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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DC352 it is the complementary color #823CAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DC352. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DC352 shade: #82C34D, #93D560, #A4E773, #B5F986 and #C6FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DC352. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DC352 shade: #7DC352, #6CB13F, #5B9F2C, #4A8D19 and #397B06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DC352 shade: #7CC251, #9BC251, #B9C251, #C2AD51 and #C28E51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DC352 shade: #7CC251, #5EC251, #51C263, #51C282 and #51C2A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DC352 shade matches the following richer shades: #7CC251, #78D53E, #73E82B and #6FFB18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DC352 shade: #7CC251, #81AF64, #859C77, #8A898A and #8E769D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DC352 shade: #B9C251, #9BC251, #7DC251, #5FC251 and #51C262

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DC352 shade: #558F32, #68AD3D, #7CC251, #93CD70 and #AAD78E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DC352 shade: #7DC352, #51C2AD and #C251AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DC352 shade: #7DC352, #517DC2 and #C2517D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DC352 shade: #7DC352, #51C2AD, #9751C2 and #C25166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DC352 shade: #7DC352, #51B5C2, #9751C2 and #C25F51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 58 / 24

HEX #7DC352

RGB 125 195 82

HSL 97.17, 0.48%, 0.54%

LAB 72.23, -41.78, 49.01

 

Complementary color

CMYK 25 / 65 / 0 / 32

HEX #823CAD

RGB 130 60 173

HSL 277.17, 0.48%, 0.46%

LAB 39.57, 49.53, -48.24

 

CMYK 33 / 0 / 61 / 24

HEX #82C34D

RGB 130 195 77

HSL 93.05, 0.5%, 0.53%

LAB 72.44, -40.53, 51.56

 

CMYK 31 / 0 / 55 / 16

HEX #93D560

RGB 147 213 96

HSL 93.85, 0.58%, 0.61%

LAB 78.83, -40.61, 50.55

 

CMYK 29 / 0 / 50 / 9

HEX #A4E773

RGB 164 231 115

HSL 94.66, 0.71%, 0.68%

LAB 85.14, -40.62, 49.45

 

CMYK 27 / 0 / 46 / 2

HEX #B5F986

RGB 181 249 134

HSL 95.48, 0.91%, 0.75%

LAB 91.37, -40.57, 48.32

 

CMYK 22 / 0 / 40 / 0

HEX #C6FF99

RGB 198 255 153

HSL 93.53, 1%, 0.8%

LAB 94.24, -35.1, 43

 

CMYK 36 / 0 / 58 / 24

HEX #7DC352

RGB 125 195 82

HSL 97.17, 0.48%, 0.54%

LAB 72.23, -41.78, 49.01

 

CMYK 39 / 0 / 64 / 31

HEX #6CB13F

RGB 108 177 63

HSL 96.32, 0.48%, 0.47%

LAB 65.74, -41.65, 49.94

 

CMYK 43 / 0 / 72 / 38

HEX #5B9F2C

RGB 91 159 44

HSL 95.48, 0.57%, 0.4%

LAB 59.16, -41.34, 50.52

 

CMYK 48 / 0 / 82 / 45

HEX #4A8D19

RGB 74 141 25

HSL 94.66, 0.7%, 0.33%

LAB 52.48, -40.75, 50.33

 

CMYK 54 / 0 / 95 / 52

HEX #397B06

RGB 57 123 6

HSL 93.85, 0.91%, 0.25%

LAB 45.7, -39.73, 48.69

 

CMYK 36 / 0 / 58 / 24

HEX #7CC251

RGB 124 194 81

HSL 97.17, 0.48%, 0.54%

LAB 71.87, -41.79, 49.03

 

CMYK 20 / 0 / 58 / 24

HEX #9BC251

RGB 155 194 81

HSL 80.71, 0.48%, 0.54%

LAB 73.64, -30.42, 51.53

 

CMYK 5 / 0 / 58 / 24

HEX #B9C251

RGB 185 194 81

HSL 64.78, 0.48%, 0.54%

LAB 75.76, -18.37, 54.48

 

