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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 63 / 15 / 0 / 8 it is the complementary color CMYK 0 / 67 / 88 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 63 / 15 / 0 / 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 63 / 15 / 0 / 8: CMYK 60 / 13 / 0 / 10, CMYK 56 / 13 / 0 / 2, CMYK 51 / 8 / 0 / 0, CMYK 44 / 1 / 0 / 0 and CMYK 37 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 63 / 15 / 0 / 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 63 / 15 / 0 / 8: CMYK 63 / 15 / 0 / 8, CMYK 68 / 16 / 0 / 15, CMYK 73 / 17 / 0 / 23, CMYK 80 / 19 / 0 / 30 and CMYK 88 / 20 / 0 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 15 / 0 / 8

HEX #57C7EB

RGB 87 199 235

HSL 194.59, 0.79%, 0.63%

LAB 75.37, -21.19, -27.31

 

Complementary color

CMYK 0 / 67 / 88 / 34

HEX #A83814

RGB 168 56 20

HSL 14.59, 0.79%, 0.37%

LAB 39.92, 44.43, 44.61

 

CMYK 60 / 13 / 0 / 10

HEX #5CC7E6

RGB 92 199 230

HSL 193.48, 0.73%, 0.63%

LAB 75.35, -21.82, -24.63

 

CMYK 56 / 13 / 0 / 2

HEX #6DD9F9

RGB 109 217 249

HSL 193.71, 0.92%, 0.7%

LAB 81.68, -22.28, -25.08

 

CMYK 51 / 8 / 0 / 0

HEX #7EEBFF

RGB 126 235 255

HSL 189.3, 1%, 0.75%

LAB 87.52, -26.14, -19.33

 

CMYK 44 / 1 / 0 / 0

HEX #8FFDFF

RGB 143 253 255

HSL 181.07, 1%, 0.78%

LAB 93.15, -31.08, -10.83

 

CMYK 37 / 0 / 0 / 0

HEX #A0FFFF

RGB 160 255 255

HSL 180, 1%, 0.81%

LAB 94.4, -28.01, -8.89

 

CMYK 63 / 15 / 0 / 8

HEX #57C7EB

RGB 87 199 235

HSL 194.59, 0.79%, 0.63%

LAB 75.37, -21.19, -27.31

 

CMYK 68 / 16 / 0 / 15

HEX #46B5D8

RGB 70 181 216

HSL 194.38, 0.65%, 0.56%

LAB 68.97, -20.46, -26.84

 

CMYK 73 / 17 / 0 / 23

HEX #35A3C5

RGB 53 163 197

HSL 194.17, 0.58%, 0.49%

LAB 62.49, -19.5, -26.33

 

CMYK 80 / 19 / 0 / 30

HEX #2491B2

RGB 36 145 178

HSL 193.94, 0.66%, 0.42%

LAB 55.93, -18.25, -25.76

 

CMYK 88 / 20 / 0 / 38

HEX #137F9F

RGB 19 127 159

HSL 193.71, 0.79%, 0.35%

LAB 49.28, -16.58, -25.1

 

CMYK 63 / 15 / 0 / 8

HEX #57C7EB

RGB 87 199 235

HSL 194.59, 0.79%, 0.63%

LAB 75.37, -21.19, -27.31

 

CMYK 63 / 26 / 0 / 8

HEX #56AFEB

RGB 86 175 235

HSL 204.16, 0.79%, 0.63%

LAB 68.49, -8.67, -37.95

 

CMYK 63 / 36 / 0 / 8

HEX #5696EB

RGB 86 150 235

HSL 214.23, 0.79%, 0.63%

LAB 61.47, 5.51, -48.96

 

CMYK 63 / 47 / 0 / 8

HEX #567DEB

RGB 86 125 235

HSL 224.3, 0.79%, 0.63%

LAB 54.7, 20.51, -59.75

 

CMYK 63 / 57 / 0 / 8

HEX #5665EB

RGB 86 101 235

HSL 233.96, 0.79%, 0.63%

LAB 48.62, 35.24, -69.59

 

