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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EEA58 it is the complementary color #8115A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EEA58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EEA58 shade: #83EA53, #94FC66, #A5FF79, #B6FF8C and #C7FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EEA58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EEA58 shade: #7EEA58, #6DD845, #5CC632, #4BB41F and #3AA20C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EEA58 shade: #7DEA57, #A5EA57, #CDEA57, #EAE057 and #EAB857

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EEA58 shade: #7DEA57, #57EA58, #57EA80, #57EAA8 and #57EAD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EEA58 shade matches the following richer shades: #7DEA57 and #76FA48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EEA58 shade: #7DEA57, #85DB66, #8CCC76, #93BC85 and #9BAD94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EEA58 shade: #CDEA57, #A6EA57, #7EEA57, #57EA57 and #57EA7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EEA58 shade: #4BD51A, #61E632, #7DEA57, #9AEF7C and #B6F3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EEA58 shade: #7EEA58, #57EAE0 and #EA57B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EEA58 shade: #7EEA58, #577EEA and #EA577E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EEA58 shade: #7EEA58, #57EAE0, #C357EA and #EA5761

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EEA58 shade: #7EEA58, #57C8EA, #C357EA and #EA7957

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 62 / 8

HEX #7EEA58

RGB 126 234 88

HSL 104.38, 0.78%, 0.63%

LAB 83.96, -56.82, 59.64

 

Complementary color

CMYK 23 / 87 / 0 / 35

HEX #8115A7

RGB 129 21 167

HSL 284.38, 0.78%, 0.37%

LAB 33.97, 62.39, -53.72

 

CMYK 44 / 0 / 65 / 8

HEX #83EA53

RGB 131 234 83

HSL 100.93, 0.78%, 0.62%

LAB 84.12, -55.78, 61.91

 

CMYK 41 / 0 / 60 / 1

HEX #94FC66

RGB 148 252 102

HSL 101.6, 0.96%, 0.69%

LAB 90.26, -55.97, 61.07

 

CMYK 35 / 0 / 53 / 0

HEX #A5FF79

RGB 165 255 121

HSL 100.3, 1%, 0.74%

LAB 92.09, -49.92, 55.04

 

CMYK 29 / 0 / 45 / 0

HEX #B6FF8C

RGB 182 255 140

HSL 98.09, 1%, 0.77%

LAB 93.17, -42.16, 47.72

 

CMYK 22 / 0 / 38 / 0

HEX #C7FF9F

RGB 199 255 159

HSL 95, 1%, 0.81%

LAB 94.38, -33.99, 40.27

 

CMYK 46 / 0 / 62 / 8

HEX #7EEA58

RGB 126 234 88

HSL 104.38, 0.78%, 0.63%

LAB 83.96, -56.82, 59.64

 

CMYK 50 / 0 / 68 / 15

HEX #6DD845

RGB 109 216 69

HSL 103.67, 0.65%, 0.56%

LAB 77.75, -56.5, 60.37

 

CMYK 54 / 0 / 75 / 22

HEX #5CC632

RGB 92 198 50

HSL 102.97, 0.6%, 0.49%

LAB 71.48, -55.94, 60.69

 

CMYK 58 / 0 / 83 / 29

HEX #4BB41F

RGB 75 180 31

HSL 102.28, 0.71%, 0.41%

LAB 65.15, -55.04, 60.26

 

CMYK 64 / 0 / 93 / 36

HEX #3AA20C

RGB 58 162 12

HSL 101.6, 0.86%, 0.34%

LAB 58.76, -53.65, 58.55

 

CMYK 47 / 0 / 63 / 8

HEX #7DEA57

RGB 125 234 87

HSL 104.49, 0.78%, 0.63%

LAB 83.91, -57.21, 59.99

 

CMYK 29 / 0 / 63 / 8

HEX #A5EA57

RGB 165 234 87

HSL 88.16, 0.78%, 0.63%

LAB 85.77, -44.24, 62.56

 

