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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A17DE3 it is the complementary color #5E821C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A17DE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A17DE3 shade: #A67DDE, #B78FF1, #C8A1FF, #D9B3FF and #EAC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A17DE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A17DE3 shade: #A17DE3, #906BD0, #7F59BD, #6E47AA and #5D3597

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A17DE3 shade: #A17DE3, #BD7DE3, #D87DE3, #E37DD3 and #E37DB7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A17DE3 shade: #A17DE3, #857DE3 and #7D7DE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A17DE3 shade matches the following richer shades: #A17DE3, #9D70F0 and #9963FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A17DE3 shade: #A17DE3, #A589D7, #A896CA, #ACA3BD and #B0B0B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A17DE3 shade: #7D8FE3, #857DE3, #A17DE3, #BC7DE3 and #D77DE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A17DE3 shade: #7038D5, #885BDC, #A17DE3, #B99FEB and #D2C1F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A17DE3 shade: #A17DE3, #E37DAB and #82E37D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A17DE3 shade: #A17DE3, #E3A17D and #7DE3A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A17DE3 shade: #A17DE3, #E37DAB, #BFE37D and #7DE3B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A17DE3 shade: #A17DE3, #E37D8C, #BFE37D and #7DE3D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 45 / 0 / 11

HEX #A17DE3

RGB 161 125 227

HSL 261.18, 0.65%, 0.69%

LAB 59.7, 35.13, -47.01

 

Complementary color

CMYK 28 / 0 / 78 / 49

HEX #5E821C

RGB 94 130 28

HSL 81.18, 0.65%, 0.31%

LAB 50.01, -28.19, 47.44

 

CMYK 25 / 44 / 0 / 13

HEX #A67DDE

RGB 166 125 222

HSL 265.36, 0.6%, 0.68%

LAB 59.93, 35.29, -43.82

 

CMYK 24 / 41 / 0 / 5

HEX #B78FF1

RGB 183 143 241

HSL 264.49, 0.78%, 0.75%

LAB 66.57, 34.46, -43.79

 

CMYK 22 / 37 / 0 / 0

HEX #C8A1FF

RGB 200 161 255

HSL 264.89, 1%, 0.82%

LAB 72.88, 32.56, -41.42

 

CMYK 15 / 30 / 0 / 0

HEX #D9B3FF

RGB 217 179 255

HSL 270, 1%, 0.85%

LAB 78.59, 27.76, -32.46

 

CMYK 8 / 23 / 0 / 0

HEX #EAC5FF

RGB 234 197 255

HSL 278.28, 1%, 0.89%

LAB 84.3, 23.35, -23.59

 

CMYK 29 / 45 / 0 / 11

HEX #A17DE3

RGB 161 125 227

HSL 261.18, 0.65%, 0.69%

LAB 59.7, 35.13, -47.01

 

CMYK 31 / 49 / 0 / 18

HEX #906BD0

RGB 144 107 208

HSL 261.98, 0.52%, 0.62%

LAB 52.95, 36.07, -47.11

 

CMYK 33 / 53 / 0 / 26

HEX #7F59BD

RGB 127 89 189

HSL 262.8, 0.43%, 0.55%

LAB 46.08, 37.1, -47.23

 

CMYK 35 / 58 / 0 / 33

HEX #6E47AA

RGB 110 71 170

HSL 263.64, 0.41%, 0.47%

LAB 39.11, 38.18, -47.33

 

CMYK 38 / 65 / 0 / 41

HEX #5D3597

RGB 93 53 151

HSL 264.49, 0.48%, 0.4%

LAB 32.05, 39.27, -47.37

 

CMYK 29 / 45 / 0 / 11

HEX #A17DE3

RGB 161 125 227

HSL 261.18, 0.65%, 0.69%

LAB 59.7, 35.13, -47.01

 

