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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FC2BE it is the complementary color #803D41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FC2BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7FC2BE: #84C2B9, #95D4CC, #A6E6DF, #B7F8F2 and #C8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FC2BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7FC2BE: #7FC2BE, #6EB0AB, #5D9E98, #4C8C85 and #3B7A72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 2 / 24

HEX #7FC2BE

RGB 127 194 190

HSL 176.42, 0.35%, 0.63%

LAB 74.07, -22.04, -4.74

 

Complementary color

CMYK 0 / 52 / 49 / 50

HEX #803D41

RGB 128 61 65

HSL 356.42, 0.35%, 0.37%

LAB 34.62, 29.3, 11.17

 

CMYK 32 / 0 / 5 / 24

HEX #84C2B9

RGB 132 194 185

HSL 171.29, 0.34%, 0.64%

LAB 74.18, -21.8, -1.83

 

CMYK 30 / 0 / 4 / 17

HEX #95D4CC

RGB 149 212 204

HSL 172.38, 0.42%, 0.71%

LAB 80.65, -21.65, -2.48

 

CMYK 28 / 0 / 3 / 10

HEX #A6E6DF

RGB 166 230 223

HSL 173.44, 0.56%, 0.78%

LAB 87.01, -21.52, -3.1

 

CMYK 26 / 0 / 2 / 3

HEX #B7F8F2

RGB 183 248 242

HSL 174.46, 0.82%, 0.85%

LAB 93.28, -21.4, -3.69

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 35 / 0 / 2 / 24

HEX #7FC2BE

RGB 127 194 190

HSL 176.42, 0.35%, 0.63%

LAB 74.07, -22.04, -4.74

 

CMYK 38 / 0 / 3 / 31

HEX #6EB0AB

RGB 110 176 171

HSL 175.45, 0.29%, 0.56%

LAB 67.51, -22.15, -4.09

 

CMYK 41 / 0 / 4 / 38

HEX #5D9E98

RGB 93 158 152

HSL 174.46, 0.26%, 0.49%

LAB 60.82, -22.25, -3.41

 

CMYK 46 / 0 / 5 / 45

HEX #4C8C85

RGB 76 140 133

HSL 173.44, 0.3%, 0.42%

LAB 54.01, -22.33, -2.66

 

CMYK 52 / 0 / 7 / 52

HEX #3B7A72

RGB 59 122 114

HSL 172.38, 0.35%, 0.35%

LAB 47.06, -22.37, -1.85

 

CMYK 35 / 0 / 2 / 24

HEX #7FC2BE

RGB 127 194 190

HSL 176.42, 0.35%, 0.63%

LAB 74.07, -22.04, -4.74

 

CMYK 34 / 3 / 0 / 24

HEX #7FBBC1

RGB 127 187 193

HSL 185.45, 0.35%, 0.63%

LAB 72.16, -17.76, -9.2

 

CMYK 34 / 9 / 0 / 24

HEX #7FB0C1

RGB 127 176 193

HSL 195.45, 0.35%, 0.63%

LAB 69.05, -11.99, -13.86

 

CMYK 34 / 15 / 0 / 24

HEX #7FA5C1

RGB 127 165 193

HSL 205.45, 0.35%, 0.63%

LAB 65.96, -6.05, -18.53

 

CMYK 34 / 20 / 0 / 24

HEX #7F9AC1

RGB 127 154 193

HSL 215.45, 0.35%, 0.63%

LAB 62.91, 0.07, -23.19

 

CMYK 35 / 0 / 2 / 24

HEX #7FC2BE

RGB 127 194 190

HSL 176.42, 0.35%, 0.63%

LAB 74.07, -22.04, -4.74

 

CMYK 35 / 0 / 2 / 4

HEX #A0F5F0

RGB 160 245 240

HSL 176.47, 0.81%, 0.79%

LAB 91.27, -26.68, -5.76

 

CMYK 34 / 0 / 2 / 84

HEX #1B2928

RGB 27 41 40

HSL 175.71, 0.21%, 0.13%

LAB 15.34, -6.2, -1.27

 

CMYK 35 / 0 / 2 / 64

HEX #3C5C5A

RGB 60 92 90

HSL 176.25, 0.21%, 0.3%

LAB 36.66, -12.16, -2.59

 

CMYK 34 / 0 / 2 / 44

HEX #5E8F8C

RGB 94 143 140

HSL 176.33, 0.21%, 0.46%

LAB 56.01, -17.14, -3.66

 

CMYK 35 / 0 / 2 / 24

HEX #7FC2BE

RGB 127 194 190

HSL 176.42, 0.35%, 0.63%

LAB 74.07, -22.04, -4.74

 

CMYK 30 / 34 / 0 / 24

HEX #887FC1

RGB 136 127 193

HSL 248.18, 0.35%, 0.63%

LAB 56.35, 18.32, -33.27

 

CMYK 0 / 16 / 34 / 24

HEX #C1A27F

RGB 193 162 127

HSL 31.82, 0.35%, 0.63%

LAB 68.54, 6.33, 22.47

 

CMYK 35 / 0 / 2 / 24

HEX #7FC2BE

RGB 127 194 190

HSL 176.42, 0.35%, 0.63%

LAB 74.07, -22.04, -4.74

 

CMYK 2 / 34 / 0 / 24

HEX #BD7FC1

RGB 189 127 193

HSL 296.36, 0.35%, 0.63%

LAB 61.52, 34.84, -24.85

 

CMYK 0 / 2 / 34 / 24

HEX #C1BD7F

RGB 193 189 127

HSL 56.36, 0.35%, 0.63%

LAB 75.62, -8.05, 31.89

 

CMYK 35 / 0 / 2 / 24

HEX #7FC2BE

RGB 127 194 190

HSL 176.42, 0.35%, 0.63%

LAB 74.07, -22.04, -4.74

 

CMYK 30 / 34 / 0 / 24

HEX #887FC1

RGB 136 127 193

HSL 248.18, 0.35%, 0.63%

LAB 56.35, 18.32, -33.27

 

CMYK 0 / 34 / 32 / 24

HEX #C17F84

RGB 193 127 132

HSL 355.45, 0.35%, 0.63%

LAB 60.05, 26.24, 7.86

 

CMYK 5 / 0 / 34 / 24

HEX #B8C17F

RGB 184 193 127

HSL 68.18, 0.35%, 0.63%

LAB 75.98, -13.64, 32.24

 

CMYK 35 / 0 / 2 / 24

HEX #7FC2BE

RGB 127 194 190

HSL 176.42, 0.35%, 0.63%

LAB 74.07, -22.04, -4.74

 

CMYK 19 / 34 / 0 / 24

HEX #9C7FC1

RGB 156 127 193

HSL 266.36, 0.35%, 0.63%

LAB 58.13, 24.38, -30.36

 

CMYK 0 / 34 / 32 / 24

HEX #C17F84

RGB 193 127 132

HSL 355.45, 0.35%, 0.63%

LAB 60.05, 26.24, 7.86

 

CMYK 15 / 0 / 34 / 24

HEX #A5C17F

RGB 165 193 127

HSL 85.45, 0.35%, 0.63%

LAB 74.62, -20.9, 30.19

 

Description

Color code: HEX #7FC2BE | qconv.com Color code: HEX #7FC2BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 194 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 194 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 2 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 2% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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