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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 27 / 56 / 42 it is the complementary color CMYK 44 / 23 / 0 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 27 / 56 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 27 / 56 / 42: CMYK 0 / 29 / 61 / 40, CMYK 0 / 26 / 54 / 33, CMYK 0 / 23 / 48 / 27, CMYK 0 / 21 / 43 / 20 and CMYK 0 / 19 / 38 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 27 / 56 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 27 / 56 / 42: CMYK 0 / 27 / 56 / 42, CMYK 0 / 31 / 65 / 49, CMYK 0 / 37 / 76 / 55, CMYK 0 / 44 / 92 / 62 and CMYK 0 / 55 / 100 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 56 / 42

HEX #946C41

RGB 148 108 65

HSL 31.08, 0.39%, 0.42%

LAB 48.76, 10.77, 30.1

 

Complementary color

CMYK 44 / 23 / 0 / 25

HEX #6B93BE

RGB 107 147 190

HSL 211.08, 0.39%, 0.58%

LAB 59.63, -2.27, -26.64

 

CMYK 0 / 29 / 61 / 40

HEX #996C3C

RGB 153 108 60

HSL 30.97, 0.44%, 0.42%

LAB 49.28, 12.57, 33.61

 

CMYK 0 / 26 / 54 / 33

HEX #AA7E4F

RGB 170 126 79

HSL 30.99, 0.37%, 0.49%

LAB 56.12, 11.41, 32.07

 

CMYK 0 / 23 / 48 / 27

HEX #BB9062

RGB 187 144 98

HSL 31.01, 0.4%, 0.56%

LAB 62.84, 10.43, 30.62

 

CMYK 0 / 21 / 43 / 20

HEX #CCA275

RGB 204 162 117

HSL 31.03, 0.46%, 0.63%

LAB 69.44, 9.61, 29.28

 

CMYK 0 / 19 / 38 / 13

HEX #DDB488

RGB 221 180 136

HSL 31.06, 0.56%, 0.7%

LAB 75.94, 8.89, 28.04

 

CMYK 0 / 27 / 56 / 42

HEX #946C41

RGB 148 108 65

HSL 31.08, 0.39%, 0.42%

LAB 48.76, 10.77, 30.1

 

CMYK 0 / 31 / 65 / 49

HEX #835A2E

RGB 131 90 46

HSL 31.06, 0.48%, 0.35%

LAB 41.74, 12.04, 31.7

 

CMYK 0 / 37 / 76 / 55

HEX #72481B

RGB 114 72 27

HSL 31.03, 0.62%, 0.28%

LAB 34.58, 13.64, 33.25

 

CMYK 0 / 44 / 92 / 62

HEX #613608

RGB 97 54 8

HSL 31.01, 0.85%, 0.21%

LAB 27.29, 15.68, 34.16

 

CMYK 0 / 55 / 100 / 69

HEX #502400

RGB 80 36 0

HSL 27, 1%, 0.16%

LAB 19.91, 18.24, 29.11

 

CMYK 0 / 27 / 56 / 42

HEX #946C41

RGB 148 108 65

HSL 31.08, 0.39%, 0.42%

LAB 48.76, 10.77, 30.1

 

CMYK 0 / 18 / 56 / 42

HEX #947A41

RGB 148 122 65

HSL 41.2, 0.39%, 0.42%

LAB 52.51, 2.74, 34.64

 

CMYK 0 / 8 / 56 / 42

HEX #948841

RGB 148 136 65

HSL 51.33, 0.39%, 0.42%

LAB 56.37, -5.09, 39.2

 

CMYK 1 / 0 / 56 / 42

HEX #939441

RGB 147 148 65

HSL 60.72, 0.39%, 0.42%

LAB 59.68, -12.03, 42.98

 

CMYK 10 / 0 / 56 / 42

HEX #859441

RGB 133 148 65

HSL 70.84, 0.39%, 0.42%

LAB 58.55, -18.04, 41.4

 

