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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DF143 it is the complementary color #820EBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DF143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DF143 shade: #82F13E, #93FF51, #A4FF64, #B5FF77 and #C6FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DF143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DF143 shade: #7DF143, #6CDF30, #5BCD1D, #4ABB0A and #39A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DF143 shade: #7CF141, #ABF141, #DAF141, #F1D841 and #F1A841

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DF143 shade: #7CF141, #4CF141, #41F165, #41F195 and #41F1C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DF143 shade matches the following richer shades: #7CF141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DF143 shade: #7CF141, #81E052, #87D062, #8CBF73 and #92AF83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DF143 shade: #D9F141, #ABF141, #7CF141, #4DF141 and #41F164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DF143 shade: #50D010, #61EE1B, #7CF141, #96F468 and #B1F68E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DF143 shade: #7DF143, #41F1D9 and #F141C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DF143 shade: #7DF143, #417CF1 and #F1417C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DF143 shade: #7DF143, #41F1D9, #B641F1 and #F14159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DF143 shade: #7DF143, #41D3F1, #B641F1 and #F15F41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 72 / 5

HEX #7DF143

RGB 125 241 67

HSL 100, 0.86%, 0.6%

LAB 85.84, -61.42, 69.58

 

Complementary color

CMYK 31 / 93 / 0 / 26

HEX #820EBC

RGB 130 14 188

HSL 280, 0.86%, 0.4%

LAB 35.38, 67.98, -63.92

 

CMYK 46 / 0 / 74 / 5

HEX #82F13E

RGB 130 241 62

HSL 97.21, 0.86%, 0.59%

LAB 86.01, -60.28, 71.46

 

CMYK 42 / 0 / 68 / 0

HEX #93FF51

RGB 147 255 81

HSL 97.24, 1%, 0.66%

LAB 90.92, -59.21, 70.09

 

CMYK 36 / 0 / 61 / 0

HEX #A4FF64

RGB 164 255 100

HSL 95.23, 1%, 0.7%

LAB 91.83, -52.3, 63.86

 

CMYK 29 / 0 / 53 / 0

HEX #B5FF77

RGB 181 255 119

HSL 92.65, 1%, 0.73%

LAB 92.87, -44.82, 57.07

 

CMYK 22 / 0 / 46 / 0

HEX #C6FF8A

RGB 198 255 138

HSL 89.23, 1%, 0.77%

LAB 94.04, -36.89, 49.95

 

CMYK 48 / 0 / 72 / 5

HEX #7DF143

RGB 125 241 67

HSL 100, 0.86%, 0.6%

LAB 85.84, -61.42, 69.58

 

CMYK 52 / 0 / 78 / 13

HEX #6CDF30

RGB 108 223 48

HSL 99.43, 0.73%, 0.53%

LAB 79.71, -60.77, 69.42

 

CMYK 56 / 0 / 86 / 20

HEX #5BCD1D

RGB 91 205 29

HSL 98.86, 0.75%, 0.46%

LAB 73.53, -59.81, 68.39

 

CMYK 60 / 0 / 95 / 27

HEX #4ABB0A

RGB 74 187 10

HSL 98.31, 0.9%, 0.39%

LAB 67.29, -58.43, 66.07

 

CMYK 66 / 0 / 100 / 34

HEX #39A900

RGB 57 169 0

HSL 99.76, 1%, 0.33%

LAB 61, -56.53, 62.06

 

CMYK 49 / 0 / 73 / 5

HEX #7CF141

RGB 124 241 65

HSL 99.89, 0.86%, 0.6%

LAB 85.79, -61.84, 70.19

 

CMYK 29 / 0 / 73 / 5

HEX #ABF141

RGB 171 241 65

HSL 83.86, 0.86%, 0.6%

LAB 87.94, -46.56, 73.03

 

CMYK 10 / 0 / 73 / 5

HEX #DAF141

RGB 218 241 65

HSL 67.84, 0.86%, 0.6%

LAB 90.87, -28.6, 76.86

 

CMYK 0 / 10 / 73 / 5

HEX #F1D841

RGB 241 216 65

HSL 51.48, 0.86%, 0.6%

LAB 86.1, -6.97, 72.96

 

CMYK 0 / 30 / 73 / 5

HEX #F1A841

RGB 241 168 65

HSL 35.11, 0.86%, 0.6%

LAB 74.25, 17.93, 61.36

 

CMYK 49 / 0 / 73 / 5

HEX #7CF141

RGB 124 241 65

HSL 99.89, 0.86%, 0.6%

LAB 85.79, -61.84, 70.19

 

CMYK 68 / 0 / 73 / 5

HEX #4CF141

RGB 76 241 65

HSL 116.25, 0.86%, 0.6%

LAB 84.4, -73.03, 68.33

 

CMYK 73 / 0 / 58 / 5

HEX #41F165

RGB 65 241 101

HSL 132.27, 0.86%, 0.6%

LAB 84.47, -71.35, 54.19

 

CMYK 73 / 0 / 38 / 5

HEX #41F195

RGB 65 241 149

HSL 148.64, 0.86%, 0.6%

LAB 85.1, -64.04, 32.09

 

CMYK 73 / 0 / 19 / 5

HEX #41F1C4

RGB 65 241 196

HSL 164.66, 0.86%, 0.6%

LAB 86.02, -54.11, 9.18

 

CMYK 49 / 0 / 73 / 5

HEX #7CF141

RGB 124 241 65

HSL 99.89, 0.86%, 0.6%

LAB 85.79, -61.84, 70.19

 

CMYK 49 / 0 / 73 / 5

HEX #7CF141

RGB 124 241 65

HSL 99.89, 0.86%, 0.6%

LAB 85.79, -61.84, 70.19

 

