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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F1B86 it is the complementary color #80E479. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F1B86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F1B86 shade: #841B81, #952D94, #A63FA7, #B751BA and #C863CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F1B86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F1B86 shade: #7F1B86, #6E0973, #5D0060, #4C004D and #3B003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F1B86 shade: #801C87, #871C71, #871C54, #871C37 and #871C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F1B86 shade: #801C87, #631C87, #461C87, #291C87 and #1C1C87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F1B86 shade matches the following richer shades: #801C87, #8C0F95 and #9701A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F1B86 shade: #801C87, #75297A, #69366D, #5E4360 and #535153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F1B86 shade: #471C87, #641C87, #801C87, #871C72 and #871C55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F1B86 shade: #3F0E43, #601565, #801C87, #A123AA and #C12ACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F1B86 shade: #7F1B86, #872A1C and #1C8755

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F1B86 shade: #7F1B86, #87801C and #1C8780

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F1B86 shade: #7F1B86, #872A1C, #23871C and #1C7987

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F1B86 shade: #7F1B86, #874A1C, #23871C and #1C5987

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 80 / 0 / 47

HEX #7F1B86

RGB 127 27 134

HSL 296.07, 0.66%, 0.32%

LAB 31.85, 54.31, -36.96

 

Complementary color

CMYK 44 / 0 / 47 / 11

HEX #80E479

RGB 128 228 121

HSL 116.07, 0.66%, 0.68%

LAB 82.62, -50.11, 43.1

 

CMYK 0 / 80 / 2 / 48

HEX #841B81

RGB 132 27 129

HSL 301.71, 0.66%, 0.31%

LAB 32.42, 54.52, -32.87

 

CMYK 0 / 70 / 1 / 42

HEX #952D94

RGB 149 45 148

HSL 300.58, 0.54%, 0.38%

LAB 38.56, 55.53, -34.67

 

CMYK 1 / 62 / 0 / 35

HEX #A63FA7

RGB 166 63 167

HSL 299.42, 0.45%, 0.45%

LAB 44.87, 55.73, -35.93

 

CMYK 2 / 56 / 0 / 27

HEX #B751BA

RGB 183 81 186

HSL 298.29, 0.43%, 0.52%

LAB 51.26, 55.47, -36.84

 

CMYK 2 / 52 / 0 / 20

HEX #C863CD

RGB 200 99 205

HSL 297.17, 0.51%, 0.6%

LAB 57.67, 54.97, -37.53

 

CMYK 5 / 80 / 0 / 47

HEX #7F1B86

RGB 127 27 134

HSL 296.07, 0.66%, 0.32%

LAB 31.85, 54.31, -36.96

 

CMYK 4 / 92 / 0 / 55

HEX #6E0973

RGB 110 9 115

HSL 297.17, 0.85%, 0.24%

LAB 26, 51.98, -34.48

 

CMYK 3 / 100 / 0 / 62

HEX #5D0060

RGB 93 0 96

HSL 298.13, 1%, 0.19%

LAB 20.72, 47.51, -30.76

 

CMYK 1 / 100 / 0 / 70

HEX #4C004D

RGB 76 0 77

HSL 299.22, 1%, 0.15%

LAB 15.86, 41.1, -25.92

 

CMYK 0 / 100 / 2 / 77

HEX #3B003A

RGB 59 0 58

HSL 301.02, 1%, 0.12%

LAB 10.82, 34.44, -20.84

 

CMYK 5 / 79 / 0 / 47

HEX #801C87

RGB 128 28 135

HSL 296.07, 0.66%, 0.32%

LAB 32.19, 54.39, -37.03

 

CMYK 0 / 79 / 16 / 47

HEX #871C71

RGB 135 28 113

HSL 312.34, 0.66%, 0.32%

LAB 32.2, 52.4, -23.1

 

CMYK 0 / 79 / 38 / 47

HEX #871C54

RGB 135 28 84

HSL 328.6, 0.66%, 0.32%

LAB 30.93, 48.6, -6.31

 

