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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E9FDF it is the complementary color #816020. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E9FDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E9FDF shade: #839FDA, #94B1ED, #A5C3FF, #B6D5FF and #C7E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E9FDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E9FDF shade: #7E9FDF, #6D8DCC, #5C7BB9, #4B69A6 and #3A5793

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E9FDF shade: #7C9EDE, #7C83DE, #907CDE, #AA7CDE and #C57CDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E9FDF shade: #7C9EDE, #7C83DE and #7C7CDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E9FDF shade matches the following richer shades: #7C9EDE, #6F9AEC and #6295F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E9FDF shade: #7C9EDE, #8AA2D1, #97A6C4, #A4AAB7 and #B1AFAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E9FDF shade: #7CD3DE, #7CB9DE, #7C9FDE, #7C85DE and #8E7CDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E9FDF shade: #3A6DCE, #5B85D6, #7C9EDE, #9DB6E7 and #BECFEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E9FDF shade: #7E9FDF, #D07CDE and #C6DE7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E9FDF shade: #7E9FDF, #DE7C9F and #9FDE7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E9FDF shade: #7E9FDF, #D07CDE, #DEBC7C and #8BDE7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E9FDF shade: #7E9FDF, #DE7CD0, #DEBC7C and #7CDE8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 29 / 0 / 13

HEX #7E9FDF

RGB 126 159 223

HSL 219.59, 0.6%, 0.68%

LAB 65.4, 5.17, -36.02

 

Complementary color

CMYK 0 / 26 / 75 / 49

HEX #816020

RGB 129 96 32

HSL 39.59, 0.6%, 0.32%

LAB 42.97, 6.68, 40.01

 

CMYK 40 / 27 / 0 / 15

HEX #839FDA

RGB 131 159 218

HSL 220.69, 0.54%, 0.68%

LAB 65.5, 5.07, -33.08

 

CMYK 38 / 25 / 0 / 7

HEX #94B1ED

RGB 148 177 237

HSL 220.45, 0.71%, 0.75%

LAB 72.13, 4.62, -33.14

 

CMYK 35 / 24 / 0 / 0

HEX #A5C3FF

RGB 165 195 255

HSL 220, 1%, 0.82%

LAB 78.61, 3.97, -32.76

 

CMYK 29 / 16 / 0 / 0

HEX #B6D5FF

RGB 182 213 255

HSL 214.52, 1%, 0.86%

LAB 84.36, -0.96, -23.86

 

CMYK 22 / 9 / 0 / 0

HEX #C7E7FF

RGB 199 231 255

HSL 205.71, 1%, 0.89%

LAB 90.1, -5.4, -15.09

 

CMYK 43 / 29 / 0 / 13

HEX #7E9FDF

RGB 126 159 223

HSL 219.59, 0.6%, 0.68%

LAB 65.4, 5.17, -36.02

 

CMYK 47 / 31 / 0 / 20

HEX #6D8DCC

RGB 109 141 204

HSL 219.79, 0.48%, 0.61%

LAB 58.66, 5.78, -36.03

 

CMYK 50 / 34 / 0 / 27

HEX #5C7BB9

RGB 92 123 185

HSL 220, 0.4%, 0.54%

LAB 51.77, 6.52, -36.08

 

CMYK 55 / 37 / 0 / 35

HEX #4B69A6

RGB 75 105 166

HSL 220.22, 0.38%, 0.47%

LAB 44.73, 7.43, -36.18

 

CMYK 61 / 41 / 0 / 42

HEX #3A5793

RGB 58 87 147

HSL 220.45, 0.43%, 0.4%

LAB 37.52, 8.6, -36.33

 

CMYK 44 / 29 / 0 / 13

HEX #7C9EDE

RGB 124 158 222

HSL 219.18, 0.6%, 0.68%

LAB 64.97, 4.95, -36.15

 