CMYK 0 / 11 / 58 / 24

HEX #C2AD51

RGB 194 173 81

HSL 48.85, 0.48%, 0.54%

LAB 70.84, -3.78, 49.15

 

CMYK 0 / 27 / 58 / 24

HEX #C28E51

RGB 194 142 81

HSL 32.39, 0.48%, 0.54%

LAB 62.85, 12.98, 39.83

 

CMYK 36 / 0 / 58 / 24

HEX #7CC251

RGB 124 194 81

HSL 97.17, 0.48%, 0.54%

LAB 71.87, -41.79, 49.03

 

CMYK 52 / 0 / 58 / 24

HEX #5EC251

RGB 94 194 81

HSL 113.1, 0.48%, 0.54%

LAB 70.56, -51.09, 47.19

 

CMYK 58 / 0 / 49 / 24

HEX #51C263

RGB 81 194 99

HSL 129.56, 0.48%, 0.54%

LAB 70.34, -52.06, 38.19

 

CMYK 58 / 0 / 33 / 24

HEX #51C282

RGB 81 194 130

HSL 146.02, 0.48%, 0.54%

LAB 70.83, -46.76, 22.82

 

CMYK 58 / 0 / 18 / 24

HEX #51C2A0

RGB 81 194 160

HSL 161.95, 0.48%, 0.54%

LAB 71.47, -40.29, 7.56

 

CMYK 36 / 0 / 58 / 24

HEX #7CC251

RGB 124 194 81

HSL 97.17, 0.48%, 0.54%

LAB 71.87, -41.79, 49.03

 

CMYK 44 / 0 / 71 / 16

HEX #78D53E

RGB 120 213 62

HSL 96.95, 0.64%, 0.54%

LAB 77.24, -52.58, 62.6

 

CMYK 50 / 0 / 81 / 9

HEX #73E82B

RGB 115 232 43

HSL 97.14, 0.8%, 0.54%

LAB 82.66, -62.3, 73.57

 

CMYK 56 / 0 / 90 / 2

HEX #6FFB18

RGB 111 251 24

HSL 97, 0.97%, 0.54%

LAB 88.18, -70.59, 81.97

 

CMYK 36 / 0 / 58 / 24

HEX #7CC251

RGB 124 194 81

HSL 97.17, 0.48%, 0.54%

LAB 71.87, -41.79, 49.03

 

CMYK 26 / 0 / 43 / 31

HEX #81AF64

RGB 129 175 100

HSL 96.8, 0.32%, 0.54%

LAB 66.71, -29.11, 33.56

 

CMYK 15 / 0 / 24 / 39

HEX #859C77

RGB 133 156 119

HSL 97.3, 0.16%, 0.54%

LAB 61.74, -15.18, 16.76

 

CMYK 0 / 1 / 0 / 46

HEX #8A898A

RGB 138 137 138

HSL 300, 0%, 0.54%

LAB 57.2, 0.57, -0.41

 

CMYK 10 / 25 / 0 / 38

HEX #8E769D

RGB 142 118 157

HSL 276.92, 0.17%, 0.54%

LAB 53.1, 16.93, -17.5

 

CMYK 5 / 0 / 58 / 24

HEX #B9C251

RGB 185 194 81

HSL 64.78, 0.48%, 0.54%

LAB 75.76, -18.37, 54.48

 

CMYK 20 / 0 / 58 / 24

HEX #9BC251

RGB 155 194 81

HSL 80.71, 0.48%, 0.54%

LAB 73.64, -30.42, 51.53

 

CMYK 36 / 0 / 58 / 24

HEX #7DC251

RGB 125 194 81

HSL 96.64, 0.48%, 0.54%

LAB 71.92, -41.45, 49.11

 

CMYK 51 / 0 / 58 / 24

HEX #5FC251

RGB 95 194 81

HSL 112.57, 0.48%, 0.54%

LAB 70.6, -50.82, 47.24

 

