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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F6CF3CE it is the complementary color #80930CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F6CF3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F6CF3CE shade: #846CEECE, #957EFFCE, #A690FFCE, #B7A2FFCE and #C8B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F6CF3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F6CF3CE shade: #7F6CF3CE, #6E5AE0CE, #5D48CDCE, #4C36BACE and #3B24A7CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F6CF3CE shade: #806DF3, #A46DF3, #C86DF3, #EC6DF3 and #F36DD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F6CF3CE shade: #806DF3 and #6D6DF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F6CF3CE shade matches the following richer shades: #806DF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F6CF3CE shade: #806DF3, #897AE6, #9286DA, #9B93CD and #A4A0C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F6CF3CE shade: #6DA3F3, #6D7FF3, #7F6DF3, #A36DF3 and #C66DF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F6CF3CE shade: #3D20ED, #5E47F0, #806DF3, #A193F6 and #C2B9F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F6CF3CE shade: #7F6CF3, #F36DC6 and #91F36D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F6CF3CE shade: #7F6CF3, #F37F6D and #6DF37F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F6CF3CE shade: #7F6CF3, #F36DC6, #E1F36D and #6DF39A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F6CF3CE shade: #7F6CF3, #F36D9E, #E1F36D and #6DF3C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 45 / 0 / 4

HEX #7F6CF3CE

RGBA 127 108 243 0.81

HSLA 248.44, 0.85%, 0.69%, 0.81

LABA 53.72, 41.04, -65.66, 0.81

 

Complementary color

CMYK 10 / 0 / 74 / 34

HEX #80930CCE

RGBA 128 147 12 0.81

HSLA 68.44, 0.85%, 0.31%, 0.81

LABA 57.54, -22.59, 58.99, 0.81

 

CMYK 36 / 44 / 0 / 5

HEX #846CEECE

RGBA 132 108 238 0.81

HSLA 251.08, 0.79%, 0.68%, 0.81

LABA 53.82, 40.66, -62.69, 0.81

 

CMYK 34 / 41 / 0 / 0

HEX #957EFFCE

RGBA 149 126 255 0.81

HSLA 250.7, 1%, 0.75%, 0.81

LABA 60.37, 38.87, -61.51, 0.81

 

CMYK 28 / 35 / 0 / 0

HEX #A690FFCE

RGBA 166 144 255 0.81

HSLA 251.89, 1%, 0.78%, 0.81

LABA 65.96, 32.77, -52.52, 0.81

 

CMYK 23 / 30 / 0 / 0

HEX #B7A2FFCE

RGBA 183 162 255 0.81

HSLA 253.55, 1%, 0.82%, 0.81

LABA 71.64, 27.2, -43.47, 0.81

 

CMYK 17 / 24 / 0 / 0

HEX #C8B4FFCE

RGBA 200 180 255 0.81

HSLA 256, 1%, 0.85%, 0.81

LABA 77.37, 22.12, -34.47, 0.81

 

CMYK 39 / 45 / 0 / 4

HEX #7F6CF3CE

RGBA 127 108 243 0.81

HSLA 248.44, 0.85%, 0.69%, 0.81

LABA 53.72, 41.04, -65.66, 0.81

 

CMYK 41 / 48 / 0 / 10

HEX #6E5AE0CE

RGBA 110 90 224 0.81

HSLA 248.96, 0.68%, 0.62%, 0.81

LABA 46.99, 42.51, -65.94, 0.81

 

CMYK 44 / 53 / 0 / 16

HEX #5D48CDCE

RGBA 93 72 205 0.81

HSLA 249.47, 0.57%, 0.54%, 0.81

LABA 40.2, 44.11, -66.17, 0.81

 

CMYK 48 / 57 / 0 / 22

HEX #4C36BACE

RGBA 76 54 186 0.81

HSLA 250, 0.55%, 0.47%, 0.81

LABA 33.39, 45.78, -66.26, 0.81

 

