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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FFB18 it is the complementary color #9004E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FFB18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FFB18 shade: #74FB13, #85FF26, #96FF39, #A7FF4C and #B8FF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FFB18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FFB18 shade: #6FFB18, #5EE905, #4DD700, #3CC500 and #2BB300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FFB18 shade: #6FFB18, #ADFB18, #EAFB18, #FBD018 and #FB9218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FFB18 shade: #6FFB18, #32FB18, #18FB3B, #18FB79 and #18FBB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FFB18 shade matches the following richer shades: #6FFB18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FFB18 shade: #6FFB18, #74E92B, #78D63E, #7CC351 and #81B064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FFB18 shade: #E9FB18, #ACFB18, #6FFB18, #32FB18 and #18FB3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FFB18 shade: #4BBE03, #5BE704, #6FFB18, #88FC41 and #A2FD69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FFB18 shade: #6FFB18, #18FBD2 and #FB18CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FFB18 shade: #6FFB18, #186FFB and #FB186F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FFB18 shade: #6FFB18, #18FBD2, #A418FB and #FB1842

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FFB18 shade: #6FFB18, #18E1FB, #A418FB and #FB3218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 90 / 2

HEX #6FFB18

RGB 111 251 24

HSL 97, 0.97%, 0.54%

LAB 88.18, -70.59, 81.97

 

Complementary color

CMYK 38 / 98 / 0 / 9

HEX #9004E7

RGB 144 4 231

HSL 277, 0.97%, 0.46%

LAB 40.87, 79.3, -79.75

 

CMYK 54 / 0 / 92 / 2

HEX #74FB13

RGB 116 251 19

HSL 94.91, 0.97%, 0.53%

LAB 88.33, -69.42, 82.79

 

CMYK 48 / 0 / 85 / 0

HEX #85FF26

RGB 133 255 38

HSL 93.73, 1%, 0.57%

LAB 90.16, -65.64, 81.57

 

CMYK 41 / 0 / 78 / 0

HEX #96FF39

RGB 150 255 57

HSL 91.82, 1%, 0.61%

LAB 90.92, -59.72, 77.93

 

CMYK 35 / 0 / 70 / 0

HEX #A7FF4C

RGB 167 255 76

HSL 89.5, 1%, 0.65%

LAB 91.8, -53.11, 73.06

 

CMYK 28 / 0 / 63 / 0

HEX #B8FF5F

RGB 184 255 95

HSL 86.63, 1%, 0.69%

LAB 92.81, -45.91, 67.26

 

CMYK 56 / 0 / 90 / 2

HEX #6FFB18

RGB 111 251 24

HSL 97, 0.97%, 0.54%

LAB 88.18, -70.59, 81.97

 

CMYK 60 / 0 / 98 / 9

HEX #5EE905

RGB 94 233 5

HSL 96.58, 0.96%, 0.47%

LAB 82.2, -69.1, 78.86

 

CMYK 64 / 0 / 100 / 16

HEX #4DD700

RGB 77 215 0

HSL 98.51, 1%, 0.42%

LAB 76.18, -67.18, 74.32

 

CMYK 70 / 0 / 100 / 23

HEX #3CC500

RGB 60 197 0

HSL 101.73, 1%, 0.39%

LAB 70.1, -64.92, 69.32

 

CMYK 76 / 0 / 100 / 30

HEX #2BB300

RGB 43 179 0

HSL 105.59, 1%, 0.35%

LAB 63.96, -62.31, 64.29

 

CMYK 56 / 0 / 90 / 2

HEX #6FFB18

RGB 111 251 24

HSL 97, 0.97%, 0.54%

LAB 88.18, -70.59, 81.97

 

CMYK 31 / 0 / 90 / 2

HEX #ADFB18

RGB 173 251 24

HSL 80.62, 0.97%, 0.54%

LAB 90.75, -51.48, 85.14

 

CMYK 7 / 0 / 90 / 2

HEX #EAFB18

RGB 234 251 24

HSL 64.49, 0.97%, 0.54%

LAB 94.55, -28.01, 89.76

 

CMYK 0 / 17 / 90 / 2

HEX #FBD018

RGB 251 208 24

HSL 48.63, 0.97%, 0.54%

LAB 84.84, 0.16, 82.88

 

CMYK 0 / 42 / 90 / 2

HEX #FB9218

RGB 251 146 24

HSL 32.25, 0.97%, 0.54%

LAB 70.27, 32.39, 71.98

 

CMYK 56 / 0 / 90 / 2

HEX #6FFB18

RGB 111 251 24

HSL 97, 0.97%, 0.54%

LAB 88.18, -70.59, 81.97

 

CMYK 80 / 0 / 90 / 2

HEX #32FB18

RGB 50 251 24

HSL 113.13, 0.97%, 0.54%

LAB 86.87, -81.71, 80.34

 

CMYK 90 / 0 / 76 / 2

HEX #18FB3B

RGB 24 251 59

HSL 129.25, 0.97%, 0.54%

LAB 86.75, -82.27, 72.34

 

CMYK 90 / 0 / 52 / 2

HEX #18FB79

RGB 24 251 121

HSL 145.64, 0.97%, 0.54%

LAB 87.28, -75.76, 48.37

 

CMYK 90 / 0 / 27 / 2

HEX #18FBB6

RGB 24 251 182

HSL 161.76, 0.97%, 0.54%

LAB 88.24, -64.53, 19.5

 

CMYK 56 / 0 / 90 / 2

HEX #6FFB18

RGB 111 251 24

HSL 97, 0.97%, 0.54%

LAB 88.18, -70.59, 81.97

 