CMYK 0 / 27 / 56 / 42

HEX #946C41

RGB 148 108 65

HSL 31.08, 0.39%, 0.42%

LAB 48.76, 10.77, 30.1

 

CMYK 0 / 27 / 56 / 22

HEX #C79157

RGB 199 145 87

HSL 31.07, 0.5%, 0.56%

LAB 64.23, 13.93, 38.5

 

CMYK 0 / 27 / 56 / 2

HEX #FAB66E

RGB 250 182 110

HSL 30.86, 0.93%, 0.71%

LAB 78.99, 17.02, 45.98

 

CMYK 0 / 26 / 57 / 82

HEX #2E2214

RGB 46 34 20

HSL 32.31, 0.39%, 0.13%

LAB 14.26, 3.45, 11.6

 

CMYK 0 / 27 / 56 / 62

HEX #61472B

RGB 97 71 43

HSL 31.11, 0.39%, 0.27%

LAB 32.31, 7.37, 21.07

 

CMYK 0 / 27 / 56 / 42

HEX #946C41

RGB 148 108 65

HSL 31.08, 0.39%, 0.42%

LAB 48.76, 10.77, 30.1

 

CMYK 40 / 0 / 56 / 42

HEX #599441

RGB 89 148 65

HSL 102.65, 0.39%, 0.42%

LAB 55.77, -35.23, 37.45

 

CMYK 49 / 56 / 0 / 42

HEX #4B4194

RGB 75 65 148

HSL 247.23, 0.39%, 0.42%

LAB 32.73, 27.06, -44.53

 

CMYK 0 / 27 / 56 / 42

HEX #946C41

RGB 148 108 65

HSL 31.08, 0.39%, 0.42%

LAB 48.76, 10.77, 30.1

 

CMYK 56 / 0 / 27 / 42

HEX #41946C

RGB 65 148 108

HSL 151.08, 0.39%, 0.42%

LAB 55.47, -35.02, 13.69

 

CMYK 27 / 56 / 0 / 42

HEX #6C4194

RGB 108 65 148

HSL 271.08, 0.39%, 0.42%

LAB 36.19, 35.41, -38.8

 

CMYK 0 / 27 / 56 / 42

HEX #946C41

RGB 148 108 65

HSL 31.08, 0.39%, 0.42%

LAB 48.76, 10.77, 30.1

 

CMYK 40 / 0 / 56 / 42

HEX #599441

RGB 89 148 65

HSL 102.65, 0.39%, 0.42%

LAB 55.77, -35.23, 37.45

 

CMYK 56 / 29 / 0 / 42

HEX #416994

RGB 65 105 148

HSL 211.08, 0.39%, 0.42%

LAB 43.31, -0.85, -27.79

 

CMYK 16 / 56 / 0 / 42

HEX #7D4194

RGB 125 65 148

HSL 283.37, 0.39%, 0.42%

LAB 38.34, 40.08, -35.25

 

CMYK 0 / 27 / 56 / 42

HEX #946C41

RGB 148 108 65

HSL 31.08, 0.39%, 0.42%

LAB 48.76, 10.77, 30.1

 

CMYK 56 / 0 / 55 / 42

HEX #419442

RGB 65 148 66

HSL 120.72, 0.39%, 0.42%

LAB 54.76, -42.5, 35.49

 

CMYK 56 / 29 / 0 / 42

HEX #416994

RGB 65 105 148

HSL 211.08, 0.39%, 0.42%

LAB 43.31, -0.85, -27.79

 

CMYK 0 / 56 / 1 / 42

HEX #944193

RGB 148 65 147

HSL 300.72, 0.39%, 0.42%

LAB 41.51, 46.37, -29.43

 

Description

Color code: CMYK 0 / 27 / 56 / 42 | qconv.com Color code: CMYK 0 / 27 / 56 / 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 108 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 108 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 56 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 56% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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