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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E5A33 it is the complementary color #81A5CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E5A33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E5A33 shade: #835A2E, #946C41, #A57E54, #B69067 and #C7A27A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E5A33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E5A33 shade: #7E5A33, #6D4820, #5C360D, #4B2400 and #3A1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E5A33 shade: #7E5A33, #7E4633 and #7E3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E5A33 shade: #7E5A33, #7E6E33, #7A7E33, #667E33 and #517E33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E5A33 shade matches the following richer shades: #7E5A33, #8D5B25, #9B5B16 and #AA5C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E5A33 shade: #7E5A33, #705A42, #615950, #53595F and #44586D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E5A33 shade: #7E3335, #7E4633, #7E5A33, #7E6E33 and #7A7E33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E5A33 shade: #44301B, #614527, #7E5A33, #9C6F3F and #B6844E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E5A33 shade: #7E5A33, #497E33 and #3C337E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E5A33 shade: #7E5A33, #337E5A and #5A337E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E5A33 shade: #7E5A33, #497E33, #33587E and #69337E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E5A33 shade: #7E5A33, #337E35, #33587E and #7E337D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 60 / 51

HEX #7E5A33

RGB 126 90 51

HSL 31.2, 0.42%, 0.35%

LAB 41.2, 10.14, 28.12

 

Complementary color

CMYK 37 / 19 / 0 / 20

HEX #81A5CC

RGB 129 165 204

HSL 211.2, 0.42%, 0.65%

LAB 66.47, -2.62, -23.85

 

CMYK 0 / 31 / 65 / 49

HEX #835A2E

RGB 131 90 46

HSL 31.06, 0.48%, 0.35%

LAB 41.74, 12.04, 31.7

 

CMYK 0 / 27 / 56 / 42

HEX #946C41

RGB 148 108 65

HSL 31.08, 0.39%, 0.42%

LAB 48.76, 10.77, 30.1

 

CMYK 0 / 24 / 49 / 35

HEX #A57E54

RGB 165 126 84

HSL 31.11, 0.33%, 0.49%

LAB 55.65, 9.73, 28.61

 

CMYK 0 / 21 / 43 / 29

HEX #B69067

RGB 182 144 103

HSL 31.14, 0.35%, 0.56%

LAB 62.4, 8.87, 27.22

 

CMYK 0 / 19 / 39 / 22

HEX #C7A27A

RGB 199 162 122

HSL 31.17, 0.41%, 0.63%

LAB 69.03, 8.14, 25.95

 

CMYK 0 / 29 / 60 / 51

HEX #7E5A33

RGB 126 90 51

HSL 31.2, 0.42%, 0.35%

LAB 41.2, 10.14, 28.12

 

CMYK 0 / 34 / 71 / 57

HEX #6D4820

RGB 109 72 32

HSL 31.17, 0.55%, 0.28%

LAB 33.96, 11.56, 29.75

 

CMYK 0 / 41 / 86 / 64

HEX #5C360D

RGB 92 54 13

HSL 31.14, 0.75%, 0.21%

LAB 26.57, 13.42, 31.12

 

CMYK 0 / 52 / 100 / 71

HEX #4B2400

RGB 75 36 0

HSL 28.8, 1%, 0.15%

LAB 19.05, 15.8, 27.89

 

CMYK 0 / 69 / 100 / 77

HEX #3A1200

RGB 58 18 0

HSL 18.62, 1%, 0.11%

LAB 11.5, 18.61, 17.63

 

CMYK 0 / 29 / 60 / 51

HEX #7E5A33

RGB 126 90 51

HSL 31.2, 0.42%, 0.35%

LAB 41.2, 10.14, 28.12

 

CMYK 0 / 44 / 60 / 51

HEX #7E4633

RGB 126 70 51

HSL 15.2, 0.42%, 0.35%

LAB 36.09, 22, 21.81

 

