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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D48CDCE it is the complementary color #A2B732CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D48CDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D48CDCE shade: #6248C8CE, #735ADBCE, #846CEECE, #957EFFCE and #A690FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D48CDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D48CDCE shade: #5D48CDCE, #4C36BACE, #3B24A7CE, #2A1294CE and #190081CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D48CDCE shade: #5C47CD, #8047CD, #A447CD, #C847CD and #CD47AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D48CDCE shade: #5C47CD and #4747CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D48CDCE shade matches the following richer shades: #5C47CD, #4F34E0 and #4221F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D48CDCE shade: #5C47CD, #695ABA, #766DA7, #838094 and #909381

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D48CDCE shade: #477ACD, #4756CD, #5B47CD, #7F47CD and #A247CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D48CDCE shade: #3B2997, #4732B8, #5C47CD, #7967D5 and #9588DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D48CDCE shade: #5D48CD, #CD479E and #68CD47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D48CDCE shade: #5D48CD, #CD5B47 and #47CD5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D48CDCE shade: #5D48CD, #CD479E, #B9CD47 and #47CD76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D48CDCE shade: #5D48CD, #CD4776, #B9CD47 and #47CD9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 53 / 0 / 16

HEX #5D48CDCE

RGBA 93 72 205 0.81

HSLA 249.47, 0.57%, 0.54%, 0.81

LABA 40.2, 44.11, -66.17, 0.81

 

Complementary color

CMYK 9 / 0 / 59 / 23

HEX #A2B732CE

RGBA 162 183 50 0.81

HSLA 69.47, 0.57%, 0.46%, 0.81

LABA 70.72, -24.47, 61.2, 0.81

 

CMYK 41 / 52 / 0 / 17

HEX #6248C8CE

RGBA 98 72 200 0.81

HSLA 252.19, 0.54%, 0.53%, 0.81

LABA 40.25, 43.5, -63.17, 0.81

 

CMYK 38 / 48 / 0 / 11

HEX #735ADBCE

RGBA 115 90 219 0.81

HSLA 251.63, 0.64%, 0.61%, 0.81

LABA 47.07, 42.03, -62.95, 0.81

 

CMYK 36 / 44 / 0 / 5

HEX #846CEECE

RGBA 132 108 238 0.81

HSLA 251.08, 0.79%, 0.68%, 0.81

LABA 53.82, 40.66, -62.69, 0.81

 

CMYK 34 / 41 / 0 / 0

HEX #957EFFCE

RGBA 149 126 255 0.81

HSLA 250.7, 1%, 0.75%, 0.81

LABA 60.37, 38.87, -61.51, 0.81

 

CMYK 28 / 35 / 0 / 0

HEX #A690FFCE

RGBA 166 144 255 0.81

HSLA 251.89, 1%, 0.78%, 0.81

LABA 65.96, 32.77, -52.52, 0.81

 

CMYK 44 / 53 / 0 / 16

HEX #5D48CDCE

RGBA 93 72 205 0.81

HSLA 249.47, 0.57%, 0.54%, 0.81

LABA 40.2, 44.11, -66.17, 0.81

 

CMYK 48 / 57 / 0 / 22

HEX #4C36BACE

RGBA 76 54 186 0.81

HSLA 250, 0.55%, 0.47%, 0.81

LABA 33.39, 45.78, -66.26, 0.81

 

CMYK 52 / 64 / 0 / 28

HEX #3B24A7CE

RGBA 59 36 167 0.81

HSLA 250.53, 0.65%, 0.4%, 0.81

LABA 26.68, 47.33, -66.01, 0.81

 

CMYK 58 / 71 / 0 / 34

HEX #2A1294CE

RGBA 42 18 148 0.81

HSLA 251.08, 0.78%, 0.33%, 0.81

LABA 20.29, 48.2, -65.01, 0.81

 

CMYK 65 / 81 / 0 / 40

HEX #190081CE

RGBA 25 0 129 0.81

HSLA 251.63, 1%, 0.25%, 0.81

LABA 14.35, 48.2, -63.01, 0.81

 

