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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D839E it is the complementary color #827C61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D839E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D839E shade: #828399, #9395AC, #A4A7BF, #B5B9D2 and #C6CBE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D839E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D839E shade: #7D839E, #6C718B, #5B5F78, #4A4D65 and #393B52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D839E shade: #7B819D, #7E7B9D, #877B9D, #917B9D and #9A7B9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D839E shade: #7B819D and #7B7B9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D839E shade matches the following richer shades: #7B819D, #6875B0, #566AC3, #435ED5 and #3152E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D839E shade: #7B819D, #8E8D8B, #A09978, #B3A566 and #C5B153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D839E shade: #7B949D, #7B8B9D, #7B819D, #7E7B9D and #877B9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D839E shade: #545A72, #666C8A, #7B819D, #9398AF and #AAAEC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D839E shade: #7D839E, #9D7B9D and #8F9D7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D839E shade: #7D839E, #9D7B81 and #819D7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D839E shade: #7D839E, #9D7B9D, #9D977B and #7B9D7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D839E shade: #7D839E, #9D7B93, #9D977B and #7B9D86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 17 / 0 / 38

HEX #7D839E

RGB 125 131 158

HSL 229.09, 0.15%, 0.55%

LAB 55.14, 3.81, -15.14

 

Complementary color

CMYK 0 / 5 / 25 / 49

HEX #827C61

RGB 130 124 97

HSL 49.09, 0.15%, 0.45%

LAB 51.86, -2.38, 15.59

 

CMYK 15 / 14 / 0 / 40

HEX #828399

RGB 130 131 153

HSL 237.39, 0.1%, 0.55%

LAB 55.36, 4.33, -11.87

 

CMYK 15 / 13 / 0 / 33

HEX #9395AC

RGB 147 149 172

HSL 235.2, 0.13%, 0.63%

LAB 62.23, 4.07, -12.26

 

CMYK 14 / 13 / 0 / 25

HEX #A4A7BF

RGB 164 167 191

HSL 233.33, 0.17%, 0.7%

LAB 68.96, 3.84, -12.64

 

CMYK 14 / 12 / 0 / 18

HEX #B5B9D2

RGB 181 185 210

HSL 231.72, 0.24%, 0.77%

LAB 75.56, 3.62, -13.04

 

CMYK 14 / 11 / 0 / 10

HEX #C6CBE5

RGB 198 203 229

HSL 230.32, 0.37%, 0.84%

LAB 82.04, 3.42, -13.43

 

CMYK 21 / 17 / 0 / 38

HEX #7D839E

RGB 125 131 158

HSL 229.09, 0.15%, 0.55%

LAB 55.14, 3.81, -15.14

 

CMYK 22 / 19 / 0 / 45

HEX #6C718B

RGB 108 113 139

HSL 230.32, 0.13%, 0.48%

LAB 48.09, 4.09, -14.84

 

CMYK 24 / 21 / 0 / 53

HEX #5B5F78

RGB 91 95 120

HSL 231.72, 0.14%, 0.41%

LAB 40.84, 4.41, -14.58

 

CMYK 27 / 24 / 0 / 60

HEX #4A4D65

RGB 74 77 101

HSL 233.33, 0.15%, 0.34%

LAB 33.36, 4.79, -14.35

 

CMYK 30 / 28 / 0 / 68

HEX #393B52

RGB 57 59 82

HSL 235.2, 0.18%, 0.27%

LAB 25.58, 5.24, -14.18

 

CMYK 22 / 18 / 0 / 38

HEX #7B819D

RGB 123 129 157

HSL 229.41, 0.15%, 0.55%

LAB 54.39, 4.07, -15.7

 

CMYK 20 / 22 / 0 / 38

HEX #7E7B9D

RGB 126 123 157

HSL 245.29, 0.15%, 0.55%

LAB 52.99, 8.57, -17.81

 

