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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FADE3 it is the complementary color #80521C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FADE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FADE3 shade: #84ADDE, #95BFF1, #A6D1FF, #B7E3FF and #C8F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FADE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FADE3 shade: #7FADE3, #6E9BD0, #5D89BD, #4C77AA and #3B6597

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FADE3 shade: #7DACE3, #7D91E3, #857DE3, #A17DE3 and #BC7DE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FADE3 shade: #7DACE3, #7D91E3 and #7D7DE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FADE3 shade matches the following richer shades: #7DACE3, #71ABEF and #64AAFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FADE3 shade: #7DACE3, #8AADD6, #97AEC9, #A4AFBC and #B1B0AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FADE3 shade: #7DE3E3, #7DC8E3, #7DADE3, #7D92E3 and #847DE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FADE3 shade: #3A81D4, #5C96DB, #7DACE3, #9FC2EA and #C1D7F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FADE3 shade: #7FADE3, #C87DE3 and #D5E37D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FADE3 shade: #7FADE3, #E37DAD and #ADE37D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FADE3 shade: #7FADE3, #C87DE3, #E3B37D and #98E37D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FADE3 shade: #7FADE3, #E37DDF, #E3B37D and #7DE381

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 24 / 0 / 11

HEX #7FADE3

RGB 127 173 227

HSL 212.4, 0.64%, 0.69%

LAB 69.43, -1.32, -31.97

 

Complementary color

CMYK 0 / 36 / 78 / 50

HEX #80521C

RGB 128 82 28

HSL 32.4, 0.64%, 0.31%

LAB 39.08, 14.3, 37.93

 

CMYK 41 / 22 / 0 / 13

HEX #84ADDE

RGB 132 173 222

HSL 212.67, 0.58%, 0.69%

LAB 69.52, -1.42, -29.07

 

CMYK 38 / 21 / 0 / 5

HEX #95BFF1

RGB 149 191 241

HSL 212.61, 0.77%, 0.76%

LAB 76.07, -1.74, -29.23

 

CMYK 35 / 18 / 0 / 0

HEX #A6D1FF

RGB 166 209 255

HSL 211.01, 1%, 0.83%

LAB 82.34, -3.28, -27.02

 

CMYK 28 / 11 / 0 / 0

HEX #B7E3FF

RGB 183 227 255

HSL 203.33, 1%, 0.86%

LAB 88.08, -7.98, -18.23

 

CMYK 22 / 4 / 0 / 0

HEX #C8F5FF

RGB 200 245 255

HSL 190.91, 1%, 0.89%

LAB 93.8, -12.22, -9.56

 

CMYK 44 / 24 / 0 / 11

HEX #7FADE3

RGB 127 173 227

HSL 212.4, 0.64%, 0.69%

LAB 69.43, -1.32, -31.97

 

CMYK 47 / 25 / 0 / 18

HEX #6E9BD0

RGB 110 155 208

HSL 212.45, 0.51%, 0.62%

LAB 62.77, -0.85, -31.86

 

CMYK 51 / 28 / 0 / 26

HEX #5D89BD

RGB 93 137 189

HSL 212.5, 0.42%, 0.55%

LAB 55.98, -0.29, -31.79

 

CMYK 55 / 30 / 0 / 33

HEX #4C77AA

RGB 76 119 170

HSL 212.55, 0.38%, 0.48%

LAB 49.05, 0.41, -31.74

 

CMYK 61 / 33 / 0 / 41

HEX #3B6597

RGB 59 101 151

HSL 212.61, 0.44%, 0.41%

LAB 41.96, 1.32, -31.72

 

CMYK 45 / 24 / 0 / 11

HEX #7DACE3

RGB 125 172 227

HSL 212.35, 0.65%, 0.69%

LAB 69.05, -1.26, -32.57

 

CMYK 45 / 36 / 0 / 11

HEX #7D91E3

RGB 125 145 227

HSL 228.24, 0.65%, 0.69%

LAB 61.79, 14.15, -43.9

 