CMYK 52 / 64 / 0 / 28

HEX #3B24A7CE

RGBA 59 36 167 0.81

HSLA 250.53, 0.65%, 0.4%, 0.81

LABA 26.68, 47.33, -66.01, 0.81

 

CMYK 47 / 55 / 0 / 5

HEX #806DF3

RGB 128 109 243

HSL 248.51, 0.85%, 0.69%

LAB 54.02, 40.66, -65.16

 

CMYK 33 / 55 / 0 / 5

HEX #A46DF3

RGB 164 109 243

HSL 264.63, 0.85%, 0.69%

LAB 57.37, 48.7, -59.61

 

CMYK 18 / 55 / 0 / 5

HEX #C86DF3

RGB 200 109 243

HSL 280.75, 0.85%, 0.69%

LAB 61.38, 57.49, -52.97

 

CMYK 3 / 55 / 0 / 5

HEX #EC6DF3

RGB 236 109 243

HSL 296.87, 0.85%, 0.69%

LAB 65.94, 66.59, -45.47

 

CMYK 0 / 55 / 12 / 5

HEX #F36DD6

RGB 243 109 214

HSL 312.99, 0.85%, 0.69%

LAB 65.63, 63.71, -29.77

 

CMYK 47 / 55 / 0 / 5

HEX #806DF3

RGB 128 109 243

HSL 248.51, 0.85%, 0.69%

LAB 54.02, 40.66, -65.16

 

CMYK 55 / 55 / 0 / 5

HEX #6D6DF3

RGB 109 109 243

HSL 240, 0.85%, 0.69%

LAB 52.57, 36.92, -67.57

 

CMYK 47 / 55 / 0 / 5

HEX #806DF3

RGB 128 109 243

HSL 248.51, 0.85%, 0.69%

LAB 54.02, 40.66, -65.16

 

CMYK 47 / 55 / 0 / 5

HEX #806DF3

RGB 128 109 243

HSL 248.51, 0.85%, 0.69%

LAB 54.02, 40.66, -65.16

 

CMYK 40 / 47 / 0 / 10

HEX #897AE6

RGB 137 122 230

HSL 248.33, 0.68%, 0.69%

LAB 57.03, 31.46, -53.06

 

CMYK 33 / 39 / 0 / 15

HEX #9286DA

RGB 146 134 218

HSL 248.57, 0.53%, 0.69%

LAB 60.09, 23.57, -41.45

 

CMYK 24 / 28 / 0 / 20

HEX #9B93CD

RGB 155 147 205

HSL 248.28, 0.37%, 0.69%

LAB 63.54, 15.42, -28.75

 

CMYK 15 / 17 / 0 / 25

HEX #A4A0C0

RGB 164 160 192

HSL 247.5, 0.2%, 0.69%

LAB 67.16, 7.94, -15.92

 

CMYK 55 / 33 / 0 / 5

HEX #6DA3F3

RGB 109 163 243

HSL 215.82, 0.85%, 0.69%

LAB 66.46, 4.94, -45.43

 

CMYK 55 / 48 / 0 / 5

HEX #6D7FF3

RGB 109 127 243

HSL 231.94, 0.85%, 0.69%

LAB 56.98, 26.15, -60.48

 

CMYK 48 / 55 / 0 / 5

HEX #7F6DF3

RGB 127 109 243

HSL 248.06, 0.85%, 0.69%

LAB 53.94, 40.46, -65.3

 

CMYK 33 / 55 / 0 / 5

HEX #A36DF3

RGB 163 109 243

HSL 264.18, 0.85%, 0.69%

LAB 57.26, 48.46, -59.78

 

CMYK 19 / 55 / 0 / 5

HEX #C66DF3

RGB 198 109 243

HSL 279.85, 0.85%, 0.69%

LAB 61.15, 56.99, -53.36

 

