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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5FF77 it is the complementary color #4A0088. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5FF77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5FF77 shade: #BAFF72, #CBFF85, #DCFF98, #EDFFAB and #FEFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5FF77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5FF77 shade: #B5FF77, #A4ED64, #93DB51, #82C93E and #71B72B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5FF77 shade: #B4FF75, #D9FF75, #FEFF75, #FFDB75 and #FFB575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5FF77 shade: #B4FF75, #8FFF75, #75FF81, #75FFA6 and #75FFCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5FF77 shade matches the following richer shades: #B4FF75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5FF77 shade: #B4FF75, #B5F480, #B6E98C, #B7DE97 and #B8D2A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5FF77 shade: #FFFF75, #DAFF75, #B6FF75, #91FF75 and #75FF7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5FF77 shade: #87FF23, #9EFF4C, #B4FF75, #CBFF9F and #E1FFC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5FF77 shade: #B5FF77, #75FFDA and #FF75ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5FF77 shade: #B5FF77, #75B6FF and #FF75B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5FF77 shade: #B5FF77, #75FFDA, #BF75FF and #FF759A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5FF77 shade: #B5FF77, #75FAFF, #BF75FF and #FF7A75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 53 / 0

HEX #B5FF77

RGB 181 255 119

HSL 92.65, 1%, 0.73%

LAB 92.87, -44.82, 57.07

 

Complementary color

CMYK 46 / 100 / 0 / 47

HEX #4A0088

RGB 74 0 136

HSL 272.65, 1%, 0.27%

LAB 20.96, 52.93, -56.31

 

CMYK 27 / 0 / 55 / 0

HEX #BAFF72

RGB 186 255 114

HSL 89.36, 1%, 0.72%

LAB 93.09, -43.58, 59.61

 

CMYK 20 / 0 / 48 / 0

HEX #CBFF85

RGB 203 255 133

HSL 85.57, 1%, 0.76%

LAB 94.27, -35.66, 52.65

 

CMYK 14 / 0 / 40 / 0

HEX #DCFF98

RGB 220 255 152

HSL 80.39, 1%, 0.8%

LAB 95.58, -27.4, 45.48

 

CMYK 7 / 0 / 33 / 0

HEX #EDFFAB

RGB 237 255 171

HSL 72.86, 1%, 0.84%

LAB 97.01, -18.92, 38.25

 

CMYK 0 / 0 / 25 / 0

HEX #FEFFBE

RGB 254 255 190

HSL 60.92, 1%, 0.87%

LAB 98.55, -10.3, 31.05

 

CMYK 29 / 0 / 53 / 0

HEX #B5FF77

RGB 181 255 119

HSL 92.65, 1%, 0.73%

LAB 92.87, -44.82, 57.07

 

CMYK 31 / 0 / 58 / 7

HEX #A4ED64

RGB 164 237 100

HSL 91.97, 0.79%, 0.66%

LAB 86.69, -44.76, 58.08

 

CMYK 33 / 0 / 63 / 14

HEX #93DB51

RGB 147 219 81

HSL 91.3, 0.66%, 0.59%

LAB 80.44, -44.61, 58.94

 

CMYK 35 / 0 / 69 / 21

HEX #82C93E

RGB 130 201 62

HSL 90.65, 0.56%, 0.52%

LAB 74.1, -44.35, 59.54

 

CMYK 38 / 0 / 77 / 28

HEX #71B72B

RGB 113 183 43

HSL 90, 0.62%, 0.44%

LAB 67.69, -43.91, 59.63

 

CMYK 29 / 0 / 54 / 0

HEX #B4FF75

RGB 180 255 117

HSL 92.61, 1%, 0.73%

LAB 92.8, -45.37, 57.86

 

CMYK 15 / 0 / 54 / 0

HEX #D9FF75

RGB 217 255 117

HSL 76.52, 1%, 0.73%

LAB 94.97, -32.05, 60.95

 

CMYK 0 / 0 / 54 / 0

HEX #FEFF75

RGB 254 255 117

HSL 60.43, 1%, 0.73%

LAB 97.58, -17.8, 64.63

 

CMYK 0 / 14 / 54 / 0

HEX #FFDB75

RGB 255 219 117

HSL 44.35, 1%, 0.73%

LAB 88.55, 0.43, 54.17

 

CMYK 0 / 29 / 54 / 0

HEX #FFB575

RGB 255 181 117

HSL 27.83, 1%, 0.73%

LAB 79.38, 20.1, 43.06

 

CMYK 29 / 0 / 54 / 0

HEX #B4FF75

RGB 180 255 117

HSL 92.61, 1%, 0.73%

LAB 92.8, -45.37, 57.86

 

CMYK 44 / 0 / 54 / 0

HEX #8FFF75

RGB 143 255 117

HSL 108.7, 1%, 0.73%

LAB 91.07, -57.09, 55.4

 

CMYK 54 / 0 / 49 / 0

HEX #75FF81

RGB 117 255 129

HSL 125.22, 1%, 0.73%

LAB 90.27, -62.51, 48.71

 

CMYK 54 / 0 / 35 / 0

HEX #75FFA6

RGB 117 255 166

HSL 141.3, 1%, 0.73%

LAB 90.81, -56.8, 31.4

 

CMYK 54 / 0 / 20 / 0

HEX #75FFCB

RGB 117 255 203

HSL 157.39, 1%, 0.73%

LAB 91.51, -49.61, 13.55

 

CMYK 29 / 0 / 54 / 0

HEX #B4FF75

RGB 180 255 117

HSL 92.61, 1%, 0.73%

LAB 92.8, -45.37, 57.86

 

