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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D32A4 it is the complementary color #82CD5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D32A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D32A4 shade: #82329F, #9344B2, #A456C5, #B568D8 and #C67AEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D32A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D32A4 shade: #7D32A4, #6C2091, #5B0E7E, #4A006B and #390058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D32A4 shade: #7D32A4, #9C32A4, #A4328D, #A4326F and #A43250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D32A4 shade: #7D32A4, #5E32A4, #4032A4 and #3232A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D32A4 shade matches the following richer shades: #7D32A4, #8221B5 and #8810C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D32A4 shade: #7D32A4, #784493, #725581, #6D6670 and #67785F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D32A4 shade: #4032A4, #5E32A4, #7C32A4, #9A32A4 and #A4328F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D32A4 shade: #4D1F65, #652984, #7D32A4, #953CC3 and #A65CCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D32A4 shade: #7D32A4, #A43243 and #32A44F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D32A4 shade: #7D32A4, #A47C32 and #32A47C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D32A4 shade: #7D32A4, #A43243, #5AA432 and #32A493

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D32A4 shade: #7D32A4, #A44332, #5AA432 and #3293A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 70 / 0 / 36

HEX #7D32A4

RGB 125 50 164

HSL 279.47, 0.53%, 0.42%

LAB 36.6, 51.08, -47.69

 

Complementary color

CMYK 37 / 0 / 56 / 20

HEX #82CD5B

RGB 130 205 91

HSL 99.47, 0.53%, 0.58%

LAB 75.55, -43.47, 48.8

 

CMYK 18 / 69 / 0 / 38

HEX #82329F

RGB 130 50 159

HSL 284.04, 0.52%, 0.41%

LAB 36.99, 51.12, -44.02

 

CMYK 17 / 62 / 0 / 30

HEX #9344B2

RGB 147 68 178

HSL 283.09, 0.45%, 0.48%

LAB 43.58, 50.8, -44.65

 

CMYK 17 / 56 / 0 / 23

HEX #A456C5

RGB 164 86 197

HSL 282.16, 0.49%, 0.55%

LAB 50.19, 50.2, -45.06

 

CMYK 16 / 52 / 0 / 15

HEX #B568D8

RGB 181 104 216

HSL 281.25, 0.59%, 0.63%

LAB 56.76, 49.46, -45.34

 

CMYK 16 / 48 / 0 / 8

HEX #C67AEB

RGB 198 122 235

HSL 280.35, 0.74%, 0.7%

LAB 63.28, 48.68, -45.55

 

CMYK 24 / 70 / 0 / 36

HEX #7D32A4

RGB 125 50 164

HSL 279.47, 0.53%, 0.42%

LAB 36.6, 51.08, -47.69

 

CMYK 26 / 78 / 0 / 43

HEX #6C2091

RGB 108 32 145

HSL 280.35, 0.64%, 0.35%

LAB 30.07, 50.92, -46.79

 

CMYK 28 / 89 / 0 / 51

HEX #5B0E7E

RGB 91 14 126

HSL 281.25, 0.8%, 0.27%

LAB 23.82, 49.64, -45.2

 

CMYK 31 / 100 / 0 / 58

HEX #4A006B

RGB 74 0 107

HSL 281.5, 1%, 0.21%

LAB 18, 46.6, -42.59

 

CMYK 35 / 100 / 0 / 65

HEX #390058

RGB 57 0 88

HSL 278.86, 1%, 0.17%

LAB 13.07, 40.21, -38.12

 

CMYK 24 / 70 / 0 / 36

HEX #7D32A4

RGB 125 50 164

HSL 279.47, 0.53%, 0.42%

LAB 36.6, 51.08, -47.69

 

CMYK 5 / 70 / 0 / 36

HEX #9C32A4

RGB 156 50 164

HSL 295.79, 0.53%, 0.42%

LAB 41.26, 58.07, -39.96

 