CMYK 63 / 15 / 0 / 8

HEX #57C7EB

RGB 87 199 235

HSL 194.59, 0.79%, 0.63%

LAB 75.37, -21.19, -27.31

 

CMYK 65 / 16 / 0 / 88

HEX #0B1A1F

RGB 11 26 31

HSL 195, 0.48%, 0.08%

LAB 8.21, -4.46, -5.47

 

CMYK 63 / 16 / 0 / 68

HEX #1E4552

RGB 30 69 82

HSL 195, 0.46%, 0.22%

LAB 27.13, -9.34, -11.95

 

CMYK 63 / 15 / 0 / 48

HEX #317185

RGB 49 113 133

HSL 194.29, 0.46%, 0.36%

LAB 44.46, -13.97, -17.11

 

CMYK 63 / 15 / 0 / 28

HEX #449CB8

RGB 68 156 184

HSL 194.48, 0.46%, 0.49%

LAB 60.31, -17.68, -22.36

 

CMYK 63 / 15 / 0 / 8

HEX #57C7EB

RGB 87 199 235

HSL 194.59, 0.79%, 0.63%

LAB 75.37, -21.19, -27.31

 

CMYK 36 / 63 / 0 / 8

HEX #9656EB

RGB 150 86 235

HSL 265.77, 0.79%, 0.63%

LAB 50.85, 55.67, -65.71

 

CMYK 0 / 11 / 63 / 8

HEX #EBD256

RGB 235 210 86

HSL 49.93, 0.79%, 0.63%

LAB 84.19, -5.35, 62.71

 

CMYK 63 / 15 / 0 / 8

HEX #57C7EB

RGB 87 199 235

HSL 194.59, 0.79%, 0.63%

LAB 75.37, -21.19, -27.31

 

CMYK 0 / 63 / 15 / 8

HEX #EB56C8

RGB 235 86 200

HSL 314.09, 0.79%, 0.63%

LAB 60.33, 69.22, -30.17

 

CMYK 15 / 0 / 63 / 8

HEX #C8EB56

RGB 200 235 86

HSL 74.09, 0.79%, 0.63%

LAB 88.15, -31.72, 66.13

 

CMYK 63 / 15 / 0 / 8

HEX #57C7EB

RGB 87 199 235

HSL 194.59, 0.79%, 0.63%

LAB 75.37, -21.19, -27.31

 

CMYK 36 / 63 / 0 / 8

HEX #9656EB

RGB 150 86 235

HSL 265.77, 0.79%, 0.63%

LAB 50.85, 55.67, -65.71

 

CMYK 0 / 49 / 63 / 8

HEX #EB7856

RGB 235 120 86

HSL 13.69, 0.79%, 0.63%

LAB 63.15, 41.65, 38.78

 

CMYK 28 / 0 / 63 / 8

HEX #AAEB56

RGB 170 235 86

HSL 86.17, 0.79%, 0.63%

LAB 86.32, -42.97, 63.64

 

CMYK 63 / 15 / 0 / 8

HEX #57C7EB

RGB 87 199 235

HSL 194.59, 0.79%, 0.63%

LAB 75.37, -21.19, -27.31

 

CMYK 17 / 63 / 0 / 8

HEX #C356EB

RGB 195 86 235

HSL 283.89, 0.79%, 0.63%

LAB 56.34, 65.44, -56.58

 

CMYK 0 / 49 / 63 / 8

HEX #EB7856

RGB 235 120 86

HSL 13.69, 0.79%, 0.63%

LAB 63.15, 41.65, 38.78

 

CMYK 47 / 0 / 63 / 8

HEX #7DEB56

RGB 125 235 86

HSL 104.3, 0.79%, 0.63%

LAB 84.2, -57.68, 60.71

 

Description

Color code: CMYK 63 / 15 / 0 / 8 | qconv.com Color code: CMYK 63 / 15 / 0 / 8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 199 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 199 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 15 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 15% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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