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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D9A73 it is the complementary color #82658C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D9A73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7D9A73: #829A6E, #93AC81, #A4BE94, #B5D0A7 and #C6E2BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D9A73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7D9A73: #7D9A73, #6C8860, #5B764D, #4A643A and #395227

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 25 / 40

HEX #7D9A73

RGB 125 154 115

HSL 104.62, 0.16%, 0.53%

LAB 60.52, -17.78, 17.23

 

Complementary color

CMYK 7 / 28 / 0 / 45

HEX #82658C

RGB 130 101 140

HSL 284.62, 0.16%, 0.47%

LAB 46.9, 19.11, -17.05

 

CMYK 16 / 0 / 29 / 40

HEX #829A6E

RGB 130 154 110

HSL 92.73, 0.18%, 0.52%

LAB 60.77, -16.73, 20.39

 

CMYK 15 / 0 / 25 / 33

HEX #93AC81

RGB 147 172 129

HSL 94.88, 0.21%, 0.59%

LAB 67.5, -16.66, 19.33

 

CMYK 14 / 0 / 22 / 25

HEX #A4BE94

RGB 164 190 148

HSL 97.14, 0.24%, 0.66%

LAB 74.1, -16.59, 18.34

 

CMYK 13 / 0 / 20 / 18

HEX #B5D0A7

RGB 181 208 167

HSL 99.51, 0.3%, 0.74%

LAB 80.59, -16.53, 17.4

 

CMYK 12 / 0 / 18 / 11

HEX #C6E2BA

RGB 198 226 186

HSL 102, 0.41%, 0.81%

LAB 86.97, -16.47, 16.51

 

CMYK 19 / 0 / 25 / 40

HEX #7D9A73

RGB 125 154 115

HSL 104.62, 0.16%, 0.53%

LAB 60.52, -17.78, 17.23

 

CMYK 21 / 0 / 29 / 47

HEX #6C8860

RGB 108 136 96

HSL 102, 0.17%, 0.45%

LAB 53.64, -17.93, 18.31

 

CMYK 23 / 0 / 35 / 54

HEX #5B764D

RGB 91 118 77

HSL 99.51, 0.21%, 0.38%

LAB 46.6, -18.08, 19.49

 

CMYK 26 / 0 / 42 / 61

HEX #4A643A

RGB 74 100 58

HSL 97.14, 0.27%, 0.31%

LAB 39.37, -18.23, 20.77

 

CMYK 30 / 0 / 52 / 68

HEX #395227

RGB 57 82 39

HSL 94.88, 0.36%, 0.24%

LAB 31.92, -18.33, 22.13

 

CMYK 19 / 0 / 25 / 40

HEX #7D9A73

RGB 125 154 115

HSL 104.62, 0.16%, 0.53%

LAB 60.52, -17.78, 17.23

 

CMYK 23 / 0 / 25 / 40

HEX #779A73

RGB 119 154 115

HSL 113.85, 0.16%, 0.53%

LAB 60.13, -19.97, 16.63

 

CMYK 25 / 0 / 23 / 40

HEX #739A76

RGB 115 154 118

HSL 124.62, 0.16%, 0.53%

LAB 59.95, -20.85, 14.66

 

CMYK 25 / 0 / 19 / 40

HEX #739A7C

RGB 115 154 124

HSL 133.85, 0.16%, 0.53%

LAB 60.08, -19.71, 11.47

 

CMYK 25 / 0 / 15 / 40

HEX #739A83

RGB 115 154 131

HSL 144.62, 0.16%, 0.53%

LAB 60.24, -18.32, 7.76

 

CMYK 19 / 0 / 25 / 40

HEX #7D9A73

RGB 125 154 115

HSL 104.62, 0.16%, 0.53%

LAB 60.52, -17.78, 17.23

 

CMYK 19 / 0 / 25 / 20

HEX #A6CD99

RGB 166 205 153

HSL 105, 0.34%, 0.7%

LAB 78.5, -22.59, 21.77

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 19 / 0 / 25 / 80

HEX #2A3427

RGB 42 52 39

HSL 106.15, 0.14%, 0.18%

LAB 20.42, -7.32, 6.85

 

CMYK 18 / 0 / 25 / 60

HEX #54674D

RGB 84 103 77

HSL 103.85, 0.14%, 0.35%

LAB 41.41, -12.62, 12.37

 

CMYK 19 / 0 / 25 / 40

HEX #7D9A73

RGB 125 154 115

HSL 104.62, 0.16%, 0.53%

LAB 60.52, -17.78, 17.23

 

CMYK 25 / 0 / 2 / 40

HEX #739A97

RGB 115 154 151

HSL 175.38, 0.16%, 0.53%

LAB 60.77, -13.96, -2.78

 

CMYK 0 / 25 / 8 / 40

HEX #9A738D

RGB 154 115 141

HSL 320, 0.16%, 0.53%

LAB 53.01, 19.73, -8.18

 

CMYK 19 / 0 / 25 / 40

HEX #7D9A73

RGB 125 154 115

HSL 104.62, 0.16%, 0.53%

LAB 60.52, -17.78, 17.23

 

CMYK 25 / 18 / 0 / 40

HEX #737E9A

RGB 115 126 154

HSL 223.08, 0.16%, 0.53%

LAB 52.84, 2.47, -16.37

 

CMYK 0 / 25 / 18 / 40

HEX #9A737E

RGB 154 115 126

HSL 343.08, 0.16%, 0.53%

LAB 52.55, 17.1, -0.05

 

CMYK 19 / 0 / 25 / 40

HEX #7D9A73

RGB 125 154 115

HSL 104.62, 0.16%, 0.53%

LAB 60.52, -17.78, 17.23

 

CMYK 25 / 0 / 2 / 40

HEX #739A97

RGB 115 154 151

HSL 175.38, 0.16%, 0.53%

LAB 60.77, -13.96, -2.78

 

CMYK 6 / 25 / 0 / 40

HEX #90739A

RGB 144 115 154

HSL 284.62, 0.16%, 0.53%

LAB 52.42, 18.73, -16.77

 

CMYK 0 / 25 / 23 / 40

HEX #9A7376

RGB 154 115 118

HSL 355.38, 0.16%, 0.53%

LAB 52.33, 15.81, 4.34

 

CMYK 19 / 0 / 25 / 40

HEX #7D9A73

RGB 125 154 115

HSL 104.62, 0.16%, 0.53%

LAB 60.52, -17.78, 17.23

 

CMYK 25 / 6 / 0 / 40

HEX #73919A

RGB 115 145 154

HSL 193.85, 0.16%, 0.53%

LAB 58.25, -8.35, -8.22

 

CMYK 6 / 25 / 0 / 40

HEX #90739A

RGB 144 115 154

HSL 284.62, 0.16%, 0.53%

LAB 52.42, 18.73, -16.77

 

CMYK 0 / 19 / 25 / 40

HEX #9A7C73

RGB 154 124 115

HSL 13.85, 0.16%, 0.53%

LAB 54.58, 10.18, 9.3

 

Description

Color code: HEX #7D9A73 | qconv.com Color code: HEX #7D9A73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 154 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 154 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 25 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 25% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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