CMYK 0 / 70 / 14 / 36

HEX #A4328D

RGB 164 50 141

HSL 312.11, 0.53%, 0.42%

LAB 41.37, 56.22, -25.82

 

CMYK 0 / 70 / 32 / 36

HEX #A4326F

RGB 164 50 111

HSL 327.89, 0.53%, 0.42%

LAB 40.12, 52.1, -9.24

 

CMYK 0 / 70 / 51 / 36

HEX #A43250

RGB 164 50 80

HSL 344.21, 0.53%, 0.42%

LAB 39.16, 48.83, 8.89

 

CMYK 24 / 70 / 0 / 36

HEX #7D32A4

RGB 125 50 164

HSL 279.47, 0.53%, 0.42%

LAB 36.6, 51.08, -47.69

 

CMYK 43 / 70 / 0 / 36

HEX #5E32A4

RGB 94 50 164

HSL 263.16, 0.53%, 0.42%

LAB 32.57, 44.62, -54.4

 

CMYK 61 / 70 / 0 / 36

HEX #4032A4

RGB 64 50 164

HSL 247.37, 0.53%, 0.42%

LAB 29.54, 39.39, -59.47

 

CMYK 70 / 70 / 0 / 36

HEX #3232A4

RGB 50 50 164

HSL 240, 0.53%, 0.42%

LAB 28.48, 37.47, -61.25

 

CMYK 24 / 70 / 0 / 36

HEX #7D32A4

RGB 125 50 164

HSL 279.47, 0.53%, 0.42%

LAB 36.6, 51.08, -47.69

 

CMYK 28 / 82 / 0 / 29

HEX #8221B5

RGB 130 33 181

HSL 279.32, 0.69%, 0.42%

LAB 36.31, 62.14, -58.27

 

CMYK 32 / 92 / 0 / 22

HEX #8810C7

RGB 136 16 199

HSL 279.34, 0.85%, 0.42%

LAB 37.35, 70.61, -67.13

 

CMYK 24 / 70 / 0 / 36

HEX #7D32A4

RGB 125 50 164

HSL 279.47, 0.53%, 0.42%

LAB 36.6, 51.08, -47.69

 

CMYK 18 / 54 / 0 / 42

HEX #784493

RGB 120 68 147

HSL 279.49, 0.37%, 0.42%

LAB 38.26, 36.8, -34.81

 

CMYK 12 / 34 / 0 / 49

HEX #725581

RGB 114 85 129

HSL 279.55, 0.21%, 0.42%

LAB 40.67, 20.74, -20.14

 

CMYK 3 / 9 / 0 / 56

HEX #6D6670

RGB 109 102 112

HSL 282, 0.05%, 0.42%

LAB 44.12, 4.8, -4.62

 

CMYK 14 / 0 / 21 / 53

HEX #67785F

RGB 103 120 95

HSL 100.8, 0.12%, 0.42%

LAB 48.44, -11.36, 11.68

 

CMYK 61 / 70 / 0 / 36

HEX #4032A4

RGB 64 50 164

HSL 247.37, 0.53%, 0.42%

LAB 29.54, 39.39, -59.47

 

CMYK 43 / 70 / 0 / 36

HEX #5E32A4

RGB 94 50 164

HSL 263.16, 0.53%, 0.42%

LAB 32.57, 44.62, -54.4

 

CMYK 24 / 70 / 0 / 36

HEX #7C32A4

RGB 124 50 164

HSL 278.95, 0.53%, 0.42%

LAB 36.45, 50.86, -47.93

 

CMYK 6 / 70 / 0 / 36

HEX #9A32A4

RGB 154 50 164

HSL 294.74, 0.53%, 0.42%

LAB 40.95, 57.61, -40.48

 

CMYK 0 / 70 / 13 / 36

HEX #A4328F

RGB 164 50 143

HSL 311.05, 0.53%, 0.42%

LAB 41.46, 56.53, -26.89

 

