK 78 / 0 / 55 / 49

HEX #1C813A

RGB 28 129 58

HSL 137.82, 0.64%, 0.31%

LAB 47.3, -44.19, 30.34

 

CMYK 78 / 63 / 0 / 49

HEX #1C3081

RGB 28 48 129

HSL 228.12, 0.64%, 0.31%

LAB 23.49, 23.15, -47.9

 

Description

Color code: HEX #801C62 | qconv.com Color code: HEX #801C62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 28 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 28 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 23 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 23% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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