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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FAC5B it is the complementary color #8053A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FAC5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7FAC5B: #84AC56, #95BE69, #A6D07C, #B7E28F and #C8F4A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FAC5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7FAC5B: #7FAC5B, #6E9A48, #5D8835, #4C7622 and #3B640F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 47 / 33

HEX #7FAC5B

RGB 127 172 91

HSL 93.33, 0.33%, 0.52%

LAB 65.57, -29.57, 36.73

 

Complementary color

CMYK 22 / 49 / 0 / 36

HEX #8053A4

RGB 128 83 164

HSL 273.33, 0.33%, 0.48%

LAB 43.44, 34.57, -36.74

 

CMYK 23 / 0 / 50 / 33

HEX #84AC56

RGB 132 172 86

HSL 87.91, 0.34%, 0.51%

LAB 65.81, -28.28, 39.61

 

CMYK 22 / 0 / 45 / 25

HEX #95BE69

RGB 149 190 105

HSL 88.94, 0.4%, 0.58%

LAB 72.39, -28.29, 38.43

 

CMYK 20 / 0 / 40 / 18

HEX #A6D07C

RGB 166 208 124

HSL 90, 0.47%, 0.65%

LAB 78.85, -28.25, 37.25

 

CMYK 19 / 0 / 37 / 11

HEX #B7E28F

RGB 183 226 143

HSL 91.08, 0.59%, 0.72%

LAB 85.22, -28.2, 36.11

 

CMYK 18 / 0 / 34 / 4

HEX #C8F4A2

RGB 200 244 162

HSL 92.2, 0.79%, 0.8%

LAB 91.5, -28.12, 35.01

 

CMYK 26 / 0 / 47 / 33

HEX #7FAC5B

RGB 127 172 91

HSL 93.33, 0.33%, 0.52%

LAB 65.57, -29.57, 36.73

 

CMYK 29 / 0 / 53 / 40

HEX #6E9A48

RGB 110 154 72

HSL 92.2, 0.36%, 0.44%

LAB 58.88, -29.59, 37.93

 

CMYK 32 / 0 / 61 / 47

HEX #5D8835

RGB 93 136 53

HSL 91.08, 0.44%, 0.37%

LAB 52.05, -29.52, 39.05

 

CMYK 36 / 0 / 71 / 54

HEX #4C7622

RGB 76 118 34

HSL 90, 0.55%, 0.3%

LAB 45.09, -29.29, 39.86

 

CMYK 41 / 0 / 85 / 61

HEX #3B640F

RGB 59 100 15

HSL 88.94, 0.74%, 0.23%

LAB 37.98, -28.77, 39.8

 

CMYK 26 / 0 / 47 / 33

HEX #7FAC5B

RGB 127 172 91

HSL 93.33, 0.33%, 0.52%

LAB 65.57, -29.57, 36.73

 

CMYK 33 / 0 / 47 / 33

HEX #73AC5C

RGB 115 172 92

HSL 102.75, 0.33%, 0.52%

LAB 64.9, -33.76, 35.23

 

CMYK 41 / 0 / 47 / 33

HEX #65AC5C

RGB 101 172 92

HSL 113.25, 0.33%, 0.52%

LAB 64.2, -38.44, 34.2

 

CMYK 47 / 0 / 44 / 33

HEX #5CAC60

RGB 92 172 96

HSL 123, 0.33%, 0.52%

LAB 63.86, -40.61, 31.61

 

CMYK 47 / 0 / 37 / 33

HEX #5CAC6D

RGB 92 172 109

HSL 132.75, 0.33%, 0.52%

LAB 64.07, -38.46, 25.01

 

CMYK 26 / 0 / 47 / 33

HEX #7FAC5B

RGB 127 172 91

HSL 93.33, 0.33%, 0.52%

LAB 65.57, -29.57, 36.73

 

CMYK 26 / 0 / 47 / 13

HEX #A5DF76

RGB 165 223 118

HSL 93.14, 0.62%, 0.67%

LAB 82.96, -36.34, 45.37

 

CMYK 26 / 0 / 47 / 93

HEX #0E130A

RGB 14 19 10

HSL 93.33, 0.31%, 0.06%

LAB 5.25, -3.42, 3.69

 

CMYK 26 / 0 / 47 / 73

HEX #344625

RGB 52 70 37

HSL 92.73, 0.31%, 0.21%

LAB 27.42, -14.1, 17.6

 

CMYK 26 / 0 / 47 / 53

HEX #597940

RGB 89 121 64

HSL 93.68, 0.31%, 0.36%

LAB 47.2, -22.38, 27.54

 

CMYK 26 / 0 / 47 / 33

HEX #7FAC5B

RGB 127 172 91

HSL 93.33, 0.33%, 0.52%

LAB 65.57, -29.57, 36.73

 

CMYK 47 / 0 / 12 / 33

HEX #5CAC98

RGB 92 172 152

HSL 165, 0.33%, 0.52%

LAB 65, -29.49, 2.69

 

CMYK 0 / 47 / 7 / 33

HEX #AC5CA0

RGB 172 92 160

HSL 309, 0.33%, 0.52%

LAB 50.64, 42.18, -22.73

 

CMYK 26 / 0 / 47 / 33

HEX #7FAC5B

RGB 127 172 91

HSL 93.33, 0.33%, 0.52%

LAB 65.57, -29.57, 36.73

 

CMYK 47 / 26 / 0 / 33

HEX #5C80AC

RGB 92 128 172

HSL 213, 0.33%, 0.52%

LAB 52.61, -0.44, -27.28

 

CMYK 0 / 47 / 26 / 33

HEX #AC5C80

RGB 172 92 128

HSL 333, 0.33%, 0.52%

LAB 49.48, 37.01, -5.51

 

CMYK 26 / 0 / 47 / 33

HEX #7FAC5B

RGB 127 172 91

HSL 93.33, 0.33%, 0.52%

LAB 65.57, -29.57, 36.73

 

CMYK 47 / 0 / 12 / 33

HEX #5CAC98

RGB 92 172 152

HSL 165, 0.33%, 0.52%

LAB 65, -29.49, 2.69

 

CMYK 21 / 47 / 0 / 33

HEX #885CAC

RGB 136 92 172

HSL 273, 0.33%, 0.52%

LAB 46.8, 33.62, -36.1

 

CMYK 0 / 47 / 35 / 33

HEX #AC5C70

RGB 172 92 112

HSL 345, 0.33%, 0.52%

LAB 49, 34.82, 3.39

 

CMYK 26 / 0 / 47 / 33

HEX #7FAC5B

RGB 127 172 91

HSL 93.33, 0.33%, 0.52%

LAB 65.57, -29.57, 36.73

 

CMYK 47 / 2 / 0 / 33

HEX #5CA8AC

RGB 92 168 172

HSL 183, 0.33%, 0.52%

LAB 64.37, -22.42, -9.39

 

CMYK 21 / 47 / 0 / 33

HEX #885CAC

RGB 136 92 172

HSL 273, 0.33%, 0.52%

LAB 46.8, 33.62, -36.1

 

CMYK 0 / 44 / 47 / 33

HEX #AC605C

RGB 172 96 92

HSL 3, 0.33%, 0.52%

LAB 49.39, 30.32, 15.89

 

Description

Color code: HEX #7FAC5B | qconv.com Color code: HEX #7FAC5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 172 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 172 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 47 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 47% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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