CMYK 56 / 0 / 90 / 2

HEX #6FFB18

RGB 111 251 24

HSL 97, 0.97%, 0.54%

LAB 88.18, -70.59, 81.97

 

CMYK 50 / 0 / 82 / 9

HEX #74E92B

RGB 116 233 43

HSL 96.95, 0.81%, 0.54%

LAB 83, -62.38, 73.89

 

CMYK 44 / 0 / 71 / 16

HEX #78D63E

RGB 120 214 62

HSL 97.11, 0.65%, 0.54%

LAB 77.54, -52.97, 62.9

 

CMYK 36 / 0 / 58 / 24

HEX #7CC351

RGB 124 195 81

HSL 97.37, 0.49%, 0.54%

LAB 72.17, -42.22, 49.38

 

CMYK 27 / 0 / 43 / 31

HEX #81B064

RGB 129 176 100

HSL 97.11, 0.32%, 0.54%

LAB 67, -29.59, 33.93

 

CMYK 7 / 0 / 90 / 2

HEX #E9FB18

RGB 233 251 24

HSL 64.76, 0.97%, 0.54%

LAB 94.48, -28.42, 89.68

 

CMYK 31 / 0 / 90 / 2

HEX #ACFB18

RGB 172 251 24

HSL 80.88, 0.97%, 0.54%

LAB 90.7, -51.84, 85.08

 

CMYK 56 / 0 / 90 / 2

HEX #6FFB18

RGB 111 251 24

HSL 97, 0.97%, 0.54%

LAB 88.18, -70.59, 81.97

 

CMYK 80 / 0 / 90 / 2

HEX #32FB18

RGB 50 251 24

HSL 113.13, 0.97%, 0.54%

LAB 86.87, -81.71, 80.34

 

CMYK 90 / 0 / 77 / 2

HEX #18FB3A

RGB 24 251 58

HSL 128.99, 0.97%, 0.54%

LAB 86.75, -82.33, 72.64

 

CMYK 61 / 0 / 98 / 25

HEX #4BBE03

RGB 75 190 3

HSL 96.9, 0.97%, 0.38%

LAB 68.26, -59.35, 67.68

 

CMYK 61 / 0 / 98 / 9

HEX #5BE704

RGB 91 231 4

HSL 97, 0.97%, 0.46%

LAB 81.5, -69.16, 78.35

 

CMYK 56 / 0 / 90 / 2

HEX #6FFB18

RGB 111 251 24

HSL 97, 0.97%, 0.54%

LAB 88.18, -70.59, 81.97

 

CMYK 46 / 0 / 74 / 1

HEX #88FC41

RGB 136 252 65

HSL 97.22, 0.97%, 0.62%

LAB 89.5, -62.43, 73.99

 

CMYK 36 / 0 / 58 / 1

HEX #A2FD69

RGB 162 253 105

HSL 96.89, 0.97%, 0.7%

LAB 91.21, -51.68, 61.04

 

CMYK 56 / 0 / 90 / 2

HEX #6FFB18

RGB 111 251 24

HSL 97, 0.97%, 0.54%

LAB 88.18, -70.59, 81.97

 

CMYK 90 / 0 / 16 / 2

HEX #18FBD2

RGB 24 251 210

HSL 169.16, 0.97%, 0.54%

LAB 88.85, -57.93, 5.91

 

CMYK 0 / 90 / 20 / 2

HEX #FB18CA

RGB 251 24 202

HSL 312.95, 0.97%, 0.54%

LAB 57.49, 88.93, -35.52

 

CMYK 56 / 0 / 90 / 2

HEX #6FFB18

RGB 111 251 24

HSL 97, 0.97%, 0.54%

LAB 88.18, -70.59, 81.97

 

CMYK 90 / 56 / 0 / 2

HEX #186FFB

RGB 24 111 251

HSL 217, 0.97%, 0.54%

LAB 50.13, 28.66, -76.15

 

CMYK 0 / 90 / 56 / 2

HEX #FB186F

RGB 251 24 111

HSL 337, 0.97%, 0.54%

LAB 54.35, 80.52, 13.44

 

CMYK 56 / 0 / 90 / 2

HEX #6FFB18

RGB 111 251 24

HSL 97, 0.97%, 0.54%

LAB 88.18, -70.59, 81.97

 

CMYK 90 / 0 / 16 / 2

HEX #18FBD2

RGB 24 251 210

HSL 169.16, 0.97%, 0.54%

LAB 88.85, -57.93, 5.91

 

CMYK 35 / 90 / 0 / 2

HEX #A418FB

RGB 164 24 251

HSL 277, 0.97%, 0.54%

LAB 46.33, 82.95, -81.97

 

CMYK 0 / 90 / 74 / 2

HEX #FB1842

RGB 251 24 66

HSL 348.9, 0.97%, 0.54%

LAB 53.55, 78.28, 39.23

 

CMYK 56 / 0 / 90 / 2

HEX #6FFB18

RGB 111 251 24

HSL 97, 0.97%, 0.54%

LAB 88.18, -70.59, 81.97

 

CMYK 90 / 10 / 0 / 2

HEX #18E1FB

RGB 24 225 251

HSL 186.87, 0.97%, 0.54%

LAB 82.38, -35.2, -25.22

 

CMYK 35 / 90 / 0 / 2

HEX #A418FB

RGB 164 24 251

HSL 277, 0.97%, 0.54%

LAB 46.33, 82.95, -81.97

 

CMYK 0 / 80 / 90 / 2

HEX #FB3218

RGB 251 50 24

HSL 6.87, 0.97%, 0.54%

LAB 54.92, 72.36, 61.15

 

Description

Color code: HEX #6FFB18 | qconv.com Color code: HEX #6FFB18 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 251 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 251 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 90 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 90% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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