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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 10 / 7 / 0 / 28 it is the complementary color CMYK 0 / 7 / 21 / 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 10 / 7 / 0 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 10 / 7 / 0 / 28: CMYK 5 / 4 / 0 / 30, CMYK 6 / 5 / 0 / 22, CMYK 6 / 5 / 0 / 15, CMYK 6 / 5 / 0 / 7 and CMYK 7 / 5 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 10 / 7 / 0 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 10 / 7 / 0 / 28: CMYK 10 / 7 / 0 / 28, CMYK 10 / 7 / 0 / 35, CMYK 10 / 8 / 0 / 43, CMYK 10 / 8 / 0 / 50 and CMYK 10 / 8 / 0 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 7 / 0 / 28

HEX #A5ABB8

RGB 165 171 184

HSL 221.05, 0.12%, 0.68%

LAB 69.88, 0.5, -7.39

 

Complementary color

CMYK 0 / 7 / 21 / 65

HEX #5A5447

RGB 90 84 71

HSL 41.05, 0.12%, 0.32%

LAB 35.93, -0.01, 8.49

 

CMYK 5 / 4 / 0 / 30

HEX #AAABB3

RGB 170 171 179

HSL 233.33, 0.06%, 0.68%

LAB 70.12, 1.2, -4.23

 

CMYK 6 / 5 / 0 / 22

HEX #BBBDC6

RGB 187 189 198

HSL 229.09, 0.09%, 0.75%

LAB 76.7, 1.03, -4.77

 

CMYK 6 / 5 / 0 / 15

HEX #CCCFD9

RGB 204 207 217

HSL 226.15, 0.15%, 0.83%

LAB 83.16, 0.86, -5.31

 

CMYK 6 / 5 / 0 / 7

HEX #DDE1EC

RGB 221 225 236

HSL 224, 0.28%, 0.9%

LAB 89.52, 0.71, -5.83

 

CMYK 7 / 5 / 0 / 0

HEX #EEF3FF

RGB 238 243 255

HSL 222.35, 1%, 0.97%

LAB 95.79, 0.56, -6.34

 

CMYK 10 / 7 / 0 / 28

HEX #A5ABB8

RGB 165 171 184

HSL 221.05, 0.12%, 0.68%

LAB 69.88, 0.5, -7.39

 

CMYK 10 / 7 / 0 / 35

HEX #9499A5

RGB 148 153 165

HSL 222.35, 0.09%, 0.61%

LAB 63.17, 0.66, -6.89

 

CMYK 10 / 8 / 0 / 43

HEX #838792

RGB 131 135 146

HSL 224, 0.06%, 0.54%

LAB 56.32, 0.83, -6.39

 

CMYK 10 / 8 / 0 / 50

HEX #72757F

RGB 114 117 127

HSL 226.15, 0.05%, 0.47%

LAB 49.29, 1.01, -5.88

 

CMYK 10 / 8 / 0 / 58

HEX #61636C

RGB 97 99 108

HSL 229.09, 0.05%, 0.4%

LAB 42.07, 1.2, -5.35

 

CMYK 10 / 7 / 0 / 28

HEX #A5ABB8

RGB 165 171 184

HSL 221.05, 0.12%, 0.68%

LAB 69.88, 0.5, -7.39

 

CMYK 11 / 9 / 0 / 28

HEX #A3A6B7

RGB 163 166 183

HSL 231, 0.12%, 0.68%

LAB 68.37, 2.36, -9.1

 

CMYK 11 / 11 / 0 / 28

HEX #A3A3B7

RGB 163 163 183

HSL 240, 0.12%, 0.68%

LAB 67.58, 4.01, -10.29

 

CMYK 9 / 11 / 0 / 28

HEX #A7A3B7

RGB 167 163 183

HSL 252, 0.12%, 0.68%

LAB 67.89, 5.37, -9.78

 

CMYK 7 / 11 / 0 / 28

HEX #AAA3B7

RGB 170 163 183

HSL 261, 0.12%, 0.68%

LAB 68.14, 6.4, -9.39

 