CMYK 42 / 0 / 63 / 12

HEX #81E052

RGB 129 224 82

HSL 100.14, 0.7%, 0.6%

LAB 81.06, -52.54, 58.97

 

CMYK 35 / 0 / 53 / 18

HEX #87D062

RGB 135 208 98

HSL 99.82, 0.54%, 0.6%

LAB 76.77, -42.32, 47.02

 

CMYK 27 / 0 / 40 / 25

HEX #8CBF73

RGB 140 191 115

HSL 100.26, 0.37%, 0.6%

LAB 72.28, -30.73, 33.07

 

CMYK 17 / 0 / 25 / 31

HEX #92AF83

RGB 146 175 131

HSL 99.55, 0.22%, 0.6%

LAB 68.32, -18.24, 19.36

 

CMYK 10 / 0 / 73 / 5

HEX #D9F141

RGB 217 241 65

HSL 68.18, 0.86%, 0.6%

LAB 90.8, -29, 76.76

 

CMYK 29 / 0 / 73 / 5

HEX #ABF141

RGB 171 241 65

HSL 83.86, 0.86%, 0.6%

LAB 87.94, -46.56, 73.03

 

CMYK 49 / 0 / 73 / 5

HEX #7CF141

RGB 124 241 65

HSL 99.89, 0.86%, 0.6%

LAB 85.79, -61.84, 70.19

 

CMYK 68 / 0 / 73 / 5

HEX #4DF141

RGB 77 241 65

HSL 115.91, 0.86%, 0.6%

LAB 84.42, -72.85, 68.36

 

CMYK 73 / 0 / 59 / 5

HEX #41F164

RGB 65 241 100

HSL 131.93, 0.86%, 0.6%

LAB 84.46, -71.47, 54.62

 

CMYK 62 / 0 / 92 / 18

HEX #50D010

RGB 80 208 16

HSL 100, 0.86%, 0.44%

LAB 74.1, -63.95, 71

 

CMYK 59 / 0 / 89 / 7

HEX #61EE1B

RGB 97 238 27

HSL 100.09, 0.86%, 0.52%

LAB 83.85, -69.61, 77.71

 

CMYK 49 / 0 / 73 / 5

HEX #7CF141

RGB 124 241 65

HSL 99.89, 0.86%, 0.6%

LAB 85.79, -61.84, 70.19

 

CMYK 39 / 0 / 57 / 4

HEX #96F468

RGB 150 244 104

HSL 100.29, 0.86%, 0.68%

LAB 88.06, -51.94, 57.71

 

CMYK 28 / 0 / 42 / 4

HEX #B1F68E

RGB 177 246 142

HSL 99.81, 0.85%, 0.76%

LAB 90.42, -39.61, 43.23

 

CMYK 48 / 0 / 72 / 5

HEX #7DF143

RGB 125 241 67

HSL 100, 0.86%, 0.6%

LAB 85.84, -61.42, 69.58

 

CMYK 73 / 0 / 10 / 5

HEX #41F1D9

RGB 65 241 217

HSL 171.82, 0.86%, 0.6%

LAB 86.53, -48.9, -1.06

 

CMYK 0 / 73 / 20 / 5

HEX #F141C2

RGB 241 65 194

HSL 316.02, 0.86%, 0.6%

LAB 58.39, 77.25, -29.66

 

CMYK 48 / 0 / 72 / 5

HEX #7DF143

RGB 125 241 67

HSL 100, 0.86%, 0.6%

LAB 85.84, -61.42, 69.58

 

CMYK 73 / 49 / 0 / 5

HEX #417CF1

RGB 65 124 241

HSL 219.89, 0.86%, 0.6%

LAB 53.91, 20.15, -64.42

 

CMYK 0 / 73 / 49 / 5

HEX #F1417C

RGB 241 65 124

HSL 339.89, 0.86%, 0.6%

LAB 56.02, 69.8, 7.74

 

CMYK 48 / 0 / 72 / 5

HEX #7DF143

RGB 125 241 67

HSL 100, 0.86%, 0.6%

LAB 85.84, -61.42, 69.58

 

CMYK 73 / 0 / 10 / 5

HEX #41F1D9

RGB 65 241 217

HSL 171.82, 0.86%, 0.6%

LAB 86.53, -48.9, -1.06

 

CMYK 24 / 73 / 0 / 5

HEX #B641F1

RGB 182 65 241

HSL 279.89, 0.86%, 0.6%

LAB 51.92, 72.5, -67.15

 

CMYK 0 / 73 / 63 / 5

HEX #F14159

RGB 241 65 89

HSL 351.82, 0.86%, 0.6%

LAB 55.28, 67.35, 27.48

 

CMYK 48 / 0 / 72 / 5

HEX #7DF143

RGB 125 241 67

HSL 100, 0.86%, 0.6%

LAB 85.84, -61.42, 69.58

 

CMYK 73 / 12 / 0 / 5

HEX #41D3F1

RGB 65 211 241

HSL 190.23, 0.86%, 0.6%

LAB 78.5, -28.45, -25.79

 

CMYK 24 / 73 / 0 / 5

HEX #B641F1

RGB 182 65 241

HSL 279.89, 0.86%, 0.6%

LAB 51.92, 72.5, -67.15

 

CMYK 0 / 61 / 73 / 5

HEX #F15F41

RGB 241 95 65

HSL 10.23, 0.86%, 0.6%

LAB 59.22, 54.55, 45.62

 

Description

Color code: HEX #7DF143 | qconv.com Color code: HEX #7DF143 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 241 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 241 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 72 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 72% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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