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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DA894 it is the complementary color #82576B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DA894. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7DA894: #82A88F, #93BAA2, #A4CCB5, #B5DEC8 and #C6F0DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DA894. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7DA894: #7DA894, #6C9681, #5B846E, #4A725B and #396048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 12 / 34

HEX #7DA894

RGB 125 168 148

HSL 152.09, 0.2%, 0.57%

LAB 65.36, -18.77, 5.65

 

Complementary color

CMYK 0 / 33 / 18 / 49

HEX #82576B

RGB 130 87 107

HSL 332.09, 0.2%, 0.43%

LAB 42.19, 20.98, -4.19

 

CMYK 23 / 0 / 15 / 34

HEX #82A88F

RGB 130 168 143

HSL 140.53, 0.18%, 0.58%

LAB 65.54, -18.12, 8.72

 

CMYK 21 / 0 / 13 / 27

HEX #93BAA2

RGB 147 186 162

HSL 143.08, 0.22%, 0.65%

LAB 72.18, -17.95, 7.9

 

CMYK 20 / 0 / 11 / 20

HEX #A4CCB5

RGB 164 204 181

HSL 145.5, 0.28%, 0.72%

LAB 78.7, -17.8, 7.12

 

CMYK 18 / 0 / 10 / 13

HEX #B5DEC8

RGB 181 222 200

HSL 147.8, 0.38%, 0.79%

LAB 85.12, -17.68, 6.37

 

CMYK 18 / 0 / 9 / 6

HEX #C6F0DB

RGB 198 240 219

HSL 150, 0.58%, 0.86%

LAB 91.43, -17.57, 5.66

 

CMYK 26 / 0 / 12 / 34

HEX #7DA894

RGB 125 168 148

HSL 152.09, 0.2%, 0.57%

LAB 65.36, -18.77, 5.65

 

CMYK 28 / 0 / 14 / 41

HEX #6C9681

RGB 108 150 129

HSL 150, 0.17%, 0.51%

LAB 58.59, -18.98, 6.48

 

CMYK 31 / 0 / 17 / 48

HEX #5B846E

RGB 91 132 110

HSL 147.8, 0.18%, 0.44%

LAB 51.67, -19.22, 7.37

 

CMYK 35 / 0 / 20 / 55

HEX #4A725B

RGB 74 114 91

HSL 145.5, 0.21%, 0.37%

LAB 44.58, -19.49, 8.35

 

CMYK 41 / 0 / 25 / 62

HEX #396048

RGB 57 96 72

HSL 143.08, 0.25%, 0.3%

LAB 37.3, -19.78, 9.44

 

CMYK 26 / 0 / 12 / 34

HEX #7DA894

RGB 125 168 148

HSL 152.09, 0.2%, 0.57%

LAB 65.36, -18.77, 5.65

 

CMYK 26 / 0 / 8 / 35

HEX #7BA79A

RGB 123 167 154

HSL 162.27, 0.2%, 0.57%

LAB 65.11, -17.62, 1.92

 

CMYK 26 / 0 / 4 / 35

HEX #7BA7A1

RGB 123 167 161

HSL 171.82, 0.2%, 0.57%

LAB 65.3, -16.06, -1.71

 

CMYK 26 / 1 / 0 / 35

HEX #7BA5A7

RGB 123 165 167

HSL 182.73, 0.2%, 0.57%

LAB 64.89, -13.63, -5.65

 

CMYK 26 / 5 / 0 / 35

HEX #7B9EA7

RGB 123 158 167

HSL 192.27, 0.2%, 0.57%

LAB 62.89, -9.86, -8.63

 

CMYK 26 / 0 / 12 / 34

HEX #7DA894

RGB 125 168 148

HSL 152.09, 0.2%, 0.57%

LAB 65.36, -18.77, 5.65

 

CMYK 26 / 0 / 12 / 14

HEX #A3DBC1

RGB 163 219 193

HSL 152.14, 0.44%, 0.75%

LAB 83.07, -23.24, 6.99

 

CMYK 27 / 0 / 13 / 94

HEX #0B0F0D

RGB 11 15 13

HSL 150, 0.15%, 0.05%

LAB 3.99, -1.58, 0.5

 

CMYK 26 / 0 / 12 / 74

HEX #31423A

RGB 49 66 58

HSL 151.76, 0.15%, 0.23%

LAB 26.32, -8.8, 2.65

 

CMYK 26 / 0 / 12 / 54

HEX #577567

RGB 87 117 103

HSL 152, 0.15%, 0.4%

LAB 46.62, -14.01, 4.22

 

CMYK 26 / 0 / 12 / 34

HEX #7DA894

RGB 125 168 148

HSL 152.09, 0.2%, 0.57%

LAB 65.36, -18.77, 5.65

 

CMYK 26 / 19 / 0 / 35

HEX #7B87A7

RGB 123 135 167

HSL 223.64, 0.2%, 0.57%

LAB 56.42, 3.05, -18.39

 

CMYK 0 / 23 / 26 / 35

HEX #A7817B

RGB 167 129 123

HSL 8.18, 0.2%, 0.57%

LAB 57.41, 13.72, 8.88

 

CMYK 26 / 0 / 12 / 34

HEX #7DA894

RGB 125 168 148

HSL 152.09, 0.2%, 0.57%

LAB 65.36, -18.77, 5.65

 

CMYK 13 / 26 / 0 / 35

HEX #927BA7

RGB 146 123 167

HSL 271.36, 0.2%, 0.57%

LAB 55.14, 17.57, -20.16

 

CMYK 0 / 13 / 26 / 35

HEX #A7927B

RGB 167 146 123

HSL 31.36, 0.2%, 0.57%

LAB 61.83, 4.17, 15.08

 

CMYK 26 / 0 / 12 / 34

HEX #7DA894

RGB 125 168 148

HSL 152.09, 0.2%, 0.57%

LAB 65.36, -18.77, 5.65

 

CMYK 26 / 19 / 0 / 35

HEX #7B87A7

RGB 123 135 167

HSL 223.64, 0.2%, 0.57%

LAB 56.42, 3.05, -18.39

 

CMYK 0 / 26 / 14 / 35

HEX #A77B8F

RGB 167 123 143

HSL 332.73, 0.2%, 0.57%

LAB 56.45, 20.31, -4.08

 

CMYK 0 / 7 / 26 / 35

HEX #A79B7B

RGB 167 155 123

HSL 43.64, 0.2%, 0.57%

LAB 64.23, -0.8, 18.4

 

CMYK 26 / 0 / 12 / 34

HEX #7DA894

RGB 125 168 148

HSL 152.09, 0.2%, 0.57%

LAB 65.36, -18.77, 5.65

 

CMYK 26 / 26 / 0 / 35

HEX #7C7BA7

RGB 124 123 167

HSL 241.36, 0.2%, 0.57%

LAB 53.21, 10.38, -23.28

 

CMYK 0 / 26 / 14 / 35

HEX #A77B8F

RGB 167 123 143

HSL 332.73, 0.2%, 0.57%

LAB 56.45, 20.31, -4.08

 

CMYK 1 / 0 / 26 / 35

HEX #A5A77B

RGB 165 167 123

HSL 62.73, 0.2%, 0.57%

LAB 67.33, -8.06, 22.59

 

Description

Color code: HEX #7DA894 | qconv.com Color code: HEX #7DA894 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 168 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 168 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 12 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 12% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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