CMYK 17 / 45 / 0 / 11

HEX #BD7DE3

RGB 189 125 227

HSL 277.65, 0.65%, 0.69%

LAB 62.53, 42.88, -42.35

 

CMYK 5 / 45 / 0 / 11

HEX #D87DE3

RGB 216 125 227

HSL 293.53, 0.65%, 0.69%

LAB 65.6, 50.59, -37.32

 

CMYK 0 / 45 / 7 / 11

HEX #E37DD3

RGB 227 125 211

HSL 309.41, 0.65%, 0.69%

LAB 66.29, 50.99, -27.25

 

CMYK 0 / 45 / 19 / 11

HEX #E37DB7

RGB 227 125 183

HSL 325.88, 0.65%, 0.69%

LAB 65.29, 46.55, -13.04

 

CMYK 29 / 45 / 0 / 11

HEX #A17DE3

RGB 161 125 227

HSL 261.18, 0.65%, 0.69%

LAB 59.7, 35.13, -47.01

 

CMYK 41 / 45 / 0 / 11

HEX #857DE3

RGB 133 125 227

HSL 244.71, 0.65%, 0.69%

LAB 57.27, 27.88, -51.01

 

CMYK 45 / 45 / 0 / 11

HEX #7D7DE3

RGB 125 125 227

HSL 240, 0.65%, 0.69%

LAB 56.66, 25.95, -52.03

 

CMYK 29 / 45 / 0 / 11

HEX #A17DE3

RGB 161 125 227

HSL 261.18, 0.65%, 0.69%

LAB 59.7, 35.13, -47.01

 

CMYK 35 / 53 / 0 / 6

HEX #9D70F0

RGB 157 112 240

HSL 261.09, 0.81%, 0.69%

LAB 57.12, 44.65, -58.37

 

CMYK 40 / 61 / 0 / 1

HEX #9963FD

RGB 153 99 253

HSL 261.04, 0.97%, 0.69%

LAB 54.85, 54.1, -69.26

 

CMYK 29 / 45 / 0 / 11

HEX #A17DE3

RGB 161 125 227

HSL 261.18, 0.65%, 0.69%

LAB 59.7, 35.13, -47.01

 

CMYK 23 / 36 / 0 / 16

HEX #A589D7

RGB 165 137 215

HSL 261.54, 0.49%, 0.69%

LAB 62.34, 26.53, -36.14

 

CMYK 17 / 26 / 0 / 21

HEX #A896CA

RGB 168 150 202

HSL 260.77, 0.33%, 0.69%

LAB 65.28, 17.07, -24.31

 

CMYK 9 / 14 / 0 / 26

HEX #ACA3BD

RGB 172 163 189

HSL 260.77, 0.16%, 0.69%

LAB 68.49, 8.31, -12.18

 

CMYK 0 / 0 / 0 / 31

HEX #B0B0B0

RGB 176 176 176

HSL 0, 0%, 0.69%

LAB 71.84, 0, -0.01

 

CMYK 45 / 37 / 0 / 11

HEX #7D8FE3

RGB 125 143 227

HSL 229.41, 0.65%, 0.69%

LAB 61.26, 15.32, -44.73

 

CMYK 41 / 45 / 0 / 11

HEX #857DE3

RGB 133 125 227

HSL 244.71, 0.65%, 0.69%

LAB 57.27, 27.88, -51.01

 

CMYK 29 / 45 / 0 / 11

HEX #A17DE3

RGB 161 125 227

HSL 261.18, 0.65%, 0.69%

LAB 59.7, 35.13, -47.01

 

CMYK 17 / 45 / 0 / 11

HEX #BC7DE3

RGB 188 125 227

HSL 277.06, 0.65%, 0.69%

LAB 62.43, 42.6, -42.52

 

CMYK 5 / 45 / 0 / 11

HEX #D77DE3

RGB 215 125 227

HSL 292.94, 0.65%, 0.69%

LAB 65.48, 50.3, -37.52

 

