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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EB158 it is the complementary color #814EA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EB158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EB158 shade: #83B153, #94C366, #A5D579, #B6E78C and #C7F99F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EB158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EB158 shade: #7EB158, #6D9F45, #5C8D32, #4B7B1F and #3A690C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EB158 shade: #7EB159, #96B159, #AEB159, #B19C59 and #B18459

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EB158 shade: #7EB159, #66B159, #59B162, #59B17A and #59B192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EB158 shade matches the following richer shades: #7EB159, #7BC445, #78D831 and #75EC1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EB158 shade: #7EB159, #819D6C, #848980, #877594 and #8A61A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EB158 shade: #AEB159, #96B159, #7FB159, #67B159 and #59B161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EB158 shade: #577C3A, #6A9848, #7EB159, #94BE75 and #AACB91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EB158 shade: #7EB158, #59B19C and #B159A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EB158 shade: #7EB158, #597FB1 and #B1597F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EB158 shade: #7EB158, #59B19C, #8A59B1 and #B1596D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EB158 shade: #7EB158, #59ABB1, #8A59B1 and #B15E59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 50 / 31

HEX #7EB158

RGB 126 177 88

HSL 94.38, 0.36%, 0.52%

LAB 66.96, -32.66, 39.93

 

Complementary color

CMYK 23 / 53 / 0 / 35

HEX #814EA7

RGB 129 78 167

HSL 274.38, 0.36%, 0.48%

LAB 42.62, 38.4, -39.82

 

CMYK 26 / 0 / 53 / 31

HEX #83B153

RGB 131 177 83

HSL 89.36, 0.38%, 0.51%

LAB 67.2, -31.38, 42.74

 

CMYK 24 / 0 / 48 / 24

HEX #94C366

RGB 148 195 102

HSL 90.32, 0.44%, 0.58%

LAB 73.73, -31.39, 41.58

 

CMYK 23 / 0 / 43 / 16

HEX #A5D579

RGB 165 213 121

HSL 91.3, 0.52%, 0.65%

LAB 80.16, -31.36, 40.41

 

CMYK 21 / 0 / 39 / 9

HEX #B6E78C

RGB 182 231 140

HSL 92.31, 0.65%, 0.73%

LAB 86.5, -31.3, 39.26

 

CMYK 20 / 0 / 36 / 2

HEX #C7F99F

RGB 199 249 159

HSL 93.33, 0.88%, 0.8%

LAB 92.75, -31.22, 38.14

 

CMYK 29 / 0 / 50 / 31

HEX #7EB158

RGB 126 177 88

HSL 94.38, 0.36%, 0.52%

LAB 66.96, -32.66, 39.93

 

CMYK 31 / 0 / 57 / 38

HEX #6D9F45

RGB 109 159 69

HSL 93.33, 0.39%, 0.45%

LAB 60.32, -32.66, 41.09

 

CMYK 35 / 0 / 65 / 45

HEX #5C8D32

RGB 92 141 50

HSL 92.31, 0.48%, 0.37%

LAB 53.55, -32.54, 42.1

 

CMYK 39 / 0 / 75 / 52

HEX #4B7B1F

RGB 75 123 31

HSL 91.3, 0.6%, 0.3%

LAB 46.66, -32.23, 42.68

 

CMYK 45 / 0 / 89 / 59

HEX #3A690C

RGB 58 105 12

HSL 90.32, 0.79%, 0.23%

LAB 39.63, -31.58, 42.15

 

CMYK 29 / 0 / 50 / 31

HEX #7EB159

RGB 126 177 89

HSL 94.77, 0.36%, 0.52%

LAB 66.98, -32.55, 39.45

 

CMYK 15 / 0 / 50 / 31

HEX #96B159

RGB 150 177 89

HSL 78.41, 0.36%, 0.52%

LAB 68.5, -23.39, 41.65

 

CMYK 2 / 0 / 50 / 31

HEX #AEB159

RGB 174 177 89

HSL 62.05, 0.36%, 0.52%

LAB 70.29, -13.63, 44.23

 