CMYK 44 / 41 / 0 / 13

HEX #7C83DE

RGB 124 131 222

HSL 235.71, 0.6%, 0.68%

LAB 57.84, 20.69, -47.36

 

CMYK 35 / 44 / 0 / 13

HEX #907CDE

RGB 144 124 222

HSL 252.24, 0.6%, 0.68%

LAB 57.67, 29.89, -47.52

 

CMYK 23 / 44 / 0 / 13

HEX #AA7CDE

RGB 170 124 222

HSL 268.16, 0.6%, 0.68%

LAB 60.1, 36.96, -43.52

 

CMYK 11 / 44 / 0 / 13

HEX #C57CDE

RGB 197 124 222

HSL 284.69, 0.6%, 0.68%

LAB 62.98, 44.66, -38.81

 

CMYK 44 / 29 / 0 / 13

HEX #7C9EDE

RGB 124 158 222

HSL 219.18, 0.6%, 0.68%

LAB 64.97, 4.95, -36.15

 

CMYK 44 / 41 / 0 / 13

HEX #7C83DE

RGB 124 131 222

HSL 235.71, 0.6%, 0.68%

LAB 57.84, 20.69, -47.36

 

CMYK 44 / 44 / 0 / 13

HEX #7C7CDE

RGB 124 124 222

HSL 240, 0.6%, 0.68%

LAB 56.06, 24.85, -50.18

 

CMYK 44 / 29 / 0 / 13

HEX #7C9EDE

RGB 124 158 222

HSL 219.18, 0.6%, 0.68%

LAB 64.97, 4.95, -36.15

 

CMYK 53 / 35 / 0 / 7

HEX #6F9AEC

RGB 111 154 236

HSL 219.36, 0.77%, 0.68%

LAB 63.79, 8.38, -45.77

 

CMYK 61 / 40 / 0 / 2

HEX #6295F9

RGB 98 149 249

HSL 219.74, 0.93%, 0.68%

LAB 62.45, 12.86, -55.09

 

CMYK 44 / 29 / 0 / 13

HEX #7C9EDE

RGB 124 158 222

HSL 219.18, 0.6%, 0.68%

LAB 64.97, 4.95, -36.15

 

CMYK 34 / 22 / 0 / 18

HEX #8AA2D1

RGB 138 162 209

HSL 219.72, 0.44%, 0.68%

LAB 66.4, 2.89, -26.67

 

CMYK 23 / 15 / 0 / 23

HEX #97A6C4

RGB 151 166 196

HSL 220, 0.28%, 0.68%

LAB 67.9, 1.33, -17.11

 

CMYK 10 / 7 / 0 / 28

HEX #A4AAB7

RGB 164 170 183

HSL 221.05, 0.12%, 0.68%

LAB 69.51, 0.5, -7.39

 

CMYK 0 / 1 / 4 / 31

HEX #B1AFAA

RGB 177 175 170

HSL 42.86, 0.04%, 0.68%

LAB 71.49, -0.21, 2.8

 

CMYK 44 / 5 / 0 / 13

HEX #7CD3DE

RGB 124 211 222

HSL 186.73, 0.6%, 0.68%

LAB 79.7, -23.4, -13.64

 

CMYK 44 / 17 / 0 / 13

HEX #7CB9DE

RGB 124 185 222

HSL 202.65, 0.6%, 0.68%

LAB 72.4, -9.98, -24.69

 

CMYK 44 / 28 / 0 / 13

HEX #7C9FDE

RGB 124 159 222

HSL 218.57, 0.6%, 0.68%

LAB 65.24, 4.38, -35.73

 

CMYK 44 / 40 / 0 / 13

HEX #7C85DE

RGB 124 133 222

HSL 234.49, 0.6%, 0.68%

LAB 58.35, 19.51, -46.54

 

CMYK 36 / 44 / 0 / 13

HEX #8E7CDE

RGB 142 124 222

HSL 251.02, 0.6%, 0.68%

LAB 57.5, 29.37, -47.8

 