CMYK 41 / 45 / 0 / 11

HEX #857DE3

RGB 133 125 227

HSL 244.71, 0.65%, 0.69%

LAB 57.27, 27.88, -51.01

 

CMYK 29 / 45 / 0 / 11

HEX #A17DE3

RGB 161 125 227

HSL 261.18, 0.65%, 0.69%

LAB 59.7, 35.13, -47.01

 

CMYK 17 / 45 / 0 / 11

HEX #BC7DE3

RGB 188 125 227

HSL 277.06, 0.65%, 0.69%

LAB 62.43, 42.6, -42.52

 

CMYK 45 / 24 / 0 / 11

HEX #7DACE3

RGB 125 172 227

HSL 212.35, 0.65%, 0.69%

LAB 69.05, -1.26, -32.57

 

CMYK 45 / 36 / 0 / 11

HEX #7D91E3

RGB 125 145 227

HSL 228.24, 0.65%, 0.69%

LAB 61.79, 14.15, -43.9

 

CMYK 45 / 45 / 0 / 11

HEX #7D7DE3

RGB 125 125 227

HSL 240, 0.65%, 0.69%

LAB 56.66, 25.95, -52.03

 

CMYK 45 / 24 / 0 / 11

HEX #7DACE3

RGB 125 172 227

HSL 212.35, 0.65%, 0.69%

LAB 69.05, -1.26, -32.57

 

CMYK 53 / 28 / 0 / 6

HEX #71ABEF

RGB 113 171 239

HSL 212.38, 0.8%, 0.69%

LAB 68.66, 0.03, -39.78

 

CMYK 60 / 33 / 0 / 1

HEX #64AAFC

RGB 100 170 252

HSL 212.37, 0.96%, 0.69%

LAB 68.38, 2.04, -47.33

 

CMYK 45 / 24 / 0 / 11

HEX #7DACE3

RGB 125 172 227

HSL 212.35, 0.65%, 0.69%

LAB 69.05, -1.26, -32.57

 

CMYK 36 / 19 / 0 / 16

HEX #8AADD6

RGB 138 173 214

HSL 212.37, 0.48%, 0.69%

LAB 69.57, -1.93, -24.57

 

CMYK 25 / 13 / 0 / 21

HEX #97AEC9

RGB 151 174 201

HSL 212.4, 0.32%, 0.69%

LAB 70.22, -1.89, -16.36

 

CMYK 13 / 7 / 0 / 26

HEX #A4AFBC

RGB 164 175 188

HSL 212.5, 0.15%, 0.69%

LAB 71, -1.18, -7.95

 

CMYK 0 / 1 / 1 / 31

HEX #B1B0AF

RGB 177 176 175

HSL 30, 0.01%, 0.69%

LAB 71.89, 0.17, 0.63

 

CMYK 45 / 0 / 0 / 11

HEX #7DE3E3

RGB 125 227 227

HSL 180, 0.65%, 0.69%

LAB 84.4, -29.71, -9.27

 

CMYK 45 / 12 / 0 / 11

HEX #7DC8E3

RGB 125 200 227

HSL 195.88, 0.65%, 0.69%

LAB 76.81, -16.27, -20.68

 

CMYK 45 / 24 / 0 / 11

HEX #7DADE3

RGB 125 173 227

HSL 211.76, 0.65%, 0.69%

LAB 69.32, -1.81, -32.14

 

CMYK 45 / 36 / 0 / 11

HEX #7D92E3

RGB 125 146 227

HSL 227.65, 0.65%, 0.69%

LAB 62.05, 13.57, -43.49

 

CMYK 42 / 45 / 0 / 11

HEX #847DE3

RGB 132 125 227

HSL 244.12, 0.65%, 0.69%

LAB 57.19, 27.64, -51.14

 

CMYK 73 / 39 / 0 / 17

HEX #3A81D4

RGB 58 129 212

HSL 212.34, 0.64%, 0.53%

LAB 53.33, 5.7, -49.1

 