CMYK 0 / 12 / 50 / 31

HEX #B19C59

RGB 177 156 89

HSL 45.68, 0.36%, 0.52%

LAB 64.84, -1.25, 37.7

 

CMYK 0 / 25 / 50 / 31

HEX #B18459

RGB 177 132 89

HSL 29.32, 0.36%, 0.52%

LAB 58.58, 11.98, 29.86

 

CMYK 29 / 0 / 50 / 31

HEX #7EB159

RGB 126 177 89

HSL 94.77, 0.36%, 0.52%

LAB 66.98, -32.55, 39.45

 

CMYK 42 / 0 / 50 / 31

HEX #66B159

RGB 102 177 89

HSL 111.14, 0.36%, 0.52%

LAB 65.74, -40.73, 37.66

 

CMYK 50 / 0 / 45 / 31

HEX #59B162

RGB 89 177 98

HSL 126.14, 0.36%, 0.52%

LAB 65.32, -43.3, 32.42

 

CMYK 50 / 0 / 31 / 31

HEX #59B17A

RGB 89 177 122

HSL 142.5, 0.36%, 0.52%

LAB 65.73, -39.1, 20.21

 

CMYK 50 / 0 / 18 / 31

HEX #59B192

RGB 89 177 146

HSL 158.86, 0.36%, 0.52%

LAB 66.25, -34.02, 7.8

 

CMYK 29 / 0 / 50 / 31

HEX #7EB159

RGB 126 177 89

HSL 94.77, 0.36%, 0.52%

LAB 66.98, -32.55, 39.45

 

CMYK 37 / 0 / 65 / 23

HEX #7BC445

RGB 123 196 69

HSL 94.49, 0.52%, 0.52%

LAB 72.31, -44.1, 54.75

 

CMYK 44 / 0 / 77 / 15

HEX #78D831

RGB 120 216 49

HSL 94.49, 0.68%, 0.52%

LAB 78.07, -54.55, 67.74

 

CMYK 50 / 0 / 88 / 7

HEX #75EC1D

RGB 117 236 29

HSL 94.49, 0.84%, 0.52%

LAB 83.89, -63.68, 77.67

 

CMYK 29 / 0 / 50 / 31

HEX #7EB159

RGB 126 177 89

HSL 94.77, 0.36%, 0.52%

LAB 66.98, -32.55, 39.45

 

CMYK 18 / 0 / 31 / 38

HEX #819D6C

RGB 129 157 108

HSL 94.29, 0.2%, 0.52%

LAB 61.54, -18.98, 22.52

 

CMYK 4 / 0 / 7 / 46

HEX #848980

RGB 132 137 128

HSL 93.33, 0.04%, 0.52%

LAB 56.44, -3.6, 4.18

 

CMYK 9 / 21 / 0 / 42

HEX #877594

RGB 135 117 148

HSL 274.84, 0.13%, 0.52%

LAB 51.85, 13.13, -14.21

 

CMYK 18 / 42 / 0 / 34

HEX #8A61A8

RGB 138 97 168

HSL 274.65, 0.29%, 0.52%

LAB 47.98, 30.39, -31.89

 

CMYK 2 / 0 / 50 / 31

HEX #AEB159

RGB 174 177 89

HSL 62.05, 0.36%, 0.52%

LAB 70.29, -13.63, 44.23

 

CMYK 15 / 0 / 50 / 31

HEX #96B159

RGB 150 177 89

HSL 78.41, 0.36%, 0.52%

LAB 68.5, -23.39, 41.65

 

CMYK 28 / 0 / 50 / 31

HEX #7FB159

RGB 127 177 89

HSL 94.09, 0.36%, 0.52%

LAB 67.03, -32.18, 39.54

 

CMYK 42 / 0 / 50 / 31

HEX #67B159

RGB 103 177 89

HSL 110.45, 0.36%, 0.52%

LAB 65.79, -40.42, 37.72

 