CMYK 29 / 0 / 54 / 0

HEX #B4FF75

RGB 180 255 117

HSL 92.61, 1%, 0.73%

LAB 92.8, -45.37, 57.86

 

CMYK 26 / 0 / 48 / 4

HEX #B5F480

RGB 181 244 128

HSL 92.59, 0.84%, 0.73%

LAB 89.9, -39.04, 49.34

 

CMYK 22 / 0 / 40 / 9

HEX #B6E98C

RGB 182 233 140

HSL 92.9, 0.68%, 0.73%

LAB 87.05, -32.23, 39.97

 

CMYK 18 / 0 / 32 / 13

HEX #B7DE97

RGB 183 222 151

HSL 92.96, 0.52%, 0.73%

LAB 84.25, -25.18, 30.76

 

CMYK 12 / 0 / 23 / 18

HEX #B8D2A2

RGB 184 210 162

HSL 92.5, 0.35%, 0.73%

LAB 81.23, -17.27, 20.96

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 15 / 0 / 54 / 0

HEX #DAFF75

RGB 218 255 117

HSL 76.09, 1%, 0.73%

LAB 95.04, -31.68, 61.04

 

CMYK 29 / 0 / 54 / 0

HEX #B6FF75

RGB 182 255 117

HSL 91.74, 1%, 0.73%

LAB 92.9, -44.68, 58.01

 

CMYK 43 / 0 / 54 / 0

HEX #91FF75

RGB 145 255 117

HSL 107.83, 1%, 0.73%

LAB 91.15, -56.51, 55.52

 

CMYK 54 / 0 / 51 / 0

HEX #75FF7E

RGB 117 255 126

HSL 123.91, 1%, 0.73%

LAB 90.23, -62.9, 50.06

 

CMYK 47 / 0 / 86 / 0

HEX #87FF23

RGB 135 255 35

HSL 92.73, 1%, 0.57%

LAB 90.23, -65.15, 82.24

 

CMYK 38 / 0 / 70 / 0

HEX #9EFF4C

RGB 158 255 76

HSL 92.51, 1%, 0.65%

LAB 91.37, -56.08, 72.49

 

CMYK 29 / 0 / 54 / 0

HEX #B4FF75

RGB 180 255 117

HSL 92.61, 1%, 0.73%

LAB 92.8, -45.37, 57.86

 

CMYK 20 / 0 / 38 / 0

HEX #CBFF9F

RGB 203 255 159

HSL 92.5, 1%, 0.81%

LAB 94.62, -32.6, 40.62

 

CMYK 12 / 0 / 22 / 0

HEX #E1FFC8

RGB 225 255 200

HSL 92.73, 1%, 0.89%

LAB 96.7, -19.18, 23.12

 

CMYK 29 / 0 / 53 / 0

HEX #B5FF77

RGB 181 255 119

HSL 92.65, 1%, 0.73%

LAB 92.87, -44.82, 57.07

 

CMYK 54 / 0 / 15 / 0

HEX #75FFDA

RGB 117 255 218

HSL 163.91, 1%, 0.73%

LAB 91.85, -46.32, 6.3

 

CMYK 0 / 54 / 7 / 0

HEX #FF75ED

RGB 255 117 237

HSL 307.83, 1%, 0.73%

LAB 69.54, 66.99, -36.35

 

CMYK 29 / 0 / 53 / 0

HEX #B5FF77

RGB 181 255 119

HSL 92.65, 1%, 0.73%

LAB 92.87, -44.82, 57.07

 

CMYK 54 / 29 / 0 / 0

HEX #75B6FF

RGB 117 182 255

HSL 211.74, 1%, 0.73%

LAB 72.53, -0.43, -42.39

 

CMYK 0 / 54 / 29 / 0

HEX #FF75B6

RGB 255 117 182

HSL 331.74, 1%, 0.73%

LAB 67.55, 59.17, -8.71

 

CMYK 29 / 0 / 53 / 0

HEX #B5FF77

RGB 181 255 119

HSL 92.65, 1%, 0.73%

LAB 92.87, -44.82, 57.07

 

CMYK 54 / 0 / 15 / 0

HEX #75FFDA

RGB 117 255 218

HSL 163.91, 1%, 0.73%

LAB 91.85, -46.32, 6.3

 

CMYK 25 / 54 / 0 / 0

HEX #BF75FF

RGB 191 117 255

HSL 272.17, 1%, 0.73%

LAB 62.52, 53.81, -57.83

 

CMYK 0 / 54 / 40 / 0

HEX #FF759A

RGB 255 117 154

HSL 343.91, 1%, 0.73%

LAB 66.76, 55.94, 5.99

 

CMYK 29 / 0 / 53 / 0

HEX #B5FF77

RGB 181 255 119

HSL 92.65, 1%, 0.73%

LAB 92.87, -44.82, 57.07

 

CMYK 54 / 2 / 0 / 0

HEX #75FAFF

RGB 117 250 255

HSL 182.17, 1%, 0.73%

LAB 91.4, -35.05, -13.53

 

CMYK 25 / 54 / 0 / 0

HEX #BF75FF

RGB 191 117 255

HSL 272.17, 1%, 0.73%

LAB 62.52, 53.81, -57.83

 

CMYK 0 / 52 / 54 / 0

HEX #FF7A75

RGB 255 122 117

HSL 2.17, 1%, 0.73%

LAB 66.87, 50.18, 27.04

 

Description

Color code: HEX #B5FF77 | qconv.com Color code: HEX #B5FF77 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 255 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 255 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 53 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 53% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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