CMYK 55 / 65 / 0 / 20

HEX #5C47CD

RGB 92 71 205

HSL 249.4, 0.57%, 0.54%

LAB 39.9, 44.51, -66.66

 

CMYK 38 / 65 / 0 / 20

HEX #8047CD

RGB 128 71 205

HSL 265.52, 0.57%, 0.54%

LAB 43.51, 51.29, -60.62

 

CMYK 20 / 65 / 0 / 20

HEX #A447CD

RGB 164 71 205

HSL 281.64, 0.57%, 0.54%

LAB 48.02, 59.05, -53.14

 

CMYK 2 / 65 / 0 / 20

HEX #C847CD

RGB 200 71 205

HSL 297.76, 0.57%, 0.54%

LAB 53.16, 67.28, -44.63

 

CMYK 0 / 65 / 16 / 20

HEX #CD47AD

RGB 205 71 173

HSL 314.33, 0.57%, 0.54%

LAB 52.4, 63.46, -27.25

 

CMYK 55 / 65 / 0 / 20

HEX #5C47CD

RGB 92 71 205

HSL 249.4, 0.57%, 0.54%

LAB 39.9, 44.51, -66.66

 

CMYK 65 / 65 / 0 / 20

HEX #4747CD

RGB 71 71 205

HSL 240, 0.57%, 0.54%

LAB 38.29, 41.31, -69.35

 

CMYK 55 / 65 / 0 / 20

HEX #5C47CD

RGB 92 71 205

HSL 249.4, 0.57%, 0.54%

LAB 39.9, 44.51, -66.66

 

CMYK 65 / 77 / 0 / 12

HEX #4F34E0

RGB 79 52 224

HSL 249.42, 0.74%, 0.54%

LAB 36.93, 58.49, -82.51

 

CMYK 73 / 86 / 0 / 5

HEX #4221F3

RGB 66 33 243

HSL 249.43, 0.9%, 0.54%

LAB 35.43, 70.49, -95.82

 

CMYK 55 / 65 / 0 / 20

HEX #5C47CD

RGB 92 71 205

HSL 249.4, 0.57%, 0.54%

LAB 39.9, 44.51, -66.66

 

CMYK 44 / 52 / 0 / 27

HEX #695ABA

RGB 105 90 186

HSL 249.38, 0.41%, 0.54%

LAB 44.03, 30.19, -48.88

 

CMYK 29 / 35 / 0 / 35

HEX #766DA7

RGB 118 109 167

HSL 249.31, 0.25%, 0.54%

LAB 48.98, 16.88, -29.88

 

CMYK 11 / 14 / 0 / 42

HEX #838094

RGB 131 128 148

HSL 249, 0.09%, 0.54%

LAB 54.45, 5.29, -10.33

 

CMYK 2 / 0 / 12 / 42

HEX #909381

RGB 144 147 129

HSL 70, 0.08%, 0.54%

LAB 60.23, -4.44, 9.16

 

CMYK 65 / 40 / 0 / 20

HEX #477ACD

RGB 71 122 205

HSL 217.16, 0.57%, 0.54%

LAB 51.46, 9.46, -48.09

 

CMYK 65 / 58 / 0 / 20

HEX #4756CD

RGB 71 86 205

HSL 233.28, 0.57%, 0.54%

LAB 41.85, 32.06, -63.55

 

CMYK 56 / 65 / 0 / 20

HEX #5B47CD

RGB 91 71 205

HSL 248.96, 0.57%, 0.54%

LAB 39.81, 44.35, -66.81

 

CMYK 38 / 65 / 0 / 20

HEX #7F47CD

RGB 127 71 205

HSL 265.07, 0.57%, 0.54%

LAB 43.4, 51.08, -60.81

 

CMYK 21 / 65 / 0 / 20

HEX #A247CD

RGB 162 71 205

HSL 280.75, 0.57%, 0.54%

LAB 47.75, 58.61, -53.58

 