CMYK 14 / 22 / 0 / 38

HEX #877B9D

RGB 135 123 157

HSL 261.18, 0.15%, 0.55%

LAB 53.76, 11.6, -16.56

 

CMYK 8 / 22 / 0 / 38

HEX #917B9D

RGB 145 123 157

HSL 278.82, 0.15%, 0.55%

LAB 54.68, 15.05, -15.09

 

CMYK 2 / 22 / 0 / 38

HEX #9A7B9D

RGB 154 123 157

HSL 294.71, 0.15%, 0.55%

LAB 55.55, 18.2, -13.68

 

CMYK 22 / 18 / 0 / 38

HEX #7B819D

RGB 123 129 157

HSL 229.41, 0.15%, 0.55%

LAB 54.39, 4.07, -15.7

 

CMYK 22 / 22 / 0 / 38

HEX #7B7B9D

RGB 123 123 157

HSL 240, 0.15%, 0.55%

LAB 52.74, 7.58, -18.21

 

CMYK 22 / 18 / 0 / 38

HEX #7B819D

RGB 123 129 157

HSL 229.41, 0.15%, 0.55%

LAB 54.39, 4.07, -15.7

 

CMYK 41 / 34 / 0 / 31

HEX #6875B0

RGB 104 117 176

HSL 229.17, 0.31%, 0.55%

LAB 50.45, 10.5, -32.9

 

CMYK 56 / 46 / 0 / 24

HEX #566AC3

RGB 86 106 195

HSL 228.99, 0.48%, 0.55%

LAB 47.27, 18.82, -49

 

CMYK 69 / 56 / 0 / 16

HEX #435ED5

RGB 67 94 213

HSL 228.9, 0.63%, 0.55%

LAB 44.24, 29.22, -64.28

 

CMYK 79 / 65 / 0 / 9

HEX #3152E8

RGB 49 82 232

HSL 229.18, 0.8%, 0.55%

LAB 42.02, 41.49, -78.74

 

CMYK 22 / 18 / 0 / 38

HEX #7B819D

RGB 123 129 157

HSL 229.41, 0.15%, 0.55%

LAB 54.39, 4.07, -15.7

 

CMYK 0 / 1 / 2 / 44

HEX #8E8D8B

RGB 142 141 139

HSL 40, 0.01%, 0.55%

LAB 58.66, -0.01, 1.19

 

CMYK 0 / 4 / 25 / 37

HEX #A09978

RGB 160 153 120

HSL 49.5, 0.17%, 0.55%

LAB 63.02, -2.93, 18.3

 

CMYK 0 / 8 / 43 / 30

HEX #B3A566

RGB 179 165 102

HSL 49.09, 0.34%, 0.55%

LAB 67.62, -3.94, 34.43

 

CMYK 0 / 10 / 58 / 23

HEX #C5B153

RGB 197 177 83

HSL 49.47, 0.5%, 0.55%

LAB 72.19, -4.46, 49.82

 

CMYK 22 / 6 / 0 / 38

HEX #7B949D

RGB 123 148 157

HSL 195.88, 0.15%, 0.55%

LAB 59.73, -6.73, -7.68

 

CMYK 22 / 11 / 0 / 38

HEX #7B8B9D

RGB 123 139 157

HSL 211.76, 0.15%, 0.55%

LAB 57.18, -1.68, -11.48

 

CMYK 22 / 18 / 0 / 38

HEX #7B819D

RGB 123 129 157

HSL 229.41, 0.15%, 0.55%

LAB 54.39, 4.07, -15.7

 

CMYK 20 / 22 / 0 / 38

HEX #7E7B9D

RGB 126 123 157

HSL 245.29, 0.15%, 0.55%

LAB 52.99, 8.57, -17.81

 

CMYK 14 / 22 / 0 / 38

HEX #877B9D

RGB 135 123 157

HSL 261.18, 0.15%, 0.55%

LAB 53.76, 11.6, -16.56

 