CMYK 0 / 60 / 60 / 51

HEX #7E3333

RGB 126 51 51

HSL 0, 0.42%, 0.35%

LAB 31.9, 32.56, 16.42

 

CMYK 0 / 29 / 60 / 51

HEX #7E5A33

RGB 126 90 51

HSL 31.2, 0.42%, 0.35%

LAB 41.2, 10.14, 28.12

 

CMYK 0 / 13 / 60 / 51

HEX #7E6E33

RGB 126 110 51

HSL 47.2, 0.42%, 0.35%

LAB 46.75, -1.6, 34.67

 

CMYK 3 / 0 / 60 / 51

HEX #7A7E33

RGB 122 126 51

HSL 63.2, 0.42%, 0.35%

LAB 51.03, -12.38, 39.43

 

CMYK 19 / 0 / 60 / 51

HEX #667E33

RGB 102 126 51

HSL 79.2, 0.42%, 0.35%

LAB 49.48, -21.11, 37.25

 

CMYK 36 / 0 / 60 / 51

HEX #517E33

RGB 81 126 51

HSL 96, 0.42%, 0.35%

LAB 48.15, -29.54, 35.38

 

CMYK 0 / 29 / 60 / 51

HEX #7E5A33

RGB 126 90 51

HSL 31.2, 0.42%, 0.35%

LAB 41.2, 10.14, 28.12

 

CMYK 0 / 35 / 74 / 45

HEX #8D5B25

RGB 141 91 37

HSL 31.15, 0.58%, 0.35%

LAB 43.18, 15.47, 38.32

 

CMYK 0 / 41 / 86 / 39

HEX #9B5B16

RGB 155 91 22

HSL 31.13, 0.75%, 0.35%

LAB 44.95, 21.19, 47.19

 

CMYK 0 / 46 / 95 / 33

HEX #AA5C08

RGB 170 92 8

HSL 31.11, 0.91%, 0.35%

LAB 47.26, 26.93, 53.92

 

CMYK 0 / 29 / 60 / 51

HEX #7E5A33

RGB 126 90 51

HSL 31.2, 0.42%, 0.35%

LAB 41.2, 10.14, 28.12

 

CMYK 0 / 20 / 41 / 56

HEX #705A42

RGB 112 90 66

HSL 31.3, 0.26%, 0.35%

LAB 39.83, 5.36, 17.27

 

CMYK 0 / 8 / 18 / 62

HEX #615950

RGB 97 89 80

HSL 31.76, 0.1%, 0.35%

LAB 38.31, 1.54, 6.37

 

CMYK 13 / 6 / 0 / 63

HEX #53595F

RGB 83 89 95

HSL 210, 0.07%, 0.35%

LAB 37.5, -0.98, -4.27

 

CMYK 38 / 19 / 0 / 57

HEX #44586D

RGB 68 88 109

HSL 210.73, 0.23%, 0.35%

LAB 36.58, -1.87, -14.47

 

CMYK 0 / 60 / 58 / 51

HEX #7E3335

RGB 126 51 53

HSL 358.4, 0.42%, 0.35%

LAB 31.94, 32.73, 15.19

 

CMYK 0 / 44 / 60 / 51

HEX #7E4633

RGB 126 70 51

HSL 15.2, 0.42%, 0.35%

LAB 36.09, 22, 21.81

 

CMYK 0 / 29 / 60 / 51

HEX #7E5A33

RGB 126 90 51

HSL 31.2, 0.42%, 0.35%

LAB 41.2, 10.14, 28.12

 

CMYK 0 / 13 / 60 / 51

HEX #7E6E33

RGB 126 110 51

HSL 47.2, 0.42%, 0.35%

LAB 46.75, -1.6, 34.67

 

CMYK 3 / 0 / 60 / 51

HEX #7A7E33

RGB 122 126 51

HSL 63.2, 0.42%, 0.35%

LAB 51.03, -12.38, 39.43

 