CMYK 50 / 0 / 45 / 31

HEX #59B161

RGB 89 177 97

HSL 125.45, 0.36%, 0.52%

LAB 65.3, -43.45, 32.92

 

CMYK 30 / 0 / 53 / 51

HEX #577C3A

RGB 87 124 58

HSL 93.64, 0.36%, 0.36%

LAB 47.94, -25.46, 31.64

 

CMYK 30 / 0 / 53 / 40

HEX #6A9848

RGB 106 152 72

HSL 94.5, 0.36%, 0.44%

LAB 58.03, -30.14, 36.86

 

CMYK 29 / 0 / 50 / 31

HEX #7EB159

RGB 126 177 89

HSL 94.77, 0.36%, 0.52%

LAB 66.98, -32.55, 39.45

 

CMYK 22 / 0 / 38 / 25

HEX #94BE75

RGB 148 190 117

HSL 94.52, 0.36%, 0.6%

LAB 72.5, -27.1, 32.42

 

CMYK 16 / 0 / 29 / 20

HEX #AACB91

RGB 170 203 145

HSL 94.14, 0.36%, 0.68%

LAB 78.05, -21.43, 25.41

 

CMYK 29 / 0 / 50 / 31

HEX #7EB158

RGB 126 177 88

HSL 94.38, 0.36%, 0.52%

LAB 66.96, -32.66, 39.93

 

CMYK 50 / 0 / 12 / 31

HEX #59B19C

RGB 89 177 156

HSL 165.68, 0.36%, 0.52%

LAB 66.5, -31.67, 2.63

 

CMYK 0 / 50 / 8 / 31

HEX #B159A2

RGB 177 89 162

HSL 310.23, 0.36%, 0.52%

LAB 50.8, 45.63, -23.6

 

CMYK 29 / 0 / 50 / 31

HEX #7EB158

RGB 126 177 88

HSL 94.38, 0.36%, 0.52%

LAB 66.96, -32.66, 39.93

 

CMYK 50 / 28 / 0 / 31

HEX #597FB1

RGB 89 127 177

HSL 214.09, 0.36%, 0.52%

LAB 52.37, 0.92, -30.55

 

CMYK 0 / 50 / 28 / 31

HEX #B1597F

RGB 177 89 127

HSL 334.09, 0.36%, 0.52%

LAB 49.53, 40.19, -4.76

 

CMYK 29 / 0 / 50 / 31

HEX #7EB158

RGB 126 177 88

HSL 94.38, 0.36%, 0.52%

LAB 66.96, -32.66, 39.93

 

CMYK 50 / 0 / 12 / 31

HEX #59B19C

RGB 89 177 156

HSL 165.68, 0.36%, 0.52%

LAB 66.5, -31.67, 2.63

 

CMYK 22 / 50 / 0 / 31

HEX #8A59B1

RGB 138 89 177

HSL 273.41, 0.36%, 0.52%

LAB 46.61, 37.08, -39.32

 

CMYK 0 / 50 / 38 / 31

HEX #B1596D

RGB 177 89 109

HSL 346.36, 0.36%, 0.52%

LAB 49, 37.87, 5.28

 

CMYK 29 / 0 / 50 / 31

HEX #7EB158

RGB 126 177 88

HSL 94.38, 0.36%, 0.52%

LAB 66.96, -32.66, 39.93

 

CMYK 50 / 3 / 0 / 31

HEX #59ABB1

RGB 89 171 177

HSL 184.09, 0.36%, 0.52%

LAB 65.3, -23.29, -10.81

 

CMYK 22 / 50 / 0 / 31

HEX #8A59B1

RGB 138 89 177

HSL 273.41, 0.36%, 0.52%

LAB 46.61, 37.08, -39.32

 

CMYK 0 / 47 / 50 / 31

HEX #B15E59

RGB 177 94 89

HSL 3.41, 0.36%, 0.52%

LAB 49.59, 33.06, 18.05

 

Description

Color code: HEX #7EB158 | qconv.com Color code: HEX #7EB158 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 177 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 177 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 50 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 50% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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