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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F46B9 it is the complementary color #80B946. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F46B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7F46B9: #8446B4, #9558C7, #A66ADA, #B77CED and #C88EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F46B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7F46B9: #7F46B9, #6E34A6, #5D2293, #4C1080 and #3B006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 62 / 0 / 27

HEX #7F46B9

RGB 127 70 185

HSL 269.74, 0.45%, 0.5%

LAB 41.84, 46.6, -51.7

 

Complementary color

CMYK 31 / 0 / 62 / 27

HEX #80B946

RGB 128 185 70

HSL 89.74, 0.45%, 0.5%

LAB 69.28, -37.45, 51.08

 

CMYK 27 / 61 / 0 / 29

HEX #8446B4

RGB 132 70 180

HSL 273.82, 0.44%, 0.49%

LAB 42.13, 46.58, -48.27

 

CMYK 25 / 56 / 0 / 22

HEX #9558C7

RGB 149 88 199

HSL 272.97, 0.5%, 0.56%

LAB 48.87, 45.74, -48.42

 

CMYK 24 / 51 / 0 / 15

HEX #A66ADA

RGB 166 106 218

HSL 272.14, 0.6%, 0.64%

LAB 55.56, 44.86, -48.49

 

CMYK 23 / 48 / 0 / 7

HEX #B77CED

RGB 183 124 237

HSL 271.33, 0.76%, 0.71%

LAB 62.17, 43.98, -48.52

 

CMYK 22 / 44 / 0 / 0

HEX #C88EFF

RGB 200 142 255

HSL 270.8, 1%, 0.78%

LAB 68.64, 42.91, -48.08

 

CMYK 31 / 62 / 0 / 27

HEX #7F46B9

RGB 127 70 185

HSL 269.74, 0.45%, 0.5%

LAB 41.84, 46.6, -51.7

 

CMYK 34 / 69 / 0 / 35

HEX #6E34A6

RGB 110 52 166

HSL 270.53, 0.52%, 0.43%

LAB 35.05, 47.37, -51.49

 

CMYK 37 / 77 / 0 / 42

HEX #5D2293

RGB 93 34 147

HSL 271.33, 0.62%, 0.35%

LAB 28.32, 47.75, -50.97

 

CMYK 41 / 88 / 0 / 50

HEX #4C1080

RGB 76 16 128

HSL 272.14, 0.78%, 0.28%

LAB 21.82, 47.19, -49.83

 

CMYK 46 / 100 / 0 / 57

HEX #3B006D

RGB 59 0 109

HSL 272.48, 1%, 0.21%

LAB 15.66, 45.25, -47.82

 

CMYK 31 / 62 / 0 / 27

HEX #7F46B9

RGB 127 70 185

HSL 269.74, 0.45%, 0.5%

LAB 41.84, 46.6, -51.7

 

CMYK 22 / 62 / 0 / 28

HEX #9046B8

RGB 144 70 184

HSL 278.95, 0.45%, 0.5%

LAB 43.9, 50.39, -47.69

 

CMYK 11 / 62 / 0 / 28

HEX #A346B8

RGB 163 70 184

HSL 288.95, 0.45%, 0.5%

LAB 46.48, 55.03, -43.42

 

CMYK 1 / 62 / 0 / 28

HEX #B646B8

RGB 182 70 184

HSL 298.95, 0.45%, 0.5%

LAB 49.24, 59.75, -38.88

 

CMYK 0 / 62 / 9 / 28

HEX #B846A7

RGB 184 70 167

HSL 308.95, 0.45%, 0.5%

LAB 48.71, 57.42, -29.71

 

CMYK 31 / 62 / 0 / 27

HEX #7F46B9

RGB 127 70 185

HSL 269.74, 0.45%, 0.5%

LAB 41.84, 46.6, -51.7

 

CMYK 31 / 62 / 0 / 7

HEX #A259EC

RGB 162 89 236

HSL 269.8, 0.79%, 0.64%

LAB 52.82, 56.94, -63.02

 

CMYK 31 / 63 / 0 / 87

HEX #160C20

RGB 22 12 32

HSL 270, 0.45%, 0.09%

LAB 4.86, 8.68, -11.25

 

CMYK 31 / 63 / 0 / 67

HEX #391F53

RGB 57 31 83

HSL 270, 0.46%, 0.22%

LAB 17.8, 24.35, -27.08

 

CMYK 31 / 62 / 0 / 47

HEX #5C3386

RGB 92 51 134

HSL 269.64, 0.45%, 0.36%

LAB 30.31, 35.63, -39.71

 

CMYK 31 / 62 / 0 / 27

HEX #7F46B9

RGB 127 70 185

HSL 269.74, 0.45%, 0.5%

LAB 41.84, 46.6, -51.7

 

CMYK 0 / 62 / 42 / 28

HEX #B8466A

RGB 184 70 106

HSL 341.05, 0.45%, 0.5%

LAB 46.46, 49.24, 3.59

 

CMYK 62 / 0 / 57 / 28

HEX #46B84F

RGB 70 184 79

HSL 124.74, 0.45%, 0.5%

LAB 66.63, -53.53, 43.33

 

CMYK 31 / 62 / 0 / 27

HEX #7F46B9

RGB 127 70 185

HSL 269.74, 0.45%, 0.5%

LAB 41.84, 46.6, -51.7

 

CMYK 0 / 32 / 62 / 28

HEX #B87D46

RGB 184 125 70

HSL 28.95, 0.45%, 0.5%

LAB 57.37, 17.27, 38.76

 

CMYK 62 / 0 / 32 / 28

HEX #46B87D

RGB 70 184 125

HSL 148.95, 0.45%, 0.5%

LAB 67.32, -45.93, 20.67

 

CMYK 31 / 62 / 0 / 27

HEX #7F46B9

RGB 127 70 185

HSL 269.74, 0.45%, 0.5%

LAB 41.84, 46.6, -51.7

 

CMYK 0 / 62 / 42 / 28

HEX #B8466A

RGB 184 70 106

HSL 341.05, 0.45%, 0.5%

LAB 46.46, 49.24, 3.59

 

CMYK 30 / 0 / 62 / 28

HEX #81B846

RGB 129 184 70

HSL 88.95, 0.45%, 0.5%

LAB 69.03, -36.63, 50.83

 

CMYK 62 / 0 / 20 / 28

HEX #46B894

RGB 70 184 148

HSL 161.05, 0.45%, 0.5%

LAB 67.81, -40.86, 8.85

 

CMYK 31 / 62 / 0 / 27

HEX #7F46B9

RGB 127 70 185

HSL 269.74, 0.45%, 0.5%

LAB 41.84, 46.6, -51.7

 

CMYK 0 / 62 / 61 / 28

HEX #B84648

RGB 184 70 72

HSL 358.95, 0.45%, 0.5%

LAB 45.69, 46.26, 23.24

 

CMYK 30 / 0 / 62 / 28

HEX #81B846

RGB 129 184 70

HSL 88.95, 0.45%, 0.5%

LAB 69.03, -36.63, 50.83

 

CMYK 62 / 0 / 1 / 28

HEX #46B8B6

RGB 70 184 182

HSL 178.95, 0.45%, 0.5%

LAB 68.72, -32.06, -8.53

 

Description

Color code: HEX #7F46B9 | qconv.com Color code: HEX #7F46B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 70 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 70 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 62 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 62% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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