CMYK 0 / 79 / 59 / 47

HEX #871C37

RGB 135 28 55

HSL 344.86, 0.66%, 0.32%

LAB 30.05, 45.87, 11.62

 

CMYK 0 / 79 / 79 / 47

HEX #871C1C

RGB 135 28 28

HSL 0, 0.66%, 0.32%

LAB 29.58, 44.35, 28.5

 

CMYK 5 / 79 / 0 / 47

HEX #801C87

RGB 128 28 135

HSL 296.07, 0.66%, 0.32%

LAB 32.19, 54.39, -37.03

 

CMYK 27 / 79 / 0 / 47

HEX #631C87

RGB 99 28 135

HSL 279.81, 0.66%, 0.32%

LAB 27.39, 48.51, -45.01

 

CMYK 48 / 79 / 0 / 47

HEX #461C87

RGB 70 28 135

HSL 263.55, 0.66%, 0.32%

LAB 23.28, 43.38, -51.88

 

CMYK 70 / 79 / 0 / 47

HEX #291C87

RGB 41 28 135

HSL 247.29, 0.66%, 0.32%

LAB 20.25, 39.5, -56.98

 

CMYK 79 / 79 / 0 / 47

HEX #1C1C87

RGB 28 28 135

HSL 240, 0.66%, 0.32%

LAB 19.34, 38.32, -58.51

 

CMYK 5 / 79 / 0 / 47

HEX #801C87

RGB 128 28 135

HSL 296.07, 0.66%, 0.32%

LAB 32.19, 54.39, -37.03

 

CMYK 6 / 90 / 0 / 42

HEX #8C0F95

RGB 140 15 149

HSL 295.97, 0.82%, 0.32%

LAB 34.16, 62.2, -42.38

 

CMYK 7 / 99 / 0 / 36

HEX #9701A2

RGB 151 1 162

HSL 295.9, 0.99%, 0.32%

LAB 36.38, 68.06, -46.61

 

CMYK 5 / 79 / 0 / 47

HEX #801C87

RGB 128 28 135

HSL 296.07, 0.66%, 0.32%

LAB 32.19, 54.39, -37.03

 

CMYK 4 / 66 / 0 / 52

HEX #75297A

RGB 117 41 122

HSL 296.3, 0.5%, 0.32%

LAB 31.28, 44.5, -30.45

 

CMYK 4 / 50 / 0 / 57

HEX #69366D

RGB 105 54 109

HSL 295.64, 0.34%, 0.32%

LAB 31.22, 31.76, -22.44

 

CMYK 2 / 30 / 0 / 62

HEX #5E4360

RGB 94 67 96

HSL 295.86, 0.18%, 0.32%

LAB 32.34, 17.26, -12.55

 

CMYK 0 / 2 / 0 / 67

HEX #535153

RGB 83 81 83

HSL 300, 0.01%, 0.32%

LAB 34.7, 1.24, -0.89

 

CMYK 47 / 79 / 0 / 47

HEX #471C87

RGB 71 28 135

HSL 264.11, 0.66%, 0.32%

LAB 23.4, 43.54, -51.67

 

CMYK 26 / 79 / 0 / 47

HEX #641C87

RGB 100 28 135

HSL 280.37, 0.66%, 0.32%

LAB 27.54, 48.7, -44.75

 

CMYK 5 / 79 / 0 / 47

HEX #801C87

RGB 128 28 135

HSL 296.07, 0.66%, 0.32%

LAB 32.19, 54.39, -37.03

 

CMYK 0 / 79 / 16 / 47

HEX #871C72

RGB 135 28 114

HSL 311.78, 0.66%, 0.32%

LAB 32.25, 52.54, -23.65

 

CMYK 0 / 79 / 37 / 47

HEX #871C55

RGB 135 28 85

HSL 328.04, 0.66%, 0.32%

LAB 30.97, 48.72, -6.91

 