CMYK 72 / 47 / 0 / 19

HEX #3A6DCE

RGB 58 109 206

HSL 219.32, 0.6%, 0.52%

LAB 47.36, 15.91, -55.25

 

CMYK 57 / 38 / 0 / 16

HEX #5B85D6

RGB 91 133 214

HSL 219.51, 0.6%, 0.6%

LAB 55.94, 9.58, -46

 

CMYK 44 / 29 / 0 / 13

HEX #7C9EDE

RGB 124 158 222

HSL 219.18, 0.6%, 0.68%

LAB 64.97, 4.95, -36.15

 

CMYK 32 / 21 / 0 / 9

HEX #9DB6E7

RGB 157 182 231

HSL 219.73, 0.61%, 0.76%

LAB 73.8, 2.79, -27.27

 

CMYK 21 / 13 / 0 / 6

HEX #BECFEF

RGB 190 207 239

HSL 219.18, 0.6%, 0.84%

LAB 82.81, 0.93, -17.67

 

CMYK 43 / 29 / 0 / 13

HEX #7E9FDF

RGB 126 159 223

HSL 219.59, 0.6%, 0.68%

LAB 65.4, 5.17, -36.02

 

CMYK 6 / 44 / 0 / 13

HEX #D07CDE

RGB 208 124 222

HSL 291.43, 0.6%, 0.68%

LAB 64.24, 47.85, -36.74

 

CMYK 11 / 0 / 44 / 13

HEX #C6DE7C

RGB 198 222 124

HSL 74.69, 0.6%, 0.68%

LAB 84.84, -23.01, 45.26

 

CMYK 43 / 29 / 0 / 13

HEX #7E9FDF

RGB 126 159 223

HSL 219.59, 0.6%, 0.68%

LAB 65.4, 5.17, -36.02

 

CMYK 0 / 44 / 28 / 13

HEX #DE7C9F

RGB 222 124 159

HSL 338.57, 0.6%, 0.68%

LAB 63.71, 42, -1.84

 

CMYK 28 / 0 / 44 / 13

HEX #9FDE7C

RGB 159 222 124

HSL 98.57, 0.6%, 0.68%

LAB 82.42, -37.25, 41.7

 

CMYK 43 / 29 / 0 / 13

HEX #7E9FDF

RGB 126 159 223

HSL 219.59, 0.6%, 0.68%

LAB 65.4, 5.17, -36.02

 

CMYK 6 / 44 / 0 / 13

HEX #D07CDE

RGB 208 124 222

HSL 291.43, 0.6%, 0.68%

LAB 64.24, 47.85, -36.74

 

CMYK 0 / 15 / 44 / 13

HEX #DEBC7C

RGB 222 188 124

HSL 39.18, 0.6%, 0.68%

LAB 77.85, 3.76, 36.84

 

CMYK 37 / 0 / 44 / 13

HEX #8BDE7C

RGB 139 222 124

HSL 110.82, 0.6%, 0.68%

LAB 81.39, -43.84, 40.19

 

CMYK 43 / 29 / 0 / 13

HEX #7E9FDF

RGB 126 159 223

HSL 219.59, 0.6%, 0.68%

LAB 65.4, 5.17, -36.02

 

CMYK 0 / 44 / 6 / 13

HEX #DE7CD0

RGB 222 124 208

HSL 308.57, 0.6%, 0.68%

LAB 65.36, 49.47, -27.06

 

CMYK 0 / 15 / 44 / 13

HEX #DEBC7C

RGB 222 188 124

HSL 39.18, 0.6%, 0.68%

LAB 77.85, 3.76, 36.84

 

CMYK 44 / 0 / 37 / 13

HEX #7CDE8B

RGB 124 222 139

HSL 129.18, 0.6%, 0.68%

LAB 80.96, -46.07, 31.96

 

Description

Color code: HEX #7E9FDF | qconv.com Color code: HEX #7E9FDF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 159 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 159 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 29 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 29% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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