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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C12ACC it is the complementary color #3ED533. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C12ACC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C12ACC shade: #C62AC7, #D73CDA, #E84EED, #F960FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C12ACC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C12ACC shade: #C12ACC, #B018B9, #9F06A6, #8E0093 and #7D0080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C12ACC shade: #C02ACB, #CB2AAB, #CB2A7F, #CB2A53 and #CB2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C12ACC shade: #C02ACB, #952ACB, #692ACB, #3E2ACB and #2A2ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C12ACC shade matches the following richer shades: #C02ACB, #D116DF and #E202F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C12ACC shade: #C02ACB, #AF3DB7, #9E51A4, #8D6590 and #7C797C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C12ACC shade: #682ACB, #932ACB, #BE2ACB, #CB2AAE and #CB2A82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C12ACC shade: #7F1C87, #A023A9, #C02ACB, #CF45D9 and #D867E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C12ACC shade: #C12ACC, #CB3C2A and #2ACB7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C12ACC shade: #C12ACC, #CBBE2A and #2ACBBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C12ACC shade: #C12ACC, #CB3C2A, #37CB2A and #2AB8CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C12ACC shade: #C12ACC, #CB6D2A, #37CB2A and #2A88CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 79 / 0 / 20

HEX #C12ACC

RGB 193 42 204

HSL 295.93, 0.66%, 0.48%

LAB 48.7, 75.07, -51.22

 

Complementary color

CMYK 71 / 0 / 76 / 16

HEX #3ED533

RGB 62 213 51

HSL 115.93, 0.66%, 0.52%

LAB 75.36, -67.65, 63.89

 

CMYK 1 / 79 / 0 / 22

HEX #C62AC7

RGB 198 42 199

HSL 299.62, 0.65%, 0.47%

LAB 49.23, 75.23, -47.43

 

CMYK 1 / 72 / 0 / 15

HEX #D73CDA

RGB 215 60 218

HSL 298.86, 0.68%, 0.55%

LAB 54.8, 76.54, -49.29

 

CMYK 2 / 67 / 0 / 7

HEX #E84EED

RGB 232 78 237

HSL 298.11, 0.82%, 0.62%

LAB 60.53, 77.18, -50.72

 

CMYK 2 / 62 / 0 / 0

HEX #F960FF

RGB 249 96 255

HSL 297.74, 1%, 0.69%

LAB 66.31, 77.21, -51.37

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 5 / 79 / 0 / 20

HEX #C12ACC

RGB 193 42 204

HSL 295.93, 0.66%, 0.48%

LAB 48.7, 75.07, -51.22

 

CMYK 5 / 87 / 0 / 27

HEX #B018B9

RGB 176 24 185

HSL 296.65, 0.77%, 0.41%

LAB 43.34, 72.86, -48.91

 

CMYK 4 / 96 / 0 / 35

HEX #9F06A6

RGB 159 6 166

HSL 297.38, 0.93%, 0.34%

LAB 38.3, 69.42, -45.87

 

CMYK 3 / 100 / 0 / 42

HEX #8E0093

RGB 142 0 147

HSL 297.96, 1%, 0.29%

LAB 33.68, 64.33, -41.91

 

CMYK 2 / 100 / 0 / 50

HEX #7D0080

RGB 125 0 128

HSL 298.59, 1%, 0.25%

LAB 29.21, 58.42, -37.45

 

CMYK 5 / 79 / 0 / 20

HEX #C02ACB

RGB 192 42 203

HSL 295.9, 0.66%, 0.48%

LAB 48.48, 74.72, -51.01

 

CMYK 0 / 79 / 16 / 20

HEX #CB2AAB

RGB 203 42 171

HSL 311.93, 0.66%, 0.48%

LAB 48.63, 72.17, -31.98

 

CMYK 0 / 79 / 37 / 20

HEX #CB2A7F

RGB 203 42 127

HSL 328.32, 0.66%, 0.48%

LAB 46.82, 66.93, -8.33

 