CMYK 6 / 79 / 0 / 74

HEX #3F0E43

RGB 63 14 67

HSL 295.47, 0.65%, 0.16%

LAB 14.27, 31.33, -21.68

 

CMYK 5 / 79 / 0 / 60

HEX #601565

RGB 96 21 101

HSL 296.25, 0.66%, 0.24%

LAB 23.55, 43.43, -29.49

 

CMYK 5 / 79 / 0 / 47

HEX #801C87

RGB 128 28 135

HSL 296.07, 0.66%, 0.32%

LAB 32.19, 54.39, -37.03

 

CMYK 5 / 79 / 0 / 33

HEX #A123AA

RGB 161 35 170

HSL 296, 0.66%, 0.4%

LAB 40.71, 65.13, -44.38

 

CMYK 5 / 79 / 0 / 20

HEX #C12ACC

RGB 193 42 204

HSL 295.93, 0.66%, 0.48%

LAB 48.7, 75.07, -51.22

 

CMYK 5 / 80 / 0 / 47

HEX #7F1B86

RGB 127 27 134

HSL 296.07, 0.66%, 0.32%

LAB 31.85, 54.31, -36.96

 

CMYK 0 / 69 / 79 / 47

HEX #872A1C

RGB 135 42 28

HSL 7.85, 0.66%, 0.32%

LAB 31.56, 38.89, 30.6

 

CMYK 79 / 0 / 37 / 47

HEX #1C8755

RGB 28 135 85

HSL 151.96, 0.66%, 0.32%

LAB 49.77, -41.47, 18.74

 

CMYK 5 / 80 / 0 / 47

HEX #7F1B86

RGB 127 27 134

HSL 296.07, 0.66%, 0.32%

LAB 31.85, 54.31, -36.96

 

CMYK 0 / 5 / 79 / 47

HEX #87801C

RGB 135 128 28

HSL 56.07, 0.66%, 0.32%

LAB 52.59, -8.94, 50.98

 

CMYK 79 / 0 / 5 / 47

HEX #1C8780

RGB 28 135 128

HSL 176.07, 0.66%, 0.32%

LAB 50.84, -30.24, -4.6

 

CMYK 5 / 80 / 0 / 47

HEX #7F1B86

RGB 127 27 134

HSL 296.07, 0.66%, 0.32%

LAB 31.85, 54.31, -36.96

 

CMYK 0 / 69 / 79 / 47

HEX #872A1C

RGB 135 42 28

HSL 7.85, 0.66%, 0.32%

LAB 31.56, 38.89, 30.6

 

CMYK 74 / 0 / 79 / 47

HEX #23871C

RGB 35 135 28

HSL 116.07, 0.66%, 0.32%

LAB 49.21, -48.52, 45.82

 

CMYK 79 / 10 / 0 / 47

HEX #1C7987

RGB 28 121 135

HSL 187.85, 0.66%, 0.32%

LAB 46.54, -20.92, -15.18

 

CMYK 5 / 80 / 0 / 47

HEX #7F1B86

RGB 127 27 134

HSL 296.07, 0.66%, 0.32%

LAB 31.85, 54.31, -36.96

 

CMYK 0 / 45 / 79 / 47

HEX #874A1C

RGB 135 74 28

HSL 25.79, 0.66%, 0.32%

LAB 38.08, 22.18, 37.26

 

CMYK 74 / 0 / 79 / 47

HEX #23871C

RGB 35 135 28

HSL 116.07, 0.66%, 0.32%

LAB 49.21, -48.52, 45.82

 

CMYK 79 / 34 / 0 / 47

HEX #1C5987

RGB 28 89 135

HSL 205.79, 0.66%, 0.32%

LAB 36.25, -2.3, -31.12

 

Description

Color code: HEX #7F1B86 | qconv.com Color code: HEX #7F1B86 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 27 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 27 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 80 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 80% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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