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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F7E74 it is the complementary color #80818B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F7E74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7F7E74: #847E6F, #959082, #A6A295, #B7B4A8 and #C8C6BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F7E74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7F7E74: #7F7E74, #6E6C61, #5D5A4E, #4C483B and #3B3628

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 9 / 50

HEX #7F7E74

RGB 127 126 116

HSL 54.55, 0.05%, 0.48%

LAB 52.61, -1.53, 5.57

 

Complementary color

CMYK 8 / 7 / 0 / 45

HEX #80818B

RGB 128 129 139

HSL 234.55, 0.05%, 0.52%

LAB 54.19, 1.7, -5.52

 

CMYK 0 / 5 / 16 / 48

HEX #847E6F

RGB 132 126 111

HSL 42.86, 0.09%, 0.48%

LAB 52.92, -0.45, 8.98

 

CMYK 0 / 3 / 13 / 42

HEX #959082

RGB 149 144 130

HSL 44.21, 0.08%, 0.55%

LAB 59.84, -0.68, 8.09

 

CMYK 0 / 2 / 10 / 35

HEX #A6A295

RGB 166 162 149

HSL 45.88, 0.09%, 0.62%

LAB 66.61, -0.89, 7.27

 

CMYK 0 / 2 / 8 / 28

HEX #B7B4A8

RGB 183 180 168

HSL 48, 0.09%, 0.69%

LAB 73.24, -1.08, 6.49

 

CMYK 0 / 1 / 7 / 22

HEX #C8C6BB

RGB 200 198 187

HSL 50.77, 0.11%, 0.76%

LAB 79.76, -1.25, 5.74

 

CMYK 0 / 1 / 9 / 50

HEX #7F7E74

RGB 127 126 116

HSL 54.55, 0.05%, 0.48%

LAB 52.61, -1.53, 5.57

 

CMYK 0 / 2 / 12 / 57

HEX #6E6C61

RGB 110 108 97

HSL 50.77, 0.06%, 0.41%

LAB 45.5, -1.34, 6.43

 

CMYK 0 / 3 / 16 / 64

HEX #5D5A4E

RGB 93 90 78

HSL 48, 0.09%, 0.34%

LAB 38.18, -1.13, 7.37

 

CMYK 0 / 5 / 22 / 70

HEX #4C483B

RGB 76 72 59

HSL 45.88, 0.13%, 0.26%

LAB 30.61, -0.86, 8.41

 

CMYK 0 / 8 / 32 / 77

HEX #3B3628

RGB 59 54 40

HSL 44.21, 0.19%, 0.19%

LAB 22.73, -0.49, 9.62

 

CMYK 0 / 1 / 9 / 50

HEX #7F7E74

RGB 127 126 116

HSL 54.55, 0.05%, 0.48%

LAB 52.61, -1.53, 5.57

 

CMYK 1 / 0 / 9 / 50

HEX #7F8074

RGB 127 128 116

HSL 65, 0.05%, 0.48%

LAB 53.18, -2.67, 6.38

 

CMYK 2 / 0 / 9 / 50

HEX #7D8074

RGB 125 128 116

HSL 75, 0.05%, 0.48%

LAB 53.01, -3.44, 6.12

 

CMYK 4 / 0 / 9 / 50

HEX #7B8074

RGB 123 128 116

HSL 85, 0.05%, 0.48%

LAB 52.85, -4.21, 5.87

 

CMYK 5 / 0 / 9 / 50

HEX #798074

RGB 121 128 116

HSL 95, 0.05%, 0.48%

LAB 52.69, -4.98, 5.62

 

CMYK 0 / 1 / 9 / 50

HEX #7F7E74

RGB 127 126 116

HSL 54.55, 0.05%, 0.48%

LAB 52.61, -1.53, 5.57

 

CMYK 0 / 1 / 8 / 30

HEX #B2B1A3

RGB 178 177 163

HSL 56, 0.09%, 0.67%

LAB 71.93, -2.16, 7.28

 

CMYK 0 / 1 / 9 / 10

HEX #E5E3D1

RGB 229 227 209

HSL 54, 0.28%, 0.86%

LAB 89.95, -2.4, 9.02

 

CMYK 0 / 0 / 8 / 90

HEX #191917

RGB 25 25 23

HSL 60, 0.04%, 0.09%

LAB 8.69, -0.5, 1.4

 

CMYK 0 / 1 / 9 / 70

HEX #4C4B45

RGB 76 75 69

HSL 51.43, 0.05%, 0.28%

LAB 31.8, -0.84, 3.72

 

CMYK 0 / 1 / 9 / 50

HEX #7F7E74

RGB 127 126 116

HSL 54.55, 0.05%, 0.48%

LAB 52.61, -1.53, 5.57

 

CMYK 9 / 0 / 9 / 50

HEX #748075

RGB 116 128 117

HSL 125, 0.05%, 0.48%

LAB 52.33, -6.68, 4.46

 

CMYK 5 / 9 / 0 / 50

HEX #7A7480

RGB 122 116 128

HSL 270, 0.05%, 0.48%

LAB 49.72, 4.74, -5.75

 

CMYK 0 / 1 / 9 / 50

HEX #7F7E74

RGB 127 126 116

HSL 54.55, 0.05%, 0.48%

LAB 52.61, -1.53, 5.57

 

CMYK 9 / 0 / 1 / 50

HEX #74807F

RGB 116 128 127

HSL 175, 0.05%, 0.48%

LAB 52.6, -4.62, -0.98

 

CMYK 1 / 9 / 0 / 50

HEX #7F7480

RGB 127 116 128

HSL 295, 0.05%, 0.48%

LAB 50.17, 6.59, -5.04

 

CMYK 0 / 1 / 9 / 50

HEX #7F7E74

RGB 127 126 116

HSL 54.55, 0.05%, 0.48%

LAB 52.61, -1.53, 5.57

 

CMYK 9 / 0 / 9 / 50

HEX #748075

RGB 116 128 117

HSL 125, 0.05%, 0.48%

LAB 52.33, -6.68, 4.46

 

CMYK 9 / 9 / 0 / 50

HEX #747580

RGB 116 117 128

HSL 235, 0.05%, 0.48%

LAB 49.49, 1.95, -6.16

 

CMYK 0 / 9 / 1 / 50

HEX #80747F

RGB 128 116 127

HSL 305, 0.05%, 0.48%

LAB 50.23, 6.77, -4.35

 

CMYK 0 / 1 / 9 / 50

HEX #7F7E74

RGB 127 126 116

HSL 54.55, 0.05%, 0.48%

LAB 52.61, -1.53, 5.57

 

CMYK 9 / 0 / 5 / 50

HEX #748079

RGB 116 128 121

HSL 145, 0.05%, 0.48%

LAB 52.43, -5.87, 2.28

 

CMYK 9 / 9 / 0 / 50

HEX #747580

RGB 116 117 128

HSL 235, 0.05%, 0.48%

LAB 49.49, 1.95, -6.16

 

CMYK 0 / 9 / 4 / 50

HEX #80747B

RGB 128 116 123

HSL 325, 0.05%, 0.48%

LAB 50.11, 5.97, -2.17

 

Description

Color code: HEX #7F7E74 | qconv.com Color code: HEX #7F7E74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 126 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 126 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 9 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 9% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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