CMYK 58 / 0 / 49 / 24

HEX #51C262

RGB 81 194 98

HSL 129.03, 0.48%, 0.54%

LAB 70.33, -52.21, 38.67

 

CMYK 41 / 0 / 65 / 44

HEX #558F32

RGB 85 143 50

HSL 97.42, 0.48%, 0.38%

LAB 53.82, -35.99, 42.29

 

CMYK 40 / 0 / 65 / 32

HEX #68AD3D

RGB 104 173 61

HSL 96.96, 0.48%, 0.46%

LAB 64.3, -41.48, 49.17

 

CMYK 36 / 0 / 58 / 24

HEX #7CC251

RGB 124 194 81

HSL 97.17, 0.48%, 0.54%

LAB 71.87, -41.79, 49.03

 

CMYK 28 / 0 / 45 / 20

HEX #93CD70

RGB 147 205 112

HSL 97.42, 0.48%, 0.62%

LAB 76.7, -35.19, 40.3

 

CMYK 21 / 0 / 34 / 16

HEX #AAD78E

RGB 170 215 142

HSL 96.99, 0.48%, 0.7%

LAB 81.35, -27.72, 31.38

 

CMYK 36 / 0 / 58 / 24

HEX #7DC352

RGB 125 195 82

HSL 97.17, 0.48%, 0.54%

LAB 72.23, -41.78, 49.01

 

CMYK 58 / 0 / 11 / 24

HEX #51C2AD

RGB 81 194 173

HSL 168.85, 0.48%, 0.54%

LAB 71.79, -37.12, 0.96

 

CMYK 0 / 58 / 12 / 24

HEX #C251AA

RGB 194 81 170

HSL 312.74, 0.48%, 0.54%

LAB 52.13, 55.8, -26.06

 

CMYK 36 / 0 / 58 / 24

HEX #7DC352

RGB 125 195 82

HSL 97.17, 0.48%, 0.54%

LAB 72.23, -41.78, 49.01

 

CMYK 58 / 36 / 0 / 24

HEX #517DC2

RGB 81 125 194

HSL 216.64, 0.48%, 0.54%

LAB 52.19, 5.77, -40.63

 

CMYK 0 / 58 / 36 / 24

HEX #C2517D

RGB 194 81 125

HSL 336.64, 0.48%, 0.54%

LAB 50.49, 49.58, -1.85

 

CMYK 36 / 0 / 58 / 24

HEX #7DC352

RGB 125 195 82

HSL 97.17, 0.48%, 0.54%

LAB 72.23, -41.78, 49.01

 

CMYK 58 / 0 / 11 / 24

HEX #51C2AD

RGB 81 194 173

HSL 168.85, 0.48%, 0.54%

LAB 71.79, -37.12, 0.96

 

CMYK 22 / 58 / 0 / 24

HEX #9751C2

RGB 151 81 194

HSL 277.17, 0.48%, 0.54%

LAB 47.44, 48.78, -47.8

 

CMYK 0 / 58 / 47 / 24

HEX #C25166

RGB 194 81 102

HSL 348.85, 0.48%, 0.54%

LAB 49.87, 47.12, 11.09

 

CMYK 36 / 0 / 58 / 24

HEX #7DC352

RGB 125 195 82

HSL 97.17, 0.48%, 0.54%

LAB 72.23, -41.78, 49.01

 

CMYK 58 / 7 / 0 / 24

HEX #51B5C2

RGB 81 181 194

HSL 186.9, 0.48%, 0.54%

LAB 68.53, -25.22, -15.4

 

CMYK 22 / 58 / 0 / 24

HEX #9751C2

RGB 151 81 194

HSL 277.17, 0.48%, 0.54%

LAB 47.44, 48.78, -47.8

 

CMYK 0 / 51 / 58 / 24

HEX #C25F51

RGB 194 95 81

HSL 7.43, 0.48%, 0.54%

LAB 52.12, 38.4, 26.53

 

Description

Color code: HEX #7DC352 | qconv.com Color code: HEX #7DC352 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 195 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 195 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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