CMYK 0 / 79 / 59 / 20

HEX #CB2A53

RGB 203 42 83

HSL 344.72, 0.66%, 0.48%

LAB 45.6, 63.23, 17.04

 

CMYK 0 / 79 / 79 / 20

HEX #CB2A2A

RGB 203 42 42

HSL 0, 0.66%, 0.48%

LAB 44.97, 61.25, 40.75

 

CMYK 5 / 79 / 0 / 20

HEX #C02ACB

RGB 192 42 203

HSL 295.9, 0.66%, 0.48%

LAB 48.48, 74.72, -51.01

 

CMYK 27 / 79 / 0 / 20

HEX #952ACB

RGB 149 42 203

HSL 279.88, 0.66%, 0.48%

LAB 41.78, 66.99, -62.15

 

CMYK 48 / 79 / 0 / 20

HEX #692ACB

RGB 105 42 203

HSL 263.48, 0.66%, 0.48%

LAB 35.93, 60.26, -71.95

 

CMYK 69 / 79 / 0 / 20

HEX #3E2ACB

RGB 62 42 203

HSL 247.45, 0.66%, 0.48%

LAB 31.79, 55.5, -78.92

 

CMYK 79 / 79 / 0 / 20

HEX #2A2ACB

RGB 42 42 203

HSL 240, 0.66%, 0.48%

LAB 30.54, 54.07, -81.02

 

CMYK 5 / 79 / 0 / 20

HEX #C02ACB

RGB 192 42 203

HSL 295.9, 0.66%, 0.48%

LAB 48.48, 74.72, -51.01

 

CMYK 6 / 90 / 0 / 13

HEX #D116DF

RGB 209 22 223

HSL 295.82, 0.82%, 0.48%

LAB 51.22, 84.65, -57.92

 

CMYK 7 / 99 / 0 / 5

HEX #E202F3

RGB 226 2 243

HSL 295.77, 0.98%, 0.48%

LAB 54.74, 92.03, -63.38

 

CMYK 5 / 79 / 0 / 20

HEX #C02ACB

RGB 192 42 203

HSL 295.9, 0.66%, 0.48%

LAB 48.48, 74.72, -51.01

 

CMYK 4 / 67 / 0 / 28

HEX #AF3DB7

RGB 175 61 183

HSL 296.07, 0.5%, 0.48%

LAB 46.8, 61.57, -42.21

 

CMYK 4 / 51 / 0 / 36

HEX #9E51A4

RGB 158 81 164

HSL 295.66, 0.34%, 0.48%

LAB 46.76, 44.4, -31.27

 

CMYK 2 / 30 / 0 / 44

HEX #8D6590

RGB 141 101 144

HSL 295.81, 0.18%, 0.48%

LAB 48.24, 23.8, -17.29

 

CMYK 0 / 2 / 0 / 51

HEX #7C797C

RGB 124 121 124

HSL 300, 0.01%, 0.48%

LAB 51.17, 1.74, -1.24

 

CMYK 49 / 79 / 0 / 20

HEX #682ACB

RGB 104 42 203

HSL 263.11, 0.66%, 0.48%

LAB 35.81, 60.12, -72.15

 

CMYK 28 / 79 / 0 / 20

HEX #932ACB

RGB 147 42 203

HSL 279.13, 0.66%, 0.48%

LAB 41.49, 66.66, -62.64

 

CMYK 6 / 79 / 0 / 20

HEX #BE2ACB

RGB 190 42 203

HSL 295.16, 0.66%, 0.48%

LAB 48.15, 74.34, -51.55

 

CMYK 0 / 79 / 14 / 20

HEX #CB2AAE

RGB 203 42 174

HSL 310.81, 0.66%, 0.48%

LAB 48.77, 72.58, -33.52

 

CMYK 0 / 79 / 36 / 20

HEX #CB2A82

RGB 203 42 130

HSL 327.2, 0.66%, 0.48%

LAB 46.93, 67.24, -10

 

