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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 50 / 0 / 45 / 31 it is the complementary color CMYK 0 / 53 / 5 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 50 / 0 / 45 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 50 / 0 / 45 / 31: CMYK 47 / 0 / 48 / 31, CMYK 43 / 0 / 43 / 24, CMYK 40 / 0 / 39 / 17, CMYK 37 / 0 / 35 / 10 and CMYK 35 / 0 / 32 / 3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 50 / 0 / 45 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 50 / 0 / 45 / 31: CMYK 50 / 0 / 45 / 31, CMYK 55 / 0 / 51 / 38, CMYK 61 / 0 / 58 / 45, CMYK 70 / 0 / 67 / 52 and CMYK 81 / 0 / 80 / 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 45 / 31

HEX #58B061

RGB 88 176 97

HSL 126.14, 0.36%, 0.52%

LAB 64.95, -43.31, 32.46

 

Complementary color

CMYK 0 / 53 / 5 / 35

HEX #A74F9E

RGB 167 79 158

HSL 306.14, 0.36%, 0.48%

LAB 47.33, 46.95, -26.72

 

CMYK 47 / 0 / 48 / 31

HEX #5DB05C

RGB 93 176 92

HSL 119.29, 0.35%, 0.53%

LAB 65.08, -42.63, 35.24

 

CMYK 43 / 0 / 43 / 24

HEX #6EC26F

RGB 110 194 111

HSL 120.71, 0.41%, 0.6%

LAB 71.59, -42.51, 33.94

 

CMYK 40 / 0 / 39 / 17

HEX #7FD482

RGB 127 212 130

HSL 122.12, 0.5%, 0.66%

LAB 78, -42.32, 32.69

 

CMYK 37 / 0 / 35 / 10

HEX #90E695

RGB 144 230 149

HSL 123.49, 0.63%, 0.73%

LAB 84.33, -42.1, 31.5

 

CMYK 35 / 0 / 32 / 3

HEX #A1F8A8

RGB 161 248 168

HSL 124.83, 0.86%, 0.8%

LAB 90.57, -41.85, 30.38

 

CMYK 50 / 0 / 45 / 31

HEX #58B061

RGB 88 176 97

HSL 126.14, 0.36%, 0.52%

LAB 64.95, -43.31, 32.46

 

CMYK 55 / 0 / 51 / 38

HEX #479E4E

RGB 71 158 78

HSL 124.83, 0.38%, 0.45%

LAB 58.36, -43.3, 33.84

 

CMYK 61 / 0 / 58 / 45

HEX #368C3B

RGB 54 140 59

HSL 123.49, 0.44%, 0.38%

LAB 51.67, -43.05, 35.23

 

CMYK 70 / 0 / 67 / 52

HEX #257A28

RGB 37 122 40

HSL 122.12, 0.53%, 0.31%

LAB 44.89, -42.39, 36.5

 

CMYK 81 / 0 / 80 / 59

HEX #146815

RGB 20 104 21

HSL 120.71, 0.68%, 0.24%

LAB 38.03, -40.97, 37.26

 

CMYK 50 / 0 / 45 / 31

HEX #58B061

RGB 88 176 97

HSL 126.14, 0.36%, 0.52%

LAB 64.95, -43.31, 32.46

 

CMYK 50 / 0 / 36 / 31

HEX #58B070

RGB 88 176 112

HSL 136.36, 0.36%, 0.52%

LAB 65.2, -40.8, 24.87

 

CMYK 50 / 0 / 28 / 31

HEX #58B07E

RGB 88 176 126

HSL 145.91, 0.36%, 0.52%

LAB 65.46, -38.13, 17.67

 

CMYK 50 / 0 / 20 / 31

HEX #58B08D

RGB 88 176 141

HSL 156.14, 0.36%, 0.52%

LAB 65.79, -34.94, 9.89

 

CMYK 50 / 0 / 11 / 31

HEX #58B09C

RGB 88 176 156

HSL 166.36, 0.36%, 0.52%

LAB 66.16, -31.43, 2.13

 