CMYK 61 / 73 / 0 / 41

HEX #3B2997

RGB 59 41 151

HSL 249.82, 0.57%, 0.38%

LAB 26.01, 39.7, -57.37

 

CMYK 61 / 73 / 0 / 28

HEX #4732B8

RGB 71 50 184

HSL 249.4, 0.57%, 0.46%

LAB 31.99, 46.67, -67.39

 

CMYK 55 / 65 / 0 / 20

HEX #5C47CD

RGB 92 71 205

HSL 249.4, 0.57%, 0.54%

LAB 39.9, 44.51, -66.66

 

CMYK 43 / 52 / 0 / 16

HEX #7967D5

RGB 121 103 213

HSL 249.82, 0.57%, 0.62%

LAB 50.18, 34.01, -54.5

 

CMYK 33 / 39 / 0 / 13

HEX #9588DE

RGB 149 136 222

HSL 249.07, 0.57%, 0.7%

LAB 61.02, 24.28, -42.21

 

CMYK 55 / 65 / 0 / 20

HEX #5D48CD

RGB 93 72 205

HSL 249.47, 0.57%, 0.54%

LAB 40.2, 44.11, -66.17

 

CMYK 0 / 65 / 23 / 20

HEX #CD479E

RGB 205 71 158

HSL 321.04, 0.57%, 0.54%

LAB 51.79, 61.37, -19.38

 

CMYK 49 / 0 / 65 / 20

HEX #68CD47

RGB 104 205 71

HSL 105.22, 0.57%, 0.54%

LAB 74.23, -53.56, 55.76

 

CMYK 55 / 65 / 0 / 20

HEX #5D48CD

RGB 93 72 205

HSL 249.47, 0.57%, 0.54%

LAB 40.2, 44.11, -66.17

 

CMYK 0 / 56 / 65 / 20

HEX #CD5B47

RGB 205 91 71

HSL 8.96, 0.57%, 0.54%

LAB 52.86, 43.84, 33.53

 

CMYK 65 / 0 / 56 / 20

HEX #47CD5B

RGB 71 205 91

HSL 128.96, 0.57%, 0.54%

LAB 73.39, -59.4, 45.7

 

CMYK 55 / 65 / 0 / 20

HEX #5D48CD

RGB 93 72 205

HSL 249.47, 0.57%, 0.54%

LAB 40.2, 44.11, -66.17

 

CMYK 0 / 65 / 23 / 20

HEX #CD479E

RGB 205 71 158

HSL 321.04, 0.57%, 0.54%

LAB 51.79, 61.37, -19.38

 

CMYK 10 / 0 / 65 / 20

HEX #B9CD47

RGB 185 205 71

HSL 68.96, 0.57%, 0.54%

LAB 78.71, -24.48, 61.87

 

CMYK 65 / 0 / 42 / 20

HEX #47CD76

RGB 71 205 118

HSL 141.04, 0.57%, 0.54%

LAB 73.75, -55.34, 32.89

 

CMYK 55 / 65 / 0 / 20

HEX #5D48CD

RGB 93 72 205

HSL 249.47, 0.57%, 0.54%

LAB 40.2, 44.11, -66.17

 

CMYK 0 / 65 / 42 / 20

HEX #CD4776

RGB 205 71 118

HSL 338.96, 0.57%, 0.54%

LAB 50.44, 56.66, 2.51

 

CMYK 10 / 0 / 65 / 20

HEX #B9CD47

RGB 185 205 71

HSL 68.96, 0.57%, 0.54%

LAB 78.71, -24.48, 61.87

 

CMYK 65 / 0 / 23 / 20

HEX #47CD9E

RGB 71 205 158

HSL 158.96, 0.57%, 0.54%

LAB 74.49, -47.35, 12.9

 

Description

Color code: HEX #5D48CDCE | qconv.com Color code: HEX #5D48CDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 72 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 72 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 53 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 53% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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