CMYK 0 / 29 / 60 / 73

HEX #44301B

RGB 68 48 27

HSL 30.73, 0.43%, 0.19%

LAB 21.66, 6.19, 16.93

 

CMYK 0 / 29 / 60 / 62

HEX #614527

RGB 97 69 39

HSL 31.03, 0.43%, 0.27%

LAB 31.68, 8.22, 22.7

 

CMYK 0 / 29 / 60 / 51

HEX #7E5A33

RGB 126 90 51

HSL 31.2, 0.42%, 0.35%

LAB 41.2, 10.14, 28.12

 

CMYK 0 / 29 / 60 / 39

HEX #9C6F3F

RGB 156 111 63

HSL 30.97, 0.42%, 0.43%

LAB 50.45, 12.42, 33.46

 

CMYK 0 / 27 / 57 / 29

HEX #B6844E

RGB 182 132 78

HSL 31.15, 0.42%, 0.51%

LAB 58.97, 13.13, 36.41

 

CMYK 0 / 29 / 60 / 51

HEX #7E5A33

RGB 126 90 51

HSL 31.2, 0.42%, 0.35%

LAB 41.2, 10.14, 28.12

 

CMYK 42 / 0 / 60 / 51

HEX #497E33

RGB 73 126 51

HSL 102.4, 0.42%, 0.35%

LAB 47.72, -32.45, 34.78

 

CMYK 52 / 60 / 0 / 51

HEX #3C337E

RGB 60 51 126

HSL 247.2, 0.42%, 0.35%

LAB 26.26, 25.55, -41.42

 

CMYK 0 / 29 / 60 / 51

HEX #7E5A33

RGB 126 90 51

HSL 31.2, 0.42%, 0.35%

LAB 41.2, 10.14, 28.12

 

CMYK 60 / 0 / 29 / 51

HEX #337E5A

RGB 51 126 90

HSL 151.2, 0.42%, 0.35%

LAB 47.45, -32.27, 12.79

 

CMYK 29 / 60 / 0 / 51

HEX #5A337E

RGB 90 51 126

HSL 271.2, 0.42%, 0.35%

LAB 29.53, 33.03, -35.98

 

CMYK 0 / 29 / 60 / 51

HEX #7E5A33

RGB 126 90 51

HSL 31.2, 0.42%, 0.35%

LAB 41.2, 10.14, 28.12

 

CMYK 42 / 0 / 60 / 51

HEX #497E33

RGB 73 126 51

HSL 102.4, 0.42%, 0.35%

LAB 47.72, -32.45, 34.78

 

CMYK 60 / 30 / 0 / 51

HEX #33587E

RGB 51 88 126

HSL 210.4, 0.42%, 0.35%

LAB 36.35, -0.98, -25.41

 

CMYK 17 / 60 / 0 / 51

HEX #69337E

RGB 105 51 126

HSL 283.2, 0.42%, 0.35%

LAB 31.53, 37.14, -32.68

 

CMYK 0 / 29 / 60 / 51

HEX #7E5A33

RGB 126 90 51

HSL 31.2, 0.42%, 0.35%

LAB 41.2, 10.14, 28.12

 

CMYK 60 / 0 / 58 / 51

HEX #337E35

RGB 51 126 53

HSL 121.6, 0.42%, 0.35%

LAB 46.82, -38.99, 32.48

 

CMYK 60 / 30 / 0 / 51

HEX #33587E

RGB 51 88 126

HSL 210.4, 0.42%, 0.35%

LAB 36.35, -0.98, -25.41

 

CMYK 0 / 60 / 1 / 51

HEX #7E337D

RGB 126 51 125

HSL 300.8, 0.42%, 0.35%

LAB 34.57, 42.85, -27.05

 

Description

Color code: HEX #7E5A33 | qconv.com Color code: HEX #7E5A33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 90 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 90 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 60 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 60% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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