CMYK 74 / 86 / 0 / 7

HEX #3D20ED

RGB 61 32 237

HSL 248.49, 0.85%, 0.53%

LAB 34.27, 68.98, -94.36

 

CMYK 61 / 70 / 0 / 6

HEX #5E47F0

RGB 94 71 240

HSL 248.17, 0.85%, 0.61%

LAB 43.03, 55.31, -81.5

 

CMYK 47 / 55 / 0 / 5

HEX #806DF3

RGB 128 109 243

HSL 248.51, 0.85%, 0.69%

LAB 54.02, 40.66, -65.16

 

CMYK 35 / 40 / 0 / 4

HEX #A193F6

RGB 161 147 246

HSL 248.48, 0.85%, 0.77%

LAB 65.83, 27.44, -47.84

 

CMYK 22 / 26 / 0 / 2

HEX #C2B9F9

RGB 194 185 249

HSL 248.44, 0.84%, 0.85%

LAB 77.88, 16.24, -30.49

 

CMYK 48 / 56 / 0 / 5

HEX #7F6CF3

RGB 127 108 243

HSL 248.44, 0.85%, 0.69%

LAB 53.72, 41.04, -65.66

 

CMYK 0 / 55 / 19 / 5

HEX #F36DC6

RGB 243 109 198

HSL 320.15, 0.85%, 0.69%

LAB 65.02, 61.35, -21.72

 

CMYK 40 / 0 / 55 / 5

HEX #91F36D

RGB 145 243 109

HSL 103.88, 0.85%, 0.69%

LAB 87.59, -52.58, 54.9

 

CMYK 48 / 56 / 0 / 5

HEX #7F6CF3

RGB 127 108 243

HSL 248.44, 0.85%, 0.69%

LAB 53.72, 41.04, -65.66

 

CMYK 0 / 48 / 55 / 5

HEX #F37F6D

RGB 243 127 109

HSL 8.06, 0.85%, 0.69%

LAB 66.01, 42.77, 30.04

 

CMYK 55 / 0 / 48 / 5

HEX #6DF37F

RGB 109 243 127

HSL 128.06, 0.85%, 0.69%

LAB 86.45, -60.18, 44.85

 

CMYK 48 / 56 / 0 / 5

HEX #7F6CF3

RGB 127 108 243

HSL 248.44, 0.85%, 0.69%

LAB 53.72, 41.04, -65.66

 

CMYK 0 / 55 / 19 / 5

HEX #F36DC6

RGB 243 109 198

HSL 320.15, 0.85%, 0.69%

LAB 65.02, 61.35, -21.72

 

CMYK 7 / 0 / 55 / 5

HEX #E1F36D

RGB 225 243 109

HSL 68.06, 0.85%, 0.69%

LAB 92.23, -24.04, 61.46

 

CMYK 55 / 0 / 37 / 5

HEX #6DF39A

RGB 109 243 154

HSL 140.15, 0.85%, 0.69%

LAB 86.84, -55.94, 32.08

 

CMYK 48 / 56 / 0 / 5

HEX #7F6CF3

RGB 127 108 243

HSL 248.44, 0.85%, 0.69%

LAB 53.72, 41.04, -65.66

 

CMYK 0 / 55 / 35 / 5

HEX #F36D9E

RGB 243 109 158

HSL 338.06, 0.85%, 0.69%

LAB 63.72, 56.2, -0.91

 

CMYK 7 / 0 / 55 / 5

HEX #E1F36D

RGB 225 243 109

HSL 68.06, 0.85%, 0.69%

LAB 92.23, -24.04, 61.46

 

CMYK 55 / 0 / 20 / 5

HEX #6DF3C2

RGB 109 243 194

HSL 158.06, 0.85%, 0.69%

LAB 87.61, -48.14, 12.63

 

Description

Color code: HEX #7F6CF3CE | qconv.com Color code: HEX #7F6CF3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 108 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 108 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 45 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 45% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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