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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 46 / 0 / 24 it is the complementary color CMYK 0 / 12 / 64 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 46 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 56 / 46 / 0 / 24: CMYK 52 / 44 / 0 / 26, CMYK 49 / 41 / 0 / 18, CMYK 45 / 38 / 0 / 11, CMYK 43 / 35 / 0 / 4 and CMYK 38 / 31 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 46 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 56 / 46 / 0 / 24: CMYK 56 / 46 / 0 / 24, CMYK 61 / 50 / 0 / 31, CMYK 67 / 56 / 0 / 39, CMYK 75 / 63 / 0 / 46 and CMYK 86 / 72 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 46 / 0 / 24

HEX #5569C2

RGB 85 105 194

HSL 228.99, 0.47%, 0.55%

LAB 46.88, 18.91, -49.04

 

Complementary color

CMYK 0 / 12 / 64 / 33

HEX #AA963D

RGB 170 150 61

HSL 48.99, 0.47%, 0.45%

LAB 62.25, -3.3, 48.29

 

CMYK 52 / 44 / 0 / 26

HEX #5A69BD

RGB 90 105 189

HSL 230.91, 0.43%, 0.55%

LAB 46.91, 18.36, -46.09

 

CMYK 49 / 41 / 0 / 18

HEX #6B7BD0

RGB 107 123 208

HSL 230.5, 0.52%, 0.62%

LAB 53.86, 17.21, -45.85

 

CMYK 45 / 38 / 0 / 11

HEX #7C8DE3

RGB 124 141 227

HSL 230.1, 0.65%, 0.69%

LAB 60.68, 16.25, -45.66

 

CMYK 43 / 35 / 0 / 4

HEX #8D9FF6

RGB 141 159 246

HSL 229.71, 0.85%, 0.76%

LAB 67.36, 15.43, -45.52

 

CMYK 38 / 31 / 0 / 0

HEX #9EB1FF

RGB 158 177 255

HSL 228.25, 1%, 0.81%

LAB 73.5, 12.03, -40.71

 

CMYK 56 / 46 / 0 / 24

HEX #5569C2

RGB 85 105 194

HSL 228.99, 0.47%, 0.55%

LAB 46.88, 18.91, -49.04

 

CMYK 61 / 50 / 0 / 31

HEX #4457AF

RGB 68 87 175

HSL 229.35, 0.44%, 0.48%

LAB 39.82, 20.48, -49.35

 

CMYK 67 / 56 / 0 / 39

HEX #33459C

RGB 51 69 156

HSL 229.71, 0.51%, 0.41%

LAB 32.61, 22.45, -49.67

 

CMYK 75 / 63 / 0 / 46

HEX #223389

RGB 34 51 137

HSL 230.1, 0.6%, 0.34%

LAB 25.3, 24.95, -49.94

 

CMYK 86 / 72 / 0 / 54

HEX #112176

RGB 17 33 118

HSL 230.5, 0.75%, 0.26%

LAB 17.99, 28.08, -49.96

 

CMYK 56 / 46 / 0 / 24

HEX #5569C2

RGB 85 105 194

HSL 228.99, 0.47%, 0.55%

LAB 46.88, 18.91, -49.04

 

CMYK 56 / 54 / 0 / 24

HEX #5659C2

RGB 86 89 194

HSL 238.33, 0.47%, 0.55%

LAB 42.79, 29.12, -55.61

 

CMYK 48 / 56 / 0 / 24

HEX #6456C2

RGB 100 86 194

HSL 247.78, 0.47%, 0.55%

LAB 43.15, 33.86, -54.98

 

CMYK 39 / 56 / 0 / 24

HEX #7656C2

RGB 118 86 194

HSL 257.78, 0.47%, 0.55%

LAB 44.8, 37.94, -52.23

 

CMYK 30 / 56 / 0 / 24

HEX #8856C2

RGB 136 86 194

HSL 267.78, 0.47%, 0.55%

LAB 46.69, 42.34, -49.1

 

