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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D9CAF it is the complementary color #826350. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D9CAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7D9CAF: #829CAA, #93AEBD, #A4C0D0, #B5D2E3 and #C6E4F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D9CAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7D9CAF: #7D9CAF, #6C8A9C, #5B7889, #4A6676 and #395463

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 11 / 0 / 31

HEX #7D9CAF

RGB 125 156 175

HSL 202.8, 0.24%, 0.59%

LAB 62.7, -6.21, -13.4

 

Complementary color

CMYK 0 / 24 / 38 / 49

HEX #826350

RGB 130 99 80

HSL 22.8, 0.24%, 0.41%

LAB 44.59, 9.74, 15.62

 

CMYK 24 / 8 / 0 / 33

HEX #829CAA

RGB 130 156 170

HSL 201, 0.19%, 0.59%

LAB 62.86, -5.86, -10.31

 

CMYK 22 / 8 / 0 / 26

HEX #93AEBD

RGB 147 174 189

HSL 201.43, 0.24%, 0.66%

LAB 69.58, -5.92, -10.74

 

CMYK 21 / 8 / 0 / 18

HEX #A4C0D0

RGB 164 192 208

HSL 201.82, 0.32%, 0.73%

LAB 76.16, -5.97, -11.18

 

CMYK 20 / 7 / 0 / 11

HEX #B5D2E3

RGB 181 210 227

HSL 202.17, 0.45%, 0.8%

LAB 82.63, -6.03, -11.61

 

CMYK 20 / 7 / 0 / 4

HEX #C6E4F6

RGB 198 228 246

HSL 202.5, 0.73%, 0.87%

LAB 88.99, -6.09, -12.04

 

CMYK 29 / 11 / 0 / 31

HEX #7D9CAF

RGB 125 156 175

HSL 202.8, 0.24%, 0.59%

LAB 62.7, -6.21, -13.4

 

CMYK 31 / 12 / 0 / 39

HEX #6C8A9C

RGB 108 138 156

HSL 202.5, 0.2%, 0.52%

LAB 55.85, -6.13, -13.01

 

CMYK 34 / 12 / 0 / 46

HEX #5B7889

RGB 91 120 137

HSL 202.17, 0.2%, 0.45%

LAB 48.84, -6.03, -12.64

 

CMYK 37 / 14 / 0 / 54

HEX #4A6676

RGB 74 102 118

HSL 201.82, 0.23%, 0.38%

LAB 41.64, -5.92, -12.26

 

CMYK 42 / 15 / 0 / 61

HEX #395463

RGB 57 84 99

HSL 201.43, 0.27%, 0.31%

LAB 34.21, -5.77, -11.89

 

CMYK 29 / 11 / 0 / 31

HEX #7D9CAF

RGB 125 156 175

HSL 202.8, 0.24%, 0.59%

LAB 62.7, -6.21, -13.4

 

CMYK 29 / 15 / 0 / 31

HEX #7D94AF

RGB 125 148 175

HSL 212.4, 0.24%, 0.59%

LAB 60.46, -1.75, -16.79

 

CMYK 29 / 20 / 0 / 31

HEX #7D8CAF

RGB 125 140 175

HSL 222, 0.24%, 0.59%

LAB 58.24, 2.8, -20.17

 

CMYK 29 / 25 / 0 / 31

HEX #7D84AF

RGB 125 132 175

HSL 231.6, 0.24%, 0.59%

LAB 56.05, 7.44, -23.53

 

CMYK 27 / 29 / 0 / 31

HEX #7F7DAF

RGB 127 125 175

HSL 242.4, 0.24%, 0.59%

LAB 54.32, 12.16, -26.18

 

CMYK 29 / 11 / 0 / 31

HEX #7D9CAF

RGB 125 156 175

HSL 202.8, 0.24%, 0.59%

LAB 62.7, -6.21, -13.4

 

CMYK 29 / 11 / 0 / 11

HEX #A1C9E2

RGB 161 201 226

HSL 203.08, 0.53%, 0.76%

LAB 78.95, -7.5, -16.72

 

CMYK 27 / 9 / 0 / 91

HEX #101416

RGB 16 20 22

HSL 200, 0.16%, 0.07%

LAB 6.04, -1.09, -1.83

 

CMYK 29 / 11 / 0 / 71

HEX #344149

RGB 52 65 73

HSL 202.86, 0.17%, 0.25%

LAB 26.71, -3.1, -6.59

 

CMYK 28 / 10 / 0 / 51

HEX #596F7C

RGB 89 111 124

HSL 202.29, 0.16%, 0.42%

LAB 45.56, -4.85, -9.86

 

CMYK 29 / 11 / 0 / 31

HEX #7D9CAF

RGB 125 156 175

HSL 202.8, 0.24%, 0.59%

LAB 62.7, -6.21, -13.4

 

CMYK 13 / 29 / 0 / 31

HEX #997DAF

RGB 153 125 175

HSL 273.6, 0.24%, 0.59%

LAB 56.62, 20.5, -22.44

 

CMYK 0 / 1 / 29 / 31

HEX #AFAD7D

RGB 175 173 125

HSL 57.6, 0.24%, 0.59%

LAB 69.81, -7.03, 24.99

 

CMYK 29 / 11 / 0 / 31

HEX #7D9CAF

RGB 125 156 175

HSL 202.8, 0.24%, 0.59%

LAB 62.7, -6.21, -13.4

 

CMYK 0 / 29 / 10 / 31

HEX #AF7D9D

RGB 175 125 157

HSL 321.6, 0.24%, 0.59%

LAB 58.24, 24.53, -9.42

 

CMYK 10 / 0 / 29 / 31

HEX #9DAF7D

RGB 157 175 125

HSL 81.6, 0.24%, 0.59%

LAB 68.97, -15.07, 23.63

 

CMYK 29 / 11 / 0 / 31

HEX #7D9CAF

RGB 125 156 175

HSL 202.8, 0.24%, 0.59%

LAB 62.7, -6.21, -13.4

 

CMYK 13 / 29 / 0 / 31

HEX #997DAF

RGB 153 125 175

HSL 273.6, 0.24%, 0.59%

LAB 56.62, 20.5, -22.44

 

CMYK 0 / 18 / 29 / 31

HEX #AF8F7D

RGB 175 143 125

HSL 21.6, 0.24%, 0.59%

LAB 61.86, 9.32, 14.11

 

CMYK 16 / 0 / 29 / 31

HEX #93AF7D

RGB 147 175 125

HSL 93.6, 0.24%, 0.59%

LAB 68.27, -18.83, 22.56

 

CMYK 29 / 11 / 0 / 31

HEX #7D9CAF

RGB 125 156 175

HSL 202.8, 0.24%, 0.59%

LAB 62.7, -6.21, -13.4

 

CMYK 4 / 29 / 0 / 31

HEX #A87DAF

RGB 168 125 175

HSL 291.6, 0.24%, 0.59%

LAB 58.12, 25.5, -20.01

 

CMYK 0 / 18 / 29 / 31

HEX #AF8F7D

RGB 175 143 125

HSL 21.6, 0.24%, 0.59%

LAB 61.86, 9.32, 14.11

 

CMYK 25 / 0 / 29 / 31

HEX #84AF7D

RGB 132 175 125

HSL 111.6, 0.24%, 0.59%

LAB 67.31, -24.26, 21.09

 

Description

Color code: HEX #7D9CAF | qconv.com Color code: HEX #7D9CAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 156 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 156 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 11 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 11% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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