CMYK 26 / 21 / 0 / 55

HEX #545A72

RGB 84 90 114

HSL 228, 0.15%, 0.39%

LAB 38.57, 3.54, -14.41

 

CMYK 26 / 22 / 0 / 46

HEX #666C8A

RGB 102 108 138

HSL 230, 0.15%, 0.47%

LAB 46.16, 4.84, -17.23

 

CMYK 22 / 18 / 0 / 38

HEX #7B819D

RGB 123 129 157

HSL 229.41, 0.15%, 0.55%

LAB 54.39, 4.07, -15.7

 

CMYK 16 / 13 / 0 / 31

HEX #9398AF

RGB 147 152 175

HSL 229.29, 0.15%, 0.63%

LAB 63.14, 3.05, -12.59

 

CMYK 12 / 10 / 0 / 24

HEX #AAAEC1

RGB 170 174 193

HSL 229.57, 0.16%, 0.71%

LAB 71.33, 2.41, -10.16

 

CMYK 21 / 17 / 0 / 38

HEX #7D839E

RGB 125 131 158

HSL 229.09, 0.15%, 0.55%

LAB 55.14, 3.81, -15.14

 

CMYK 0 / 22 / 0 / 38

HEX #9D7B9D

RGB 157 123 157

HSL 300, 0.15%, 0.55%

LAB 55.86, 19.26, -13.19

 

CMYK 9 / 0 / 22 / 38

HEX #8F9D7B

RGB 143 157 123

HSL 84.71, 0.15%, 0.55%

LAB 62.83, -11.26, 16.16

 

CMYK 21 / 17 / 0 / 38

HEX #7D839E

RGB 125 131 158

HSL 229.09, 0.15%, 0.55%

LAB 55.14, 3.81, -15.14

 

CMYK 0 / 22 / 18 / 38

HEX #9D7B81

RGB 157 123 129

HSL 349.41, 0.15%, 0.55%

LAB 54.99, 14.16, 1.79

 

CMYK 18 / 0 / 22 / 38

HEX #819D7B

RGB 129 157 123

HSL 109.41, 0.15%, 0.55%

LAB 61.84, -16.49, 14.63

 

CMYK 21 / 17 / 0 / 38

HEX #7D839E

RGB 125 131 158

HSL 229.09, 0.15%, 0.55%

LAB 55.14, 3.81, -15.14

 

CMYK 0 / 22 / 0 / 38

HEX #9D7B9D

RGB 157 123 157

HSL 300, 0.15%, 0.55%

LAB 55.86, 19.26, -13.19

 

CMYK 0 / 4 / 22 / 38

HEX #9D977B

RGB 157 151 123

HSL 49.41, 0.15%, 0.55%

LAB 62.28, -2.57, 15.57

 

CMYK 22 / 0 / 21 / 38

HEX #7B9D7C

RGB 123 157 124

HSL 121.76, 0.15%, 0.55%

LAB 61.46, -18.47, 13.49

 

CMYK 21 / 17 / 0 / 38

HEX #7D839E

RGB 125 131 158

HSL 229.09, 0.15%, 0.55%

LAB 55.14, 3.81, -15.14

 

CMYK 0 / 22 / 6 / 38

HEX #9D7B93

RGB 157 123 147

HSL 317.65, 0.15%, 0.55%

LAB 55.52, 17.34, -7.89

 

CMYK 0 / 4 / 22 / 38

HEX #9D977B

RGB 157 151 123

HSL 49.41, 0.15%, 0.55%

LAB 62.28, -2.57, 15.57

 

CMYK 22 / 0 / 15 / 38

HEX #7B9D86

RGB 123 157 134

HSL 139.41, 0.15%, 0.55%

LAB 61.69, -16.56, 8.21

 

Description

Color code: HEX #7D839E | qconv.com Color code: HEX #7D839E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 131 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 131 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 17 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 17% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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