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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FA4F9 it is the complementary color #805B06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FA4F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7FA4F9: #84A4F4, #95B6FF, #A6C8FF, #B7DAFF and #C8ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FA4F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7FA4F9: #7FA4F9, #6E92E6, #5D80D3, #4C6EC0 and #3B5CAD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 34 / 0 / 2

HEX #7FA4F9

RGB 127 164 249

HSL 221.8, 0.91%, 0.74%

LAB 67.95, 10.1, -46.29

 

Complementary color

CMYK 0 / 29 / 95 / 50

HEX #805B06

RGB 128 91 6

HSL 41.8, 0.91%, 0.26%

LAB 41.35, 8.26, 47.59

 

CMYK 46 / 33 / 0 / 4

HEX #84A4F4

RGB 132 164 244

HSL 222.86, 0.84%, 0.74%

LAB 68.01, 9.81, -43.44

 

CMYK 42 / 29 / 0 / 0

HEX #95B6FF

RGB 149 182 255

HSL 221.32, 1%, 0.79%

LAB 74.23, 6.94, -39.61

 

CMYK 35 / 22 / 0 / 0

HEX #A6C8FF

RGB 166 200 255

HSL 217.08, 1%, 0.83%

LAB 79.97, 1.53, -30.65

 

CMYK 28 / 15 / 0 / 0

HEX #B7DAFF

RGB 183 218 255

HSL 210.83, 1%, 0.86%

LAB 85.72, -3.31, -21.79

 

CMYK 22 / 7 / 0 / 0

HEX #C8ECFF

RGB 200 236 255

HSL 200.73, 1%, 0.89%

LAB 91.46, -7.66, -13.05

 

CMYK 49 / 34 / 0 / 2

HEX #7FA4F9

RGB 127 164 249

HSL 221.8, 0.91%, 0.74%

LAB 67.95, 10.1, -46.29

 

CMYK 52 / 37 / 0 / 10

HEX #6E92E6

RGB 110 146 230

HSL 222, 0.71%, 0.67%

LAB 61.3, 10.98, -46.4

 

CMYK 56 / 39 / 0 / 17

HEX #5D80D3

RGB 93 128 211

HSL 222.2, 0.57%, 0.6%

LAB 54.52, 12.02, -46.56

 

CMYK 60 / 43 / 0 / 25

HEX #4C6EC0

RGB 76 110 192

HSL 222.41, 0.48%, 0.53%

LAB 47.62, 13.3, -46.75

 

CMYK 66 / 47 / 0 / 32

HEX #3B5CAD

RGB 59 92 173

HSL 222.63, 0.49%, 0.45%

LAB 40.58, 14.9, -46.97

 

CMYK 49 / 34 / 0 / 2

HEX #7FA4F9

RGB 127 164 249

HSL 221.8, 0.91%, 0.74%

LAB 67.95, 10.1, -46.29

 

CMYK 49 / 41 / 0 / 2

HEX #8092F9

RGB 128 146 249

HSL 231.07, 0.91%, 0.74%

LAB 63.33, 20.75, -53.58

 

CMYK 48 / 49 / 0 / 2

HEX #8280F9

RGB 130 128 249

HSL 240.99, 0.91%, 0.74%

LAB 59, 31.76, -60.49

 

CMYK 40 / 49 / 0 / 2

HEX #9680F9

RGB 150 128 249

HSL 250.91, 0.91%, 0.74%

LAB 60.57, 36.33, -57.88

 

CMYK 32 / 49 / 0 / 2

HEX #AA80F9

RGB 170 128 249

HSL 260.83, 0.91%, 0.74%

LAB 62.36, 41.25, -54.92

 

CMYK 49 / 34 / 0 / 2

HEX #7FA4F9

RGB 127 164 249

HSL 221.8, 0.91%, 0.74%

LAB 67.95, 10.1, -46.29

 

CMYK 49 / 33 / 0 / 82

HEX #171E2D

RGB 23 30 45

HSL 220.91, 0.32%, 0.13%

LAB 11.28, 1.73, -11.04

 

CMYK 49 / 34 / 0 / 62

HEX #313F60

RGB 49 63 96

HSL 222.13, 0.32%, 0.28%

LAB 26.88, 4.42, -21.33

 

CMYK 49 / 34 / 0 / 42

HEX #4B6193

RGB 75 97 147

HSL 221.67, 0.32%, 0.44%

LAB 41.46, 6.22, -30.05

 

CMYK 49 / 34 / 0 / 22

HEX #6582C6

RGB 101 130 198

HSL 222.06, 0.46%, 0.59%

LAB 54.88, 8.51, -38.6

 

CMYK 49 / 34 / 0 / 2

HEX #7FA4F9

RGB 127 164 249

HSL 221.8, 0.91%, 0.74%

LAB 67.95, 10.1, -46.29

 

CMYK 6 / 49 / 0 / 2

HEX #EA80F9

RGB 234 128 249

HSL 292.56, 0.91%, 0.74%

LAB 69.31, 58.22, -43.5

 

CMYK 14 / 0 / 49 / 2

HEX #D6F980

RGB 214 249 128

HSL 77.36, 0.91%, 0.74%

LAB 93.28, -29.38, 53.92

 

CMYK 49 / 34 / 0 / 2

HEX #7FA4F9

RGB 127 164 249

HSL 221.8, 0.91%, 0.74%

LAB 67.95, 10.1, -46.29

 

CMYK 0 / 49 / 33 / 2

HEX #F980A6

RGB 249 128 166

HSL 341.16, 0.91%, 0.74%

LAB 68.26, 50.06, 1.28

 

CMYK 33 / 0 / 49 / 2

HEX #A6F980

RGB 166 249 128

HSL 101.16, 0.91%, 0.74%

LAB 90.51, -46.28, 49.92

 

CMYK 49 / 34 / 0 / 2

HEX #7FA4F9

RGB 127 164 249

HSL 221.8, 0.91%, 0.74%

LAB 67.95, 10.1, -46.29

 

CMYK 6 / 49 / 0 / 2

HEX #EA80F9

RGB 234 128 249

HSL 292.56, 0.91%, 0.74%

LAB 69.31, 58.22, -43.5

 

CMYK 0 / 16 / 49 / 2

HEX #F9D280

RGB 249 210 128

HSL 40.66, 0.91%, 0.74%

LAB 85.9, 3.55, 45.51

 

CMYK 43 / 0 / 49 / 2

HEX #8EF980

RGB 142 249 128

HSL 113.06, 0.91%, 0.74%

LAB 89.42, -53.68, 48.33

 

CMYK 49 / 34 / 0 / 2

HEX #7FA4F9

RGB 127 164 249

HSL 221.8, 0.91%, 0.74%

LAB 67.95, 10.1, -46.29

 

CMYK 0 / 49 / 9 / 2

HEX #F980E2

RGB 249 128 226

HSL 311.4, 0.91%, 0.74%

LAB 70.22, 58.48, -29.28

 

CMYK 0 / 16 / 49 / 2

HEX #F9D280

RGB 249 210 128

HSL 40.66, 0.91%, 0.74%

LAB 85.9, 3.55, 45.51

 

CMYK 49 / 0 / 40 / 2

HEX #80F996

RGB 128 249 150

HSL 130.91, 0.91%, 0.74%

LAB 89.18, -54.4, 37.27

 

Description

Color code: HEX #7FA4F9 | qconv.com Color code: HEX #7FA4F9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 164 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 164 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 34 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 34% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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