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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D9F66 it is the complementary color #826099. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D9F66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7D9F66: #829F61, #93B174, #A4C387, #B5D59A and #C6E7AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D9F66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7D9F66: #7D9F66, #6C8D53, #5B7B40, #4A692D and #39571A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 36 / 38

HEX #7D9F66

RGB 125 159 102

HSL 95.79, 0.23%, 0.51%

LAB 61.75, -22.43, 26.03

 

Complementary color

CMYK 15 / 37 / 0 / 40

HEX #826099

RGB 130 96 153

HSL 275.79, 0.23%, 0.49%

LAB 46.19, 24.99, -25.89

 

CMYK 18 / 0 / 39 / 38

HEX #829F61

RGB 130 159 97

HSL 88.06, 0.24%, 0.5%

LAB 62, -21.24, 29.11

 

CMYK 17 / 0 / 34 / 31

HEX #93B174

RGB 147 177 116

HSL 89.51, 0.28%, 0.57%

LAB 68.68, -21.19, 27.93

 

CMYK 16 / 0 / 31 / 24

HEX #A4C387

RGB 164 195 135

HSL 91, 0.33%, 0.65%

LAB 75.25, -21.13, 26.82

 

CMYK 15 / 0 / 28 / 16

HEX #B5D59A

RGB 181 213 154

HSL 92.54, 0.41%, 0.72%

LAB 81.7, -21.07, 25.76

 

CMYK 14 / 0 / 25 / 9

HEX #C6E7AD

RGB 198 231 173

HSL 94.14, 0.55%, 0.79%

LAB 88.05, -21, 24.76

 

CMYK 21 / 0 / 36 / 38

HEX #7D9F66

RGB 125 159 102

HSL 95.79, 0.23%, 0.51%

LAB 61.75, -22.43, 26.03

 

CMYK 23 / 0 / 41 / 45

HEX #6C8D53

RGB 108 141 83

HSL 94.14, 0.26%, 0.44%

LAB 54.93, -22.53, 27.25

 

CMYK 26 / 0 / 48 / 52

HEX #5B7B40

RGB 91 123 64

HSL 92.54, 0.32%, 0.37%

LAB 47.96, -22.61, 28.52

 

CMYK 30 / 0 / 57 / 59

HEX #4A692D

RGB 74 105 45

HSL 91, 0.4%, 0.29%

LAB 40.81, -22.62, 29.79

 

CMYK 34 / 0 / 70 / 66

HEX #39571A

RGB 57 87 26

HSL 89.51, 0.54%, 0.22%

LAB 33.48, -22.47, 30.86

 

CMYK 21 / 0 / 36 / 38

HEX #7D9F66

RGB 125 159 102

HSL 95.79, 0.23%, 0.51%

LAB 61.75, -22.43, 26.03

 

CMYK 27 / 0 / 36 / 38

HEX #739E65

RGB 115 158 101

HSL 105.26, 0.23%, 0.51%

LAB 60.82, -25.76, 25.22

 

CMYK 33 / 0 / 36 / 38

HEX #6A9E65

RGB 106 158 101

HSL 114.74, 0.23%, 0.51%

LAB 60.3, -28.93, 24.44

 

CMYK 36 / 0 / 33 / 38

HEX #659E6A

RGB 101 158 106

HSL 125.26, 0.23%, 0.51%

LAB 60.12, -29.76, 21.43

 

CMYK 36 / 0 / 27 / 38

HEX #659E73

RGB 101 158 115

HSL 134.74, 0.23%, 0.51%

LAB 60.3, -28.11, 16.7

 

CMYK 21 / 0 / 36 / 38

HEX #7D9F66

RGB 125 159 102

HSL 95.79, 0.23%, 0.51%

LAB 61.75, -22.43, 26.03

 

CMYK 21 / 0 / 36 / 18

HEX #A5D287

RGB 165 210 135

HSL 96, 0.45%, 0.68%

LAB 79.52, -28.09, 32.51

 

CMYK 17 / 0 / 33 / 98

HEX #050604

RGB 5 6 4

HSL 90, 0.2%, 0.02%

LAB 1.55, -0.54, 0.66

 

CMYK 21 / 0 / 35 / 78

HEX #2D3925

RGB 45 57 37

HSL 96, 0.21%, 0.18%

LAB 22.37, -9.5, 10.89

 

CMYK 21 / 0 / 36 / 58

HEX #556C45

RGB 85 108 69

HSL 95.38, 0.22%, 0.35%

LAB 42.89, -16.37, 19.12

 

CMYK 21 / 0 / 36 / 38

HEX #7D9F66

RGB 125 159 102

HSL 95.79, 0.23%, 0.51%

LAB 61.75, -22.43, 26.03

 

CMYK 36 / 0 / 8 / 38

HEX #659E92

RGB 101 158 146

HSL 167.37, 0.23%, 0.51%

LAB 61.04, -21.49, 0.35

 

CMYK 0 / 36 / 6 / 38

HEX #9E6594

RGB 158 101 148

HSL 310.53, 0.23%, 0.51%

LAB 50.35, 30.47, -16.26

 

CMYK 21 / 0 / 36 / 38

HEX #7D9F66

RGB 125 159 102

HSL 95.79, 0.23%, 0.51%

LAB 61.75, -22.43, 26.03

 

CMYK 36 / 21 / 0 / 38

HEX #657D9E

RGB 101 125 158

HSL 214.74, 0.23%, 0.51%

LAB 51.73, -0.23, -20.49

 

CMYK 0 / 36 / 21 / 38

HEX #9E657D

RGB 158 101 125

HSL 334.74, 0.23%, 0.51%

LAB 49.57, 26.49, -3.79

 

CMYK 21 / 0 / 36 / 38

HEX #7D9F66

RGB 125 159 102

HSL 95.79, 0.23%, 0.51%

LAB 61.75, -22.43, 26.03

 

CMYK 36 / 0 / 8 / 38

HEX #659E92

RGB 101 158 146

HSL 167.37, 0.23%, 0.51%

LAB 61.04, -21.49, 0.35

 

CMYK 15 / 36 / 0 / 38

HEX #86659E

RGB 134 101 158

HSL 274.74, 0.23%, 0.51%

LAB 48.06, 24.48, -25.91

 

CMYK 0 / 36 / 28 / 38

HEX #9E6571

RGB 158 101 113

HSL 347.37, 0.23%, 0.51%

LAB 49.21, 24.66, 2.86

 

CMYK 21 / 0 / 36 / 38

HEX #7D9F66

RGB 125 159 102

HSL 95.79, 0.23%, 0.51%

LAB 61.75, -22.43, 26.03

 

CMYK 36 / 3 / 0 / 38

HEX #65999E

RGB 101 153 158

HSL 185.26, 0.23%, 0.51%

LAB 59.9, -15.92, -8.12

 

CMYK 15 / 36 / 0 / 38

HEX #86659E

RGB 134 101 158

HSL 274.74, 0.23%, 0.51%

LAB 48.06, 24.48, -25.91

 

CMYK 0 / 33 / 36 / 38

HEX #9E6A65

RGB 158 106 101

HSL 5.26, 0.23%, 0.51%

LAB 50.12, 20.15, 11.28

 

Description

Color code: HEX #7D9F66 | qconv.com Color code: HEX #7D9F66 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 159 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 159 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 36 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 36% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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