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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D5788 it is the complementary color #82A877. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D5788. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7D5788: #825783, #936996, #A47BA9, #B58DBC and #C69FCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D5788. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7D5788: #7D5788, #6C4575, #5B3362, #4A214F and #390F3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 36 / 0 / 47

HEX #7D5788

RGB 125 87 136

HSL 286.53, 0.22%, 0.44%

LAB 42.69, 24.86, -21.16

 

Complementary color

CMYK 23 / 0 / 29 / 34

HEX #82A877

RGB 130 168 119

HSL 106.53, 0.22%, 0.56%

LAB 65.03, -22.46, 21.23

 

CMYK 1 / 34 / 0 / 49

HEX #825783

RGB 130 87 131

HSL 298.64, 0.2%, 0.43%

LAB 43.06, 25.52, -17.52

 

CMYK 2 / 30 / 0 / 41

HEX #936996

RGB 147 105 150

HSL 296, 0.18%, 0.5%

LAB 50.11, 24.77, -17.93

 

CMYK 3 / 27 / 0 / 34

HEX #A47BA9

RGB 164 123 169

HSL 293.48, 0.21%, 0.57%

LAB 57, 24.08, -18.31

 

CMYK 4 / 25 / 0 / 26

HEX #B58DBC

RGB 181 141 188

HSL 291.06, 0.26%, 0.65%

LAB 63.76, 23.45, -18.68

 

CMYK 4 / 23 / 0 / 19

HEX #C69FCF

RGB 198 159 207

HSL 288.75, 0.33%, 0.72%

LAB 70.39, 22.87, -19.05

 

CMYK 8 / 36 / 0 / 47

HEX #7D5788

RGB 125 87 136

HSL 286.53, 0.22%, 0.44%

LAB 42.69, 24.86, -21.16

 

CMYK 8 / 41 / 0 / 54

HEX #6C4575

RGB 108 69 117

HSL 288.75, 0.26%, 0.36%

LAB 35.46, 25.67, -20.86

 

CMYK 7 / 48 / 0 / 62

HEX #5B3362

RGB 91 51 98

HSL 291.06, 0.32%, 0.29%

LAB 28.04, 26.53, -20.5

 

CMYK 6 / 58 / 0 / 69

HEX #4A214F

RGB 74 33 79

HSL 293.48, 0.41%, 0.22%

LAB 20.47, 27.34, -19.99

 

CMYK 5 / 75 / 0 / 76

HEX #390F3C

RGB 57 15 60

HSL 296, 0.6%, 0.15%

LAB 12.85, 27.73, -19.06

 

CMYK 8 / 36 / 0 / 47

HEX #7D5788

RGB 125 87 136

HSL 286.53, 0.22%, 0.44%

LAB 42.69, 24.86, -21.16

 

CMYK 2 / 36 / 0 / 47

HEX #855788

RGB 133 87 136

HSL 296.33, 0.22%, 0.44%

LAB 43.63, 27.58, -19.65

 

CMYK 0 / 36 / 4 / 47

HEX #885783

RGB 136 87 131

HSL 306.12, 0.22%, 0.44%

LAB 43.78, 27.61, -16.35

 

CMYK 0 / 36 / 10 / 47

HEX #88577B

RGB 136 87 123

HSL 315.92, 0.22%, 0.44%

LAB 43.48, 26.09, -11.96

 

CMYK 0 / 36 / 15 / 47

HEX #885773

RGB 136 87 115

HSL 325.71, 0.22%, 0.44%

LAB 43.19, 24.65, -7.52

 

CMYK 8 / 36 / 0 / 47

HEX #7D5788

RGB 125 87 136

HSL 286.53, 0.22%, 0.44%

LAB 42.69, 24.86, -21.16

 

CMYK 8 / 36 / 0 / 27

HEX #AC78BB

RGB 172 120 187

HSL 286.57, 0.33%, 0.6%

LAB 57.84, 32.08, -27.27

 

CMYK 8 / 36 / 0 / 7

HEX #DB98EE

RGB 219 152 238

HSL 286.74, 0.72%, 0.76%

LAB 72.02, 39.45, -33.38

 

CMYK 9 / 35 / 0 / 87

HEX #1F1622

RGB 31 22 34

HSL 285, 0.21%, 0.11%

LAB 8.83, 7.46, -6.61

 

CMYK 8 / 36 / 0 / 67

HEX #4E3655

RGB 78 54 85

HSL 286.45, 0.22%, 0.27%

LAB 26.49, 17.06, -14.57

 

CMYK 8 / 36 / 0 / 47

HEX #7D5788

RGB 125 87 136

HSL 286.53, 0.22%, 0.44%

LAB 42.69, 24.86, -21.16

 

CMYK 0 / 36 / 35 / 47

HEX #885759

RGB 136 87 89

HSL 357.55, 0.22%, 0.44%

LAB 42.42, 20.57, 7.27

 

CMYK 36 / 0 / 23 / 47

HEX #578869

RGB 87 136 105

HSL 142.04, 0.22%, 0.44%

LAB 52.57, -23.66, 11.5

 

CMYK 8 / 36 / 0 / 47

HEX #7D5788

RGB 125 87 136

HSL 286.53, 0.22%, 0.44%

LAB 42.69, 24.86, -21.16

 

CMYK 0 / 8 / 36 / 47

HEX #887D57

RGB 136 125 87

HSL 46.53, 0.22%, 0.44%

LAB 52.5, -1.83, 22.27

 

CMYK 36 / 0 / 8 / 47

HEX #57887D

RGB 87 136 125

HSL 166.53, 0.22%, 0.44%

LAB 53.08, -19.17, 0.66

 

CMYK 8 / 36 / 0 / 47

HEX #7D5788

RGB 125 87 136

HSL 286.53, 0.22%, 0.44%

LAB 42.69, 24.86, -21.16

 

CMYK 0 / 36 / 35 / 47

HEX #885759

RGB 136 87 89

HSL 357.55, 0.22%, 0.44%

LAB 42.42, 20.57, 7.27

 

CMYK 27 / 0 / 36 / 47

HEX #638857

RGB 99 136 87

HSL 105.31, 0.22%, 0.44%

LAB 52.89, -22.79, 22.27

 

CMYK 36 / 0 / 1 / 47

HEX #578887

RGB 87 136 135

HSL 178.78, 0.22%, 0.44%

LAB 53.37, -16.69, -4.72

 

CMYK 8 / 36 / 0 / 47

HEX #7D5788

RGB 125 87 136

HSL 286.53, 0.22%, 0.44%

LAB 42.69, 24.86, -21.16

 

CMYK 0 / 26 / 36 / 47

HEX #886457

RGB 136 100 87

HSL 15.92, 0.22%, 0.44%

LAB 45.68, 12.65, 13.05

 

CMYK 27 / 0 / 36 / 47

HEX #638857

RGB 99 136 87

HSL 105.31, 0.22%, 0.44%

LAB 52.89, -22.79, 22.27

 

CMYK 36 / 10 / 0 / 47

HEX #577B88

RGB 87 123 136

HSL 195.92, 0.22%, 0.44%

LAB 49.46, -9.23, -11.13

 

Description

Color code: HEX #7D5788 | qconv.com Color code: HEX #7D5788 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 87 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 87 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 36 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 36% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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