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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EA2E6 it is the complementary color #815D19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EA2E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7EA2E6: #83A2E1, #94B4F4, #A5C6FF, #B6D8FF and #C7EAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EA2E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7EA2E6: #7EA2E6, #6D90D3, #5C7EC0, #4B6CAD and #3A5A9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 30 / 0 / 10

HEX #7EA2E6

RGB 126 162 230

HSL 219.23, 0.68%, 0.7%

LAB 66.51, 5.46, -38.15

 

Complementary color

CMYK 0 / 28 / 81 / 49

HEX #815D19

RGB 129 93 25

HSL 39.23, 0.68%, 0.3%

LAB 42.1, 8.12, 42.2

 

CMYK 42 / 28 / 0 / 12

HEX #83A2E1

RGB 131 162 225

HSL 220.21, 0.61%, 0.7%

LAB 66.6, 5.31, -35.24

 

CMYK 39 / 26 / 0 / 4

HEX #94B4F4

RGB 148 180 244

HSL 220, 0.81%, 0.77%

LAB 73.2, 4.82, -35.28

 

CMYK 35 / 22 / 0 / 0

HEX #A5C6FF

RGB 165 198 255

HSL 218, 1%, 0.82%

LAB 79.39, 2.34, -31.55

 

CMYK 29 / 15 / 0 / 0

HEX #B6D8FF

RGB 182 216 255

HSL 212.05, 1%, 0.86%

LAB 85.14, -2.55, -22.68

 

CMYK 22 / 8 / 0 / 0

HEX #C7EAFF

RGB 199 234 255

HSL 202.5, 1%, 0.89%

LAB 90.87, -6.94, -13.93

 

CMYK 45 / 30 / 0 / 10

HEX #7EA2E6

RGB 126 162 230

HSL 219.23, 0.68%, 0.7%

LAB 66.51, 5.46, -38.15

 

CMYK 48 / 32 / 0 / 17

HEX #6D90D3

RGB 109 144 211

HSL 219.41, 0.54%, 0.63%

LAB 59.8, 6.12, -38.18

 

CMYK 52 / 34 / 0 / 25

HEX #5C7EC0

RGB 92 126 192

HSL 219.6, 0.44%, 0.56%

LAB 52.95, 6.92, -38.24

 

CMYK 57 / 38 / 0 / 32

HEX #4B6CAD

RGB 75 108 173

HSL 219.8, 0.4%, 0.49%

LAB 45.96, 7.9, -38.35

 

CMYK 62 / 42 / 0 / 40

HEX #3A5A9A

RGB 58 90 154

HSL 220, 0.45%, 0.42%

LAB 38.8, 9.16, -38.5

 

CMYK 45 / 30 / 0 / 10

HEX #7EA2E6

RGB 126 162 230

HSL 219.23, 0.68%, 0.7%

LAB 66.51, 5.46, -38.15

 

CMYK 45 / 37 / 0 / 10

HEX #7E91E6

RGB 126 145 230

HSL 229.04, 0.68%, 0.7%

LAB 62, 15.27, -45.23

 

CMYK 45 / 44 / 0 / 10

HEX #7E80E6

RGB 126 128 230

HSL 238.85, 0.68%, 0.7%

LAB 57.64, 25.28, -52.13

 

CMYK 38 / 45 / 0 / 10

HEX #8E7EE6

RGB 142 126 230

HSL 249.23, 0.68%, 0.7%

LAB 58.4, 30.37, -50.85

 

CMYK 31 / 45 / 0 / 10

HEX #9F7EE6

RGB 159 126 230

HSL 259.04, 0.68%, 0.7%

LAB 59.89, 34.77, -48.38

 

CMYK 45 / 30 / 0 / 10

HEX #7EA2E6

RGB 126 162 230

HSL 219.23, 0.68%, 0.7%

LAB 66.51, 5.46, -38.15

 

CMYK 46 / 31 / 0 / 90

HEX #0E121A

RGB 14 18 26

HSL 220, 0.3%, 0.08%

LAB 5.42, 0.53, -5.8

 

CMYK 45 / 30 / 0 / 70

HEX #2A364D

RGB 42 54 77

HSL 219.43, 0.29%, 0.23%

LAB 22.54, 2.02, -15.68

 

CMYK 45 / 30 / 0 / 50

HEX #465A80

RGB 70 90 128

HSL 219.31, 0.29%, 0.39%

LAB 38.15, 3.25, -23.74

 

CMYK 45 / 30 / 0 / 30

HEX #627EB3

RGB 98 126 179

HSL 219.26, 0.35%, 0.54%

LAB 52.7, 4.39, -31.15

 

CMYK 45 / 30 / 0 / 10

HEX #7EA2E6

RGB 126 162 230

HSL 219.23, 0.68%, 0.7%

LAB 66.51, 5.46, -38.15

 

CMYK 7 / 45 / 0 / 10

HEX #D67EE6

RGB 214 126 230

HSL 290.77, 0.68%, 0.7%

LAB 65.69, 50.08, -38.86

 

CMYK 11 / 0 / 45 / 10

HEX #CCE67E

RGB 204 230 126

HSL 75, 0.68%, 0.7%

LAB 87.45, -24.37, 47.61

 

CMYK 45 / 30 / 0 / 10

HEX #7EA2E6

RGB 126 162 230

HSL 219.23, 0.68%, 0.7%

LAB 66.51, 5.46, -38.15

 

CMYK 0 / 45 / 30 / 10

HEX #E67EA2

RGB 230 126 162

HSL 339.23, 0.68%, 0.7%

LAB 65.24, 44.13, -1.18

 

CMYK 30 / 0 / 45 / 10

HEX #A2E67E

RGB 162 230 126

HSL 99.23, 0.68%, 0.7%

LAB 84.88, -39.56, 43.85

 

CMYK 45 / 30 / 0 / 10

HEX #7EA2E6

RGB 126 162 230

HSL 219.23, 0.68%, 0.7%

LAB 66.51, 5.46, -38.15

 

CMYK 7 / 45 / 0 / 10

HEX #D67EE6

RGB 214 126 230

HSL 290.77, 0.68%, 0.7%

LAB 65.69, 50.08, -38.86

 

CMYK 0 / 16 / 45 / 10

HEX #E6C27E

RGB 230 194 126

HSL 39.23, 0.68%, 0.7%

LAB 80.13, 4.04, 38.88

 

CMYK 38 / 0 / 45 / 10

HEX #8EE67E

RGB 142 230 126

HSL 110.77, 0.68%, 0.7%

LAB 83.89, -46.07, 42.39

 

CMYK 45 / 30 / 0 / 10

HEX #7EA2E6

RGB 126 162 230

HSL 219.23, 0.68%, 0.7%

LAB 66.51, 5.46, -38.15

 

CMYK 0 / 45 / 7 / 10

HEX #E67ED6

RGB 230 126 214

HSL 309.23, 0.68%, 0.7%

LAB 66.98, 51.89, -27.83

 

CMYK 0 / 16 / 45 / 10

HEX #E6C27E

RGB 230 194 126

HSL 39.23, 0.68%, 0.7%

LAB 80.13, 4.04, 38.88

 

CMYK 45 / 0 / 38 / 10

HEX #7EE68E

RGB 126 230 142

HSL 129.23, 0.68%, 0.7%

LAB 83.43, -48.41, 33.72

 

Description

Color code: HEX #7EA2E6 | qconv.com Color code: HEX #7EA2E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 162 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 162 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 30 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 30% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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