CMYK 58 / 32 / 0 / 14

HEX #5C96DB

RGB 92 150 219

HSL 212.6, 0.64%, 0.61%

LAB 60.96, 1.39, -40.88

 

CMYK 45 / 24 / 0 / 11

HEX #7DACE3

RGB 125 172 227

HSL 212.35, 0.65%, 0.69%

LAB 69.05, -1.26, -32.57

 

CMYK 32 / 17 / 0 / 8

HEX #9FC2EA

RGB 159 194 234

HSL 212, 0.64%, 0.77%

LAB 77.22, -2.41, -23.65

 

CMYK 20 / 11 / 0 / 5

HEX #C1D7F1

RGB 193 215 241

HSL 212.5, 0.63%, 0.85%

LAB 85.14, -1.94, -15.2

 

CMYK 44 / 24 / 0 / 11

HEX #7FADE3

RGB 127 173 227

HSL 212.4, 0.64%, 0.69%

LAB 69.43, -1.32, -31.97

 

CMYK 12 / 45 / 0 / 11

HEX #C87DE3

RGB 200 125 227

HSL 284.12, 0.65%, 0.69%

LAB 63.75, 46.01, -40.36

 

CMYK 6 / 0 / 45 / 11

HEX #D5E37D

RGB 213 227 125

HSL 68.24, 0.65%, 0.69%

LAB 87.27, -19.56, 48.01

 

CMYK 44 / 24 / 0 / 11

HEX #7FADE3

RGB 127 173 227

HSL 212.4, 0.64%, 0.69%

LAB 69.43, -1.32, -31.97

 

CMYK 0 / 45 / 24 / 11

HEX #E37DAD

RGB 227 125 173

HSL 331.76, 0.65%, 0.69%

LAB 64.97, 45.11, -7.86

 

CMYK 24 / 0 / 45 / 11

HEX #ADE37D

RGB 173 227 125

HSL 91.76, 0.65%, 0.69%

LAB 84.64, -34.5, 44.17

 

CMYK 44 / 24 / 0 / 11

HEX #7FADE3

RGB 127 173 227

HSL 212.4, 0.64%, 0.69%

LAB 69.43, -1.32, -31.97

 

CMYK 12 / 45 / 0 / 11

HEX #C87DE3

RGB 200 125 227

HSL 284.12, 0.65%, 0.69%

LAB 63.75, 46.01, -40.36

 

CMYK 0 / 21 / 45 / 11

HEX #E3B37D

RGB 227 179 125

HSL 31.76, 0.65%, 0.69%

LAB 76.1, 10.64, 34.16

 

CMYK 33 / 0 / 45 / 11

HEX #98E37D

RGB 152 227 125

HSL 104.12, 0.65%, 0.69%

LAB 83.49, -41.7, 42.48

 

CMYK 44 / 24 / 0 / 11

HEX #7FADE3

RGB 127 173 227

HSL 212.4, 0.64%, 0.69%

LAB 69.43, -1.32, -31.97

 

CMYK 0 / 45 / 2 / 11

HEX #E37DDF

RGB 227 125 223

HSL 302.35, 0.65%, 0.69%

LAB 66.77, 53.05, -33.19

 

CMYK 0 / 21 / 45 / 11

HEX #E3B37D

RGB 227 179 125

HSL 31.76, 0.65%, 0.69%

LAB 76.1, 10.64, 34.16

 

CMYK 45 / 0 / 43 / 11

HEX #7DE381

RGB 125 227 129

HSL 122.35, 0.65%, 0.69%

LAB 82.32, -49.43, 38.77

 

Description

Color code: HEX #7FADE3 | qconv.com Color code: HEX #7FADE3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 173 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 173 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 24 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 24% 0% 11% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

52% - Press Releases - New...
Link: http://www.allergan.com

41% - Allergan - Leading G...
Link: http://www.allergan.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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