CMYK 12 / 0 / 63 / 8

HEX #CDEA57

RGB 205 234 87

HSL 71.84, 0.78%, 0.63%

LAB 88.21, -29.24, 65.91

 

CMYK 0 / 4 / 63 / 8

HEX #EAE057

RGB 234 224 87

HSL 55.92, 0.78%, 0.63%

LAB 87.72, -12.74, 66.04

 

CMYK 0 / 21 / 63 / 8

HEX #EAB857

RGB 234 184 87

HSL 39.59, 0.78%, 0.63%

LAB 77.56, 7.75, 54.98

 

CMYK 47 / 0 / 63 / 8

HEX #7DEA57

RGB 125 234 87

HSL 104.49, 0.78%, 0.63%

LAB 83.91, -57.21, 59.99

 

CMYK 63 / 0 / 62 / 8

HEX #57EA58

RGB 87 234 88

HSL 120.41, 0.78%, 0.63%

LAB 82.69, -66.6, 57.87

 

CMYK 63 / 0 / 45 / 8

HEX #57EA80

RGB 87 234 128

HSL 136.73, 0.78%, 0.63%

LAB 83.14, -61.43, 40.06

 

CMYK 63 / 0 / 28 / 8

HEX #57EAA8

RGB 87 234 168

HSL 153.06, 0.78%, 0.63%

LAB 83.81, -54.21, 20.71

 

CMYK 63 / 0 / 11 / 8

HEX #57EAD0

RGB 87 234 208

HSL 169.39, 0.78%, 0.63%

LAB 84.7, -45.12, 1.06

 

CMYK 47 / 0 / 63 / 8

HEX #7DEA57

RGB 125 234 87

HSL 104.49, 0.78%, 0.63%

LAB 83.91, -57.21, 59.99

 

CMYK 53 / 0 / 71 / 2

HEX #76FA48

RGB 118 250 72

HSL 104.49, 0.95%, 0.63%

LAB 88.3, -66.25, 70.26

 

CMYK 47 / 0 / 63 / 8

HEX #7DEA57

RGB 125 234 87

HSL 104.49, 0.78%, 0.63%

LAB 83.91, -57.21, 59.99

 

CMYK 39 / 0 / 53 / 14

HEX #85DB66

RGB 133 219 102

HSL 104.1, 0.62%, 0.63%

LAB 79.96, -47.21, 48.94

 

CMYK 31 / 0 / 42 / 20

HEX #8CCC76

RGB 140 204 118

HSL 104.65, 0.46%, 0.63%

LAB 76.11, -36.35, 36.47

 

CMYK 22 / 0 / 29 / 26

HEX #93BC85

RGB 147 188 133

HSL 104.73, 0.29%, 0.63%

LAB 72.14, -24.1, 23.5

 

CMYK 10 / 0 / 14 / 32

HEX #9BAD94

RGB 155 173 148

HSL 103.2, 0.13%, 0.63%

LAB 68.75, -11.03, 10.75

 

CMYK 12 / 0 / 63 / 8

HEX #CDEA57

RGB 205 234 87

HSL 71.84, 0.78%, 0.63%

LAB 88.21, -29.24, 65.91

 

CMYK 29 / 0 / 63 / 8

HEX #A6EA57

RGB 166 234 87

HSL 87.76, 0.78%, 0.63%

LAB 85.83, -43.89, 62.63

 

CMYK 46 / 0 / 63 / 8

HEX #7EEA57

RGB 126 234 87

HSL 104.08, 0.78%, 0.63%

LAB 83.95, -56.91, 60.04

 

CMYK 63 / 0 / 63 / 8

HEX #57EA57

RGB 87 234 87

HSL 120, 0.78%, 0.63%

LAB 82.68, -66.71, 58.27

 

CMYK 63 / 0 / 46 / 8

HEX #57EA7E

RGB 87 234 126

HSL 135.92, 0.78%, 0.63%

LAB 83.11, -61.74, 41

 