CMYK 24 / 69 / 0 / 60

HEX #4D1F65

RGB 77 31 101

HSL 279.43, 0.53%, 0.26%

LAB 21.93, 34.46, -32.25

 

CMYK 23 / 69 / 0 / 48

HEX #652984

RGB 101 41 132

HSL 279.56, 0.53%, 0.34%

LAB 29.46, 42.63, -39.77

 

CMYK 24 / 70 / 0 / 36

HEX #7D32A4

RGB 125 50 164

HSL 279.47, 0.53%, 0.42%

LAB 36.6, 51.08, -47.69

 

CMYK 24 / 69 / 0 / 24

HEX #953CC3

RGB 149 60 195

HSL 279.56, 0.53%, 0.5%

LAB 43.6, 58.53, -54.56

 

CMYK 19 / 55 / 0 / 20

HEX #A65CCD

RGB 166 92 205

HSL 279.29, 0.53%, 0.58%

LAB 52.03, 49.36, -46.71

 

CMYK 24 / 70 / 0 / 36

HEX #7D32A4

RGB 125 50 164

HSL 279.47, 0.53%, 0.42%

LAB 36.6, 51.08, -47.69

 

CMYK 0 / 70 / 59 / 36

HEX #A43243

RGB 164 50 67

HSL 351.05, 0.53%, 0.42%

LAB 38.86, 47.78, 16.7

 

CMYK 70 / 0 / 52 / 36

HEX #32A44F

RGB 50 164 79

HSL 135.26, 0.53%, 0.42%

LAB 59.7, -50.21, 34.85

 

CMYK 24 / 70 / 0 / 36

HEX #7D32A4

RGB 125 50 164

HSL 279.47, 0.53%, 0.42%

LAB 36.6, 51.08, -47.69

 

CMYK 0 / 24 / 70 / 36

HEX #A47C32

RGB 164 124 50

HSL 38.95, 0.53%, 0.42%

LAB 54.59, 7.72, 44.97

 

CMYK 70 / 0 / 24 / 36

HEX #32A47C

RGB 50 164 124

HSL 158.95, 0.53%, 0.42%

LAB 60.5, -41.41, 11.69

 

CMYK 24 / 70 / 0 / 36

HEX #7D32A4

RGB 125 50 164

HSL 279.47, 0.53%, 0.42%

LAB 36.6, 51.08, -47.69

 

CMYK 0 / 70 / 59 / 36

HEX #A43243

RGB 164 50 67

HSL 351.05, 0.53%, 0.42%

LAB 38.86, 47.78, 16.7

 

CMYK 45 / 0 / 70 / 36

HEX #5AA432

RGB 90 164 50

HSL 98.95, 0.53%, 0.42%

LAB 60.74, -43.29, 49.77

 

CMYK 70 / 0 / 10 / 36

HEX #32A493

RGB 50 164 147

HSL 171.05, 0.53%, 0.42%

LAB 61.08, -35.54, -0.38

 

CMYK 24 / 70 / 0 / 36

HEX #7D32A4

RGB 125 50 164

HSL 279.47, 0.53%, 0.42%

LAB 36.6, 51.08, -47.69

 

CMYK 0 / 59 / 70 / 36

HEX #A44332

RGB 164 67 50

HSL 8.95, 0.53%, 0.42%

LAB 41.43, 39, 30.3

 

CMYK 45 / 0 / 70 / 36

HEX #5AA432

RGB 90 164 50

HSL 98.95, 0.53%, 0.42%

LAB 60.74, -43.29, 49.77

 

CMYK 70 / 10 / 0 / 36

HEX #3293A4

RGB 50 147 164

HSL 188.95, 0.53%, 0.42%

LAB 56.31, -22.19, -17.15

 

Description

Color code: HEX #7D32A4 | qconv.com Color code: HEX #7D32A4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 50 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 50 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 70 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 70% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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