CMYK 50 / 0 / 45 / 31

HEX #58B061

RGB 88 176 97

HSL 126.14, 0.36%, 0.52%

LAB 64.95, -43.31, 32.46

 

CMYK 50 / 0 / 45 / 11

HEX #72E37D

RGB 114 227 125

HSL 125.84, 0.67%, 0.67%

LAB 81.84, -53.01, 40.04

 

CMYK 48 / 0 / 43 / 91

HEX #0C170D

RGB 12 23 13

HSL 125.45, 0.31%, 0.07%

LAB 6.5, -6.3, 4.18

 

CMYK 50 / 0 / 45 / 71

HEX #254A29

RGB 37 74 41

HSL 126.49, 0.33%, 0.22%

LAB 27.98, -21.48, 15.7

 

CMYK 50 / 0 / 45 / 51

HEX #3F7D45

RGB 63 125 69

HSL 125.81, 0.33%, 0.37%

LAB 47.18, -32.72, 24.47

 

CMYK 50 / 0 / 45 / 31

HEX #58B061

RGB 88 176 97

HSL 126.14, 0.36%, 0.52%

LAB 64.95, -43.31, 32.46

 

CMYK 50 / 15 / 0 / 31

HEX #5896B0

RGB 88 150 176

HSL 197.73, 0.36%, 0.52%

LAB 58.99, -12.73, -19.77

 

CMYK 0 / 50 / 35 / 31

HEX #B05872

RGB 176 88 114

HSL 342.27, 0.36%, 0.52%

LAB 48.79, 38.64, 1.95

 

CMYK 50 / 0 / 45 / 31

HEX #58B061

RGB 88 176 97

HSL 126.14, 0.36%, 0.52%

LAB 64.95, -43.31, 32.46

 

CMYK 45 / 50 / 0 / 31

HEX #6158B0

RGB 97 88 176

HSL 246.14, 0.36%, 0.52%

LAB 42.24, 26.51, -45.93

 

CMYK 0 / 45 / 50 / 31

HEX #B06158

RGB 176 97 88

HSL 6.14, 0.36%, 0.52%

LAB 50.08, 30.95, 19.28

 

CMYK 50 / 0 / 45 / 31

HEX #58B061

RGB 88 176 97

HSL 126.14, 0.36%, 0.52%

LAB 64.95, -43.31, 32.46

 

CMYK 50 / 15 / 0 / 31

HEX #5896B0

RGB 88 150 176

HSL 197.73, 0.36%, 0.52%

LAB 58.99, -12.73, -19.77

 

CMYK 0 / 50 / 5 / 31

HEX #B058A7

RGB 176 88 167

HSL 306.14, 0.36%, 0.52%

LAB 50.69, 46.71, -26.73

 

CMYK 0 / 35 / 50 / 31

HEX #B07258

RGB 176 114 88

HSL 17.73, 0.36%, 0.52%

LAB 53.99, 21.55, 24.47

 

CMYK 50 / 0 / 45 / 31

HEX #58B061

RGB 88 176 97

HSL 126.14, 0.36%, 0.52%

LAB 64.95, -43.31, 32.46

 

CMYK 50 / 30 / 0 / 31

HEX #587BB0

RGB 88 123 176

HSL 216.14, 0.36%, 0.52%

LAB 51.12, 2.74, -31.93

 

CMYK 0 / 50 / 5 / 31

HEX #B058A7

RGB 176 88 167

HSL 306.14, 0.36%, 0.52%

LAB 50.69, 46.71, -26.73

 

CMYK 0 / 20 / 50 / 31

HEX #B08D58

RGB 176 141 88

HSL 36.14, 0.36%, 0.52%

LAB 60.77, 6.45, 33.15

 

Description

Color code: CMYK 50 / 0 / 45 / 31 | qconv.com Color code: CMYK 50 / 0 / 45 / 31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 176 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 176 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 45 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 45% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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