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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D4157 it is the complementary color #82BEA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D4157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7D4157: #824152, #935365, #A46578, #B5778B and #C6899E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D4157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7D4157: #7D4157, #6C2F44, #5B1D31, #4A0B1E and #39000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 30 / 51

HEX #7D4157

RGB 125 65 87

HSL 338, 0.32%, 0.37%

LAB 35.65, 28.67, -1.43

 

Complementary color

CMYK 32 / 0 / 12 / 25

HEX #82BEA8

RGB 130 190 168

HSL 158, 0.32%, 0.63%

LAB 72.49, -24.13, 4.95

 

CMYK 0 / 50 / 37 / 49

HEX #824152

RGB 130 65 82

HSL 344.31, 0.33%, 0.38%

LAB 36.24, 29.88, 2.69

 

CMYK 0 / 44 / 31 / 42

HEX #935365

RGB 147 83 101

HSL 343.13, 0.28%, 0.45%

LAB 43.26, 28.9, 1.31

 

CMYK 0 / 38 / 27 / 36

HEX #A46578

RGB 164 101 120

HSL 341.9, 0.26%, 0.52%

LAB 50.16, 27.98, 0.16

 

CMYK 0 / 34 / 23 / 29

HEX #B5778B

RGB 181 119 139

HSL 340.65, 0.3%, 0.59%

LAB 56.96, 27.13, -0.83

 

CMYK 0 / 31 / 20 / 22

HEX #C6899E

RGB 198 137 158

HSL 339.34, 0.35%, 0.66%

LAB 63.64, 26.36, -1.71

 

CMYK 0 / 48 / 30 / 51

HEX #7D4157

RGB 125 65 87

HSL 338, 0.32%, 0.37%

LAB 35.65, 28.67, -1.43

 

CMYK 0 / 56 / 37 / 58

HEX #6C2F44

RGB 108 47 68

HSL 339.34, 0.39%, 0.3%

LAB 28.48, 29.6, 0.07

 

CMYK 0 / 68 / 46 / 64

HEX #5B1D31

RGB 91 29 49

HSL 340.65, 0.52%, 0.24%

LAB 21.3, 30.34, 2.16

 

CMYK 0 / 85 / 59 / 71

HEX #4A0B1E

RGB 74 11 30

HSL 341.9, 0.74%, 0.17%

LAB 14.34, 30.31, 5.38

 

CMYK 0 / 100 / 81 / 78

HEX #39000B

RGB 57 0 11

HSL 348.42, 1%, 0.11%

LAB 8.08, 28.2, 8.24

 

CMYK 0 / 48 / 30 / 51

HEX #7D4157

RGB 125 65 87

HSL 338, 0.32%, 0.37%

LAB 35.65, 28.67, -1.43

 

CMYK 0 / 48 / 39 / 51

HEX #7C404C

RGB 124 64 76

HSL 348, 0.32%, 0.37%

LAB 34.95, 27.33, 4.54

 

CMYK 0 / 48 / 47 / 51

HEX #7C4042

RGB 124 64 66

HSL 358, 0.32%, 0.37%

LAB 34.69, 26.11, 10.54

 

CMYK 0 / 42 / 48 / 51

HEX #7C4840

RGB 124 72 64

HSL 8, 0.32%, 0.37%

LAB 36.54, 21.24, 14.33

 

CMYK 0 / 34 / 48 / 51

HEX #7C5240

RGB 124 82 64

HSL 18, 0.32%, 0.37%

LAB 39.05, 15.3, 17.7

 

CMYK 0 / 48 / 30 / 51

HEX #7D4157

RGB 125 65 87

HSL 338, 0.32%, 0.37%

LAB 35.65, 28.67, -1.43

 

CMYK 0 / 48 / 31 / 31

HEX #B05C7A

RGB 176 92 122

HSL 338.57, 0.35%, 0.53%

LAB 49.85, 37.58, -1.31

 

CMYK 0 / 48 / 30 / 11

HEX #E3769E

RGB 227 118 158

HSL 337.98, 0.66%, 0.68%

LAB 63.14, 46.62, -2.03

 

CMYK 0 / 48 / 30 / 91

HEX #170C10

RGB 23 12 16

HSL 338.18, 0.31%, 0.07%

LAB 4.36, 4.9, -0.39

 

CMYK 0 / 49 / 30 / 71

HEX #4A2634

RGB 74 38 52

HSL 336.67, 0.32%, 0.22%

LAB 20.4, 18.98, -1.59

 

CMYK 0 / 48 / 30 / 51

HEX #7D4157

RGB 125 65 87

HSL 338, 0.32%, 0.37%

LAB 35.65, 28.67, -1.43

 

CMYK 0 / 8 / 48 / 51

HEX #7C7240

RGB 124 114 64

HSL 50, 0.32%, 0.37%

LAB 47.87, -3.56, 28.99

 

CMYK 48 / 11 / 0 / 51

HEX #406E7C

RGB 64 110 124

HSL 194, 0.32%, 0.37%

LAB 43.8, -11.68, -12.67

 

CMYK 0 / 48 / 30 / 51

HEX #7D4157

RGB 125 65 87

HSL 338, 0.32%, 0.37%

LAB 35.65, 28.67, -1.43

 

CMYK 31 / 0 / 48 / 51

HEX #567C40

RGB 86 124 64

HSL 98, 0.32%, 0.37%

LAB 47.96, -25.07, 28.46

 

CMYK 48 / 31 / 0 / 51

HEX #40567C

RGB 64 86 124

HSL 218, 0.32%, 0.37%

LAB 36.37, 2.85, -24.09

 

CMYK 0 / 48 / 30 / 51

HEX #7D4157

RGB 125 65 87

HSL 338, 0.32%, 0.37%

LAB 35.65, 28.67, -1.43

 

CMYK 0 / 8 / 48 / 51

HEX #7C7240

RGB 124 114 64

HSL 50, 0.32%, 0.37%

LAB 47.87, -3.56, 28.99

 

CMYK 48 / 0 / 18 / 51

HEX #407C66

RGB 64 124 102

HSL 158, 0.32%, 0.37%

LAB 47.58, -25.18, 6.02

 

CMYK 48 / 40 / 0 / 51

HEX #404A7C

RGB 64 74 124

HSL 230, 0.32%, 0.37%

LAB 32.79, 10.62, -29.7

 

CMYK 0 / 48 / 30 / 51

HEX #7D4157

RGB 125 65 87

HSL 338, 0.32%, 0.37%

LAB 35.65, 28.67, -1.43

 

CMYK 6 / 0 / 48 / 51

HEX #747C40

RGB 116 124 64

HSL 68, 0.32%, 0.37%

LAB 50.1, -12.69, 31.56

 

CMYK 48 / 0 / 18 / 51

HEX #407C66

RGB 64 124 102

HSL 158, 0.32%, 0.37%

LAB 47.58, -25.18, 6.02

 

CMYK 42 / 48 / 0 / 51

HEX #48407C

RGB 72 64 124

HSL 248, 0.32%, 0.37%

LAB 30.64, 19.4, -33.07

 

Description

Color code: HEX #7D4157 | qconv.com Color code: HEX #7D4157 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 65 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 65 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 30 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 30% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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