CMYK 56 / 46 / 0 / 24

HEX #5569C2

RGB 85 105 194

HSL 228.99, 0.47%, 0.55%

LAB 46.88, 18.91, -49.04

 

CMYK 56 / 46 / 0 / 4

HEX #6B85F5

RGB 107 133 245

HSL 228.7, 0.87%, 0.69%

LAB 58.5, 22.79, -59.15

 

CMYK 56 / 46 / 0 / 84

HEX #121629

RGB 18 22 41

HSL 229.57, 0.39%, 0.12%

LAB 7.79, 4.65, -13.58

 

CMYK 57 / 46 / 0 / 64

HEX #28325C

RGB 40 50 92

HSL 228.46, 0.39%, 0.26%

LAB 21.96, 9.52, -26.53

 

CMYK 56 / 46 / 0 / 44

HEX #3F4D8F

RGB 63 77 143

HSL 229.5, 0.39%, 0.4%

LAB 34.7, 14.83, -38.38

 

CMYK 56 / 46 / 0 / 24

HEX #5569C2

RGB 85 105 194

HSL 228.99, 0.47%, 0.55%

LAB 46.88, 18.91, -49.04

 

CMYK 0 / 56 / 0 / 24

HEX #C256C2

RGB 194 86 194

HSL 300, 0.47%, 0.55%

LAB 54.05, 57.52, -36.98

 

CMYK 22 / 0 / 56 / 24

HEX #97C256

RGB 151 194 86

HSL 83.89, 0.47%, 0.55%

LAB 73.44, -31.5, 48.94

 

CMYK 56 / 46 / 0 / 24

HEX #5569C2

RGB 85 105 194

HSL 228.99, 0.47%, 0.55%

LAB 46.88, 18.91, -49.04

 

CMYK 0 / 56 / 45 / 24

HEX #C2566B

RGB 194 86 107

HSL 348.33, 0.47%, 0.55%

LAB 50.9, 45.22, 9.54

 

CMYK 45 / 0 / 56 / 24

HEX #6BC256

RGB 107 194 86

HSL 108.33, 0.47%, 0.55%

LAB 71.13, -46.75, 45.67

 

CMYK 56 / 46 / 0 / 24

HEX #5569C2

RGB 85 105 194

HSL 228.99, 0.47%, 0.55%

LAB 46.88, 18.91, -49.04

 

CMYK 0 / 56 / 0 / 24

HEX #C256C2

RGB 194 86 194

HSL 300, 0.47%, 0.55%

LAB 54.05, 57.52, -36.98

 

CMYK 0 / 11 / 56 / 24

HEX #C2AC56

RGB 194 172 86

HSL 47.78, 0.47%, 0.55%

LAB 70.63, -2.86, 46.51

 

CMYK 56 / 0 / 56 / 24

HEX #56C256

RGB 86 194 86

HSL 120, 0.47%, 0.55%

LAB 70.34, -52.61, 44.53

 

CMYK 56 / 46 / 0 / 24

HEX #5569C2

RGB 85 105 194

HSL 228.99, 0.47%, 0.55%

LAB 46.88, 18.91, -49.04

 

CMYK 0 / 56 / 17 / 24

HEX #C256A1

RGB 194 86 161

HSL 318.33, 0.47%, 0.55%

LAB 52.62, 52.1, -20.02

 

CMYK 0 / 11 / 56 / 24

HEX #C2AC56

RGB 194 172 86

HSL 47.78, 0.47%, 0.55%

LAB 70.63, -2.86, 46.51

 

CMYK 56 / 0 / 39 / 24

HEX #56C276

RGB 86 194 118

HSL 137.78, 0.47%, 0.55%

LAB 70.78, -47.83, 29.1

 

Description

Color code: CMYK 56 / 46 / 0 / 24 | qconv.com Color code: CMYK 56 / 46 / 0 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 105 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 105 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 46 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 46% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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