CMYK 10 / 7 / 0 / 28

HEX #A5ABB8

RGB 165 171 184

HSL 221.05, 0.12%, 0.68%

LAB 69.88, 0.5, -7.39

 

CMYK 10 / 7 / 0 / 8

HEX #D3DAEB

RGB 211 218 235

HSL 222.5, 0.38%, 0.87%

LAB 86.99, 0.9, -9.13

 

CMYK 10 / 6 / 0 / 88

HEX #1C1D1F

RGB 28 29 31

HSL 220, 0.05%, 0.12%

LAB 10.74, 0.06, -1.54

 

CMYK 10 / 7 / 0 / 68

HEX #4A4C52

RGB 74 76 82

HSL 225, 0.05%, 0.31%

LAB 32.33, 0.56, -3.83

 

CMYK 11 / 7 / 0 / 48

HEX #777C85

RGB 119 124 133

HSL 218.57, 0.06%, 0.49%

LAB 51.87, 0.05, -5.53

 

CMYK 10 / 7 / 0 / 28

HEX #A5ABB8

RGB 165 171 184

HSL 221.05, 0.12%, 0.68%

LAB 69.88, 0.5, -7.39

 

CMYK 2 / 11 / 0 / 28

HEX #B4A3B7

RGB 180 163 183

HSL 291, 0.12%, 0.68%

LAB 68.98, 9.85, -8.05

 

CMYK 3 / 0 / 11 / 28

HEX #B1B7A3

RGB 177 183 163

HSL 78, 0.12%, 0.68%

LAB 73.45, -5.72, 9.45

 

CMYK 10 / 7 / 0 / 28

HEX #A5ABB8

RGB 165 171 184

HSL 221.05, 0.12%, 0.68%

LAB 69.88, 0.5, -7.39

 

CMYK 0 / 11 / 8 / 28

HEX #B7A3A9

RGB 183 163 169

HSL 342, 0.12%, 0.68%

LAB 68.84, 8.33, -0.44

 

CMYK 8 / 0 / 11 / 28

HEX #A9B7A3

RGB 169 183 163

HSL 102, 0.12%, 0.68%

LAB 72.86, -8.6, 8.52

 

CMYK 10 / 7 / 0 / 28

HEX #A5ABB8

RGB 165 171 184

HSL 221.05, 0.12%, 0.68%

LAB 69.88, 0.5, -7.39

 

CMYK 2 / 11 / 0 / 28

HEX #B4A3B7

RGB 180 163 183

HSL 291, 0.12%, 0.68%

LAB 68.98, 9.85, -8.05

 

CMYK 0 / 4 / 11 / 28

HEX #B7B0A3

RGB 183 176 163

HSL 39, 0.12%, 0.68%

LAB 72.07, 0.21, 7.54

 

CMYK 10 / 0 / 11 / 28

HEX #A5B7A3

RGB 165 183 163

HSL 114, 0.12%, 0.68%

LAB 72.57, -10.02, 8.07

 

CMYK 10 / 7 / 0 / 28

HEX #A5ABB8

RGB 165 171 184

HSL 221.05, 0.12%, 0.68%

LAB 69.88, 0.5, -7.39

 

CMYK 0 / 11 / 2 / 28

HEX #B7A3B3

RGB 183 163 179

HSL 312, 0.12%, 0.68%

LAB 69.12, 10.15, -5.58

 

CMYK 0 / 4 / 11 / 28

HEX #B7B0A3

RGB 183 176 163

HSL 39, 0.12%, 0.68%

LAB 72.07, 0.21, 7.54

 

CMYK 11 / 0 / 9 / 28

HEX #A3B7A7

RGB 163 183 167

HSL 132, 0.12%, 0.68%

LAB 72.52, -9.98, 5.8

 

Description

Color code: CMYK 10 / 7 / 0 / 28 | qconv.com Color code: CMYK 10 / 7 / 0 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 171 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 171 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 7 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 7% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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