CMYK 47 / 74 / 0 / 16

HEX #7038D5

RGB 112 56 213

HSL 261.4, 0.65%, 0.53%

LAB 39.71, 57.79, -71.51

 

CMYK 38 / 59 / 0 / 14

HEX #885BDC

RGB 136 91 220

HSL 260.93, 0.65%, 0.61%

LAB 49.35, 46.22, -59.73

 

CMYK 29 / 45 / 0 / 11

HEX #A17DE3

RGB 161 125 227

HSL 261.18, 0.65%, 0.69%

LAB 59.7, 35.13, -47.01

 

CMYK 21 / 32 / 0 / 8

HEX #B99FEB

RGB 185 159 235

HSL 260.53, 0.66%, 0.77%

LAB 70.25, 24.73, -34.74

 

CMYK 13 / 20 / 0 / 5

HEX #D2C1F2

RGB 210 193 242

HSL 260.82, 0.65%, 0.85%

LAB 80.88, 15.29, -22.04

 

CMYK 29 / 45 / 0 / 11

HEX #A17DE3

RGB 161 125 227

HSL 261.18, 0.65%, 0.69%

LAB 59.7, 35.13, -47.01

 

CMYK 0 / 45 / 25 / 11

HEX #E37DAB

RGB 227 125 171

HSL 332.94, 0.65%, 0.69%

LAB 64.91, 44.83, -6.81

 

CMYK 43 / 0 / 45 / 11

HEX #82E37D

RGB 130 227 125

HSL 117.06, 0.65%, 0.69%

LAB 82.47, -48.56, 40.97

 

CMYK 29 / 45 / 0 / 11

HEX #A17DE3

RGB 161 125 227

HSL 261.18, 0.65%, 0.69%

LAB 59.7, 35.13, -47.01

 

CMYK 0 / 29 / 45 / 11

HEX #E3A17D

RGB 227 161 125

HSL 21.18, 0.65%, 0.69%

LAB 71.76, 20.25, 28.48

 

CMYK 45 / 0 / 29 / 11

HEX #7DE3A1

RGB 125 227 161

HSL 141.18, 0.65%, 0.69%

LAB 82.84, -44.13, 23.2

 

CMYK 29 / 45 / 0 / 11

HEX #A17DE3

RGB 161 125 227

HSL 261.18, 0.65%, 0.69%

LAB 59.7, 35.13, -47.01

 

CMYK 0 / 45 / 25 / 11

HEX #E37DAB

RGB 227 125 171

HSL 332.94, 0.65%, 0.69%

LAB 64.91, 44.83, -6.81

 

CMYK 16 / 0 / 45 / 11

HEX #BFE37D

RGB 191 227 125

HSL 81.18, 0.65%, 0.69%

LAB 85.75, -27.94, 45.8

 

CMYK 45 / 0 / 20 / 11

HEX #7DE3B5

RGB 125 227 181

HSL 152.94, 0.65%, 0.69%

LAB 83.25, -40.23, 13.33

 

CMYK 29 / 45 / 0 / 11

HEX #A17DE3

RGB 161 125 227

HSL 261.18, 0.65%, 0.69%

LAB 59.7, 35.13, -47.01

 

CMYK 0 / 45 / 38 / 11

HEX #E37D8C

RGB 227 125 140

HSL 351.18, 0.65%, 0.69%

LAB 64.07, 40.9, 9.59

 

CMYK 16 / 0 / 45 / 11

HEX #BFE37D

RGB 191 227 125

HSL 81.18, 0.65%, 0.69%

LAB 85.75, -27.94, 45.8

 

CMYK 45 / 0 / 7 / 11

HEX #7DE3D4

RGB 125 227 212

HSL 171.18, 0.65%, 0.69%

LAB 83.99, -33.36, -1.95

 

Description

Color code: HEX #A17DE3 | qconv.com Color code: HEX #A17DE3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 125 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 125 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 45 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 45% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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