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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DE9D8 it is the complementary color #821627. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DE9D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7DE9D8: #82E9D3, #93FBE6, #A4FFF9, #B5FFFF and #C6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DE9D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7DE9D8: #7DE9D8, #6CD7C5, #5BC5B2, #4AB39F and #39A18C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 7 / 9

HEX #7DE9D8

RGB 125 233 216

HSL 170.56, 0.71%, 0.7%

LAB 85.8, -35.21, -1.4

 

Complementary color

CMYK 0 / 83 / 70 / 49

HEX #821627

RGB 130 22 39

HSL 350.56, 0.71%, 0.3%

LAB 28.02, 45.17, 19.4

 

CMYK 44 / 0 / 9 / 9

HEX #82E9D3

RGB 130 233 211

HSL 167.18, 0.7%, 0.71%

LAB 85.87, -35.19, 1.35

 

CMYK 41 / 0 / 8 / 2

HEX #93FBE6

RGB 147 251 230

HSL 167.88, 0.93%, 0.78%

LAB 92.09, -35.07, 0.58

 

CMYK 36 / 0 / 2 / 0

HEX #A4FFF9

RGB 164 255 249

HSL 176.04, 1%, 0.82%

LAB 94.42, -28.39, -5.75

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181 255 255

HSL 180, 1%, 0.85%

LAB 95.4, -22.55, -7.31

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 46 / 0 / 7 / 9

HEX #7DE9D8

RGB 125 233 216

HSL 170.56, 0.71%, 0.7%

LAB 85.8, -35.21, -1.4

 

CMYK 50 / 0 / 8 / 16

HEX #6CD7C5

RGB 108 215 197

HSL 169.91, 0.57%, 0.63%

LAB 79.51, -35.24, -0.61

 

CMYK 54 / 0 / 10 / 23

HEX #5BC5B2

RGB 91 197 178

HSL 169.25, 0.48%, 0.56%

LAB 73.14, -35.23, 0.24

 

CMYK 59 / 0 / 11 / 30

HEX #4AB39F

RGB 74 179 159

HSL 168.57, 0.42%, 0.5%

LAB 66.67, -35.12, 1.16

 

CMYK 65 / 0 / 13 / 37

HEX #39A18C

RGB 57 161 140

HSL 167.88, 0.48%, 0.43%

LAB 60.12, -34.89, 2.18

 

CMYK 46 / 0 / 7 / 9

HEX #7DE9D8

RGB 125 233 216

HSL 170.56, 0.71%, 0.7%

LAB 85.8, -35.21, -1.4

 

CMYK 47 / 0 / 0 / 9

HEX #7CE8E8

RGB 124 232 232

HSL 180, 0.7%, 0.7%

LAB 85.92, -31.06, -9.66

 

CMYK 47 / 8 / 0 / 9

HEX #7CD6E8

RGB 124 214 232

HSL 190, 0.7%, 0.7%

LAB 80.85, -22.29, -17.24

 

CMYK 47 / 16 / 0 / 9

HEX #7CC4E8

RGB 124 196 232

HSL 200, 0.7%, 0.7%

LAB 75.82, -13.07, -24.88

 

CMYK 47 / 23 / 0 / 9

HEX #7CB2E8

RGB 124 178 232

HSL 210, 0.7%, 0.7%

LAB 70.84, -3.4, -32.53

 

CMYK 46 / 0 / 7 / 9

HEX #7DE9D8

RGB 125 233 216

HSL 170.56, 0.71%, 0.7%

LAB 85.8, -35.21, -1.4

 

CMYK 45 / 0 / 7 / 89

HEX #101D1B

RGB 16 29 27

HSL 170.77, 0.29%, 0.09%

LAB 9.55, -6.29, -0.44

 

CMYK 46 / 0 / 7 / 69

HEX #2B504A

RGB 43 80 74

HSL 170.27, 0.3%, 0.24%

LAB 31.22, -14.93, -0.61

 

CMYK 47 / 0 / 8 / 49

HEX #468379

RGB 70 131 121

HSL 170.16, 0.3%, 0.39%

LAB 50.59, -22.37, -0.74

 

CMYK 46 / 0 / 7 / 29

HEX #62B6A9

RGB 98 182 169

HSL 170.71, 0.37%, 0.55%

LAB 68.69, -28.73, -1.31

 

CMYK 46 / 0 / 7 / 9

HEX #7DE9D8

RGB 125 233 216

HSL 170.56, 0.71%, 0.7%

LAB 85.8, -35.21, -1.4

 

CMYK 45 / 47 / 0 / 9

HEX #7F7CE8

RGB 127 124 232

HSL 241.67, 0.7%, 0.7%

LAB 56.83, 28.47, -54.53

 

CMYK 0 / 26 / 47 / 9

HEX #E8AB7C

RGB 232 171 124

HSL 26.11, 0.7%, 0.7%

LAB 74.66, 16.8, 32.92

 

CMYK 46 / 0 / 7 / 9

HEX #7DE9D8

RGB 125 233 216

HSL 170.56, 0.71%, 0.7%

LAB 85.8, -35.21, -1.4

 

CMYK 8 / 47 / 0 / 9

HEX #D67CE8

RGB 214 124 232

HSL 290, 0.7%, 0.7%

LAB 65.39, 51.48, -40.45

 

CMYK 0 / 8 / 47 / 9

HEX #E8D67C

RGB 232 214 124

HSL 50, 0.7%, 0.7%

LAB 85.35, -5.67, 46.47

 

CMYK 46 / 0 / 7 / 9

HEX #7DE9D8

RGB 125 233 216

HSL 170.56, 0.71%, 0.7%

LAB 85.8, -35.21, -1.4

 

CMYK 45 / 47 / 0 / 9

HEX #7F7CE8

RGB 127 124 232

HSL 241.67, 0.7%, 0.7%

LAB 56.83, 28.47, -54.53

 

CMYK 0 / 47 / 39 / 9

HEX #E87C8E

RGB 232 124 142

HSL 350, 0.7%, 0.7%

LAB 64.58, 43.42, 9.27

 

CMYK 1 / 0 / 47 / 9

HEX #E5E87C

RGB 229 232 124

HSL 61.67, 0.7%, 0.7%

LAB 89.78, -15.86, 51.82

 

CMYK 46 / 0 / 7 / 9

HEX #7DE9D8

RGB 125 233 216

HSL 170.56, 0.71%, 0.7%

LAB 85.8, -35.21, -1.4

 

CMYK 31 / 47 / 0 / 9

HEX #A07CE8

RGB 160 124 232

HSL 260, 0.7%, 0.7%

LAB 59.63, 36.67, -49.91

 

CMYK 0 / 47 / 39 / 9

HEX #E87C8E

RGB 232 124 142

HSL 350, 0.7%, 0.7%

LAB 64.58, 43.42, 9.27

 

CMYK 16 / 0 / 47 / 9

HEX #C4E87C

RGB 196 232 124

HSL 80, 0.7%, 0.7%

LAB 87.44, -28.54, 48.43

 

Description

Color code: HEX #7DE9D8 | qconv.com Color code: HEX #7DE9D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 233 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 233 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 7 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 7% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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