CMYK 65 / 0 / 88 / 16

HEX #4BD51A

RGB 75 213 26

HSL 104.28, 0.78%, 0.47%

LAB 75.55, -66.41, 70.57

 

CMYK 58 / 0 / 78 / 10

HEX #61E632

RGB 97 230 50

HSL 104.33, 0.78%, 0.55%

LAB 81.49, -65.98, 70.38

 

CMYK 47 / 0 / 63 / 8

HEX #7DEA57

RGB 125 234 87

HSL 104.49, 0.78%, 0.63%

LAB 83.91, -57.21, 59.99

 

CMYK 36 / 0 / 48 / 6

HEX #9AEF7C

RGB 154 239 124

HSL 104.35, 0.78%, 0.71%

LAB 87.03, -46.37, 47.39

 

CMYK 25 / 0 / 34 / 5

HEX #B6F3A0

RGB 182 243 160

HSL 104.1, 0.78%, 0.79%

LAB 90.13, -34.12, 34.01

 

CMYK 46 / 0 / 62 / 8

HEX #7EEA58

RGB 126 234 88

HSL 104.38, 0.78%, 0.63%

LAB 83.96, -56.82, 59.64

 

CMYK 63 / 0 / 4 / 8

HEX #57EAE0

RGB 87 234 224

HSL 175.92, 0.78%, 0.63%

LAB 85.13, -41.04, -6.75

 

CMYK 0 / 63 / 21 / 8

HEX #EA57B9

RGB 234 87 185

HSL 320, 0.78%, 0.63%

LAB 59.72, 66.47, -22.55

 

CMYK 46 / 0 / 62 / 8

HEX #7EEA58

RGB 126 234 88

HSL 104.38, 0.78%, 0.63%

LAB 83.96, -56.82, 59.64

 

CMYK 63 / 46 / 0 / 8

HEX #577EEA

RGB 87 126 234

HSL 224.08, 0.78%, 0.63%

LAB 54.96, 19.73, -58.79

 

CMYK 0 / 63 / 46 / 8

HEX #EA577E

RGB 234 87 126

HSL 344.08, 0.78%, 0.63%

LAB 57.86, 59.75, 9.01

 

CMYK 46 / 0 / 62 / 8

HEX #7EEA58

RGB 126 234 88

HSL 104.38, 0.78%, 0.63%

LAB 83.96, -56.82, 59.64

 

CMYK 63 / 0 / 4 / 8

HEX #57EAE0

RGB 87 234 224

HSL 175.92, 0.78%, 0.63%

LAB 85.13, -41.04, -6.75

 

CMYK 17 / 63 / 0 / 8

HEX #C357EA

RGB 195 87 234

HSL 284.08, 0.78%, 0.63%

LAB 56.45, 64.8, -55.86

 

CMYK 0 / 63 / 59 / 8

HEX #EA5761

RGB 234 87 97

HSL 355.92, 0.78%, 0.63%

LAB 57.24, 57.42, 25.13

 

CMYK 46 / 0 / 62 / 8

HEX #7EEA58

RGB 126 234 88

HSL 104.38, 0.78%, 0.63%

LAB 83.96, -56.82, 59.64

 

CMYK 63 / 15 / 0 / 8

HEX #57C8EA

RGB 87 200 234

HSL 193.88, 0.78%, 0.63%

LAB 75.62, -22, -26.38

 

CMYK 17 / 63 / 0 / 8

HEX #C357EA

RGB 195 87 234

HSL 284.08, 0.78%, 0.63%

LAB 56.45, 64.8, -55.86

 

CMYK 0 / 48 / 63 / 8

HEX #EA7957

RGB 234 121 87

HSL 13.88, 0.78%, 0.63%

LAB 63.22, 40.83, 38.3

 

Description

Color code: HEX #7EEA58 | qconv.com Color code: HEX #7EEA58 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 234 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 234 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 62 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 62% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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