CMYK 6 / 79 / 0 / 47

HEX #7F1C87

RGB 127 28 135

HSL 295.51, 0.66%, 0.32%

LAB 32.01, 54.18, -37.31

 

CMYK 5 / 79 / 0 / 34

HEX #A023A9

RGB 160 35 169

HSL 295.97, 0.66%, 0.4%

LAB 40.48, 64.77, -44.16

 

CMYK 5 / 79 / 0 / 20

HEX #C02ACB

RGB 192 42 203

HSL 295.9, 0.66%, 0.48%

LAB 48.48, 74.72, -51.01

 

CMYK 5 / 68 / 0 / 15

HEX #CF45D9

RGB 207 69 217

HSL 295.95, 0.66%, 0.56%

LAB 54.59, 71.64, -49.14

 

CMYK 4 / 54 / 0 / 12

HEX #D867E0

RGB 216 103 224

HSL 296.03, 0.66%, 0.64%

LAB 61.38, 60.8, -42.27

 

CMYK 5 / 79 / 0 / 20

HEX #C12ACC

RGB 193 42 204

HSL 295.93, 0.66%, 0.48%

LAB 48.7, 75.07, -51.22

 

CMYK 0 / 70 / 79 / 20

HEX #CB3C2A

RGB 203 60 42

HSL 6.71, 0.66%, 0.48%

LAB 47.1, 55.33, 42.91

 

CMYK 79 / 0 / 38 / 20

HEX #2ACB7D

RGB 42 203 125

HSL 150.93, 0.66%, 0.48%

LAB 72.68, -57.63, 27.79

 

CMYK 5 / 79 / 0 / 20

HEX #C12ACC

RGB 193 42 204

HSL 295.93, 0.66%, 0.48%

LAB 48.7, 75.07, -51.22

 

CMYK 0 / 6 / 79 / 20

HEX #CBBE2A

RGB 203 190 42

HSL 55.16, 0.66%, 0.48%

LAB 75.88, -10.83, 69.73

 

CMYK 79 / 0 / 6 / 20

HEX #2ACBBE

RGB 42 203 190

HSL 175.16, 0.66%, 0.48%

LAB 74.14, -42.13, -4.93

 

CMYK 5 / 79 / 0 / 20

HEX #C12ACC

RGB 193 42 204

HSL 295.93, 0.66%, 0.48%

LAB 48.7, 75.07, -51.22

 

CMYK 0 / 70 / 79 / 20

HEX #CB3C2A

RGB 203 60 42

HSL 6.71, 0.66%, 0.48%

LAB 47.1, 55.33, 42.91

 

CMYK 73 / 0 / 79 / 20

HEX #37CB2A

RGB 55 203 42

HSL 115.16, 0.66%, 0.48%

LAB 72.02, -66.26, 63.39

 

CMYK 79 / 9 / 0 / 20

HEX #2AB8CB

RGB 42 184 203

HSL 187.08, 0.66%, 0.48%

LAB 68.81, -29.45, -20.01

 

CMYK 5 / 79 / 0 / 20

HEX #C12ACC

RGB 193 42 204

HSL 295.93, 0.66%, 0.48%

LAB 48.7, 75.07, -51.22

 

CMYK 0 / 46 / 79 / 20

HEX #CB6D2A

RGB 203 109 42

HSL 24.97, 0.66%, 0.48%

LAB 55.89, 32.51, 51.49

 

CMYK 73 / 0 / 79 / 20

HEX #37CB2A

RGB 55 203 42

HSL 115.16, 0.66%, 0.48%

LAB 72.02, -66.26, 63.39

 

CMYK 79 / 33 / 0 / 20

HEX #2A88CB

RGB 42 136 203

HSL 204.97, 0.66%, 0.48%

LAB 54.46, -3.67, -42.25

 

Description

Color code: HEX #C12ACC | qconv.com Color code: HEX #C12ACC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 42 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 42 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 79 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 79% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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