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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32A44F it is the complementary color #CD5BB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32A44F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32A44F shade: #37A44A, #48B65D, #59C870, #6ADA83 and #7BEC96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32A44F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32A44F shade: #32A44F, #21923C, #108029, #006E16 and #005C03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32A44F shade: #32A44F, #34A432, #53A432, #71A432 and #90A432

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32A44F shade: #32A44F, #32A46E, #32A48C, #329DA4 and #327EA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32A44F shade matches the following richer shades: #32A44F, #21B547 and #10C73E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32A44F shade: #32A44F, #449358, #558160, #667069 and #785F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32A44F shade: #53A432, #34A432, #32A44F, #32A46D and #32A48B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32A44F shade: #1F6531, #298440, #32A44F, #3CC35F and #5CCD79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32A44F shade: #32A44F, #3271A4 and #A43243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32A44F shade: #32A44F, #4F32A4 and #A44F32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32A44F shade: #32A44F, #3271A4, #A43287 and #A46532

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32A44F shade: #32A44F, #324FA4, #A43287 and #A48732

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 52 / 36

HEX #32A44F

RGB 50 164 79

HSL 135.26, 0.53%, 0.42%

LAB 59.7, -50.21, 34.85

 

Complementary color

CMYK 0 / 56 / 14 / 20

HEX #CD5BB0

RGB 205 91 176

HSL 315.26, 0.53%, 0.58%

LAB 55.68, 55.3, -23.93

 

CMYK 66 / 0 / 55 / 36

HEX #37A44A

RGB 55 164 74

HSL 130.46, 0.5%, 0.43%

LAB 59.76, -49.97, 37.45

 

CMYK 60 / 0 / 49 / 29

HEX #48B65D

RGB 72 182 93

HSL 131.45, 0.43%, 0.5%

LAB 66.23, -50.38, 36.01

 

CMYK 56 / 0 / 44 / 22

HEX #59C870

RGB 89 200 112

HSL 132.43, 0.5%, 0.57%

LAB 72.63, -50.53, 34.61

 

CMYK 51 / 0 / 40 / 15

HEX #6ADA83

RGB 106 218 131

HSL 133.39, 0.6%, 0.64%

LAB 78.95, -50.51, 33.27

 

CMYK 48 / 0 / 36 / 7

HEX #7BEC96

RGB 123 236 150

HSL 134.34, 0.75%, 0.7%

LAB 85.2, -50.4, 32

 

CMYK 70 / 0 / 52 / 36

HEX #32A44F

RGB 50 164 79

HSL 135.26, 0.53%, 0.42%

LAB 59.7, -50.21, 34.85

 

CMYK 77 / 0 / 59 / 43

HEX #21923C

RGB 33 146 60

HSL 134.34, 0.63%, 0.35%

LAB 53.18, -49.29, 36.38

 

CMYK 88 / 0 / 68 / 50

HEX #108029

RGB 16 128 41

HSL 133.39, 0.78%, 0.28%

LAB 46.59, -47.66, 37.8

 

CMYK 100 / 0 / 80 / 57

HEX #006E16

RGB 0 110 22

HSL 132, 1%, 0.22%

LAB 39.93, -45.14, 38.68

 

CMYK 100 / 0 / 97 / 64

HEX #005C03

RGB 0 92 3

HSL 121.96, 1%, 0.18%

LAB 33.27, -40.73, 38.51

 

CMYK 70 / 0 / 52 / 36

HEX #32A44F

RGB 50 164 79

HSL 135.26, 0.53%, 0.42%

LAB 59.7, -50.21, 34.85

 

CMYK 68 / 0 / 70 / 36

HEX #34A432

RGB 52 164 50

HSL 118.95, 0.53%, 0.42%

LAB 59.44, -53.39, 48.01

 

CMYK 49 / 0 / 70 / 36

HEX #53A432

RGB 83 164 50

HSL 102.63, 0.53%, 0.42%

LAB 60.44, -45.5, 49.37

 

CMYK 31 / 0 / 70 / 36

HEX #71A432

RGB 113 164 50

HSL 86.84, 0.53%, 0.42%

LAB 61.91, -35.16, 51.34

 

CMYK 12 / 0 / 70 / 36

HEX #90A432

RGB 144 164 50

HSL 70.53, 0.53%, 0.42%

LAB 63.93, -22.65, 54.05

 

CMYK 70 / 0 / 52 / 36

HEX #32A44F

RGB 50 164 79

HSL 135.26, 0.53%, 0.42%

LAB 59.7, -50.21, 34.85

 

CMYK 70 / 0 / 33 / 36

HEX #32A46E

RGB 50 164 110

HSL 151.58, 0.53%, 0.42%

LAB 60.21, -44.55, 19.03

 

CMYK 70 / 0 / 15 / 36

HEX #32A48C

RGB 50 164 140

HSL 167.37, 0.53%, 0.42%

LAB 60.89, -37.41, 3.28

 

CMYK 70 / 4 / 0 / 36

HEX #329DA4

RGB 50 157 164

HSL 183.68, 0.53%, 0.42%

LAB 59.41, -27.28, -12.46

 

CMYK 70 / 23 / 0 / 36

HEX #327EA4

RGB 50 126 164

HSL 200, 0.53%, 0.42%

LAB 49.83, -10.73, -27.1

 

CMYK 70 / 0 / 52 / 36

HEX #32A44F

RGB 50 164 79

HSL 135.26, 0.53%, 0.42%

LAB 59.7, -50.21, 34.85

 

CMYK 82 / 0 / 61 / 29

HEX #21B547

RGB 33 181 71

HSL 135.41, 0.69%, 0.42%

LAB 64.82, -59.72, 44.74

 

CMYK 92 / 0 / 69 / 22

HEX #10C73E

RGB 16 199 62

HSL 135.08, 0.85%, 0.42%

LAB 70.39, -67.68, 54.69

 

CMYK 70 / 0 / 52 / 36

HEX #32A44F

RGB 50 164 79

HSL 135.26, 0.53%, 0.42%

LAB 59.7, -50.21, 34.85

 

CMYK 54 / 0 / 40 / 42

HEX #449358

RGB 68 147 88

HSL 135.19, 0.37%, 0.42%

LAB 54.87, -37.81, 24.04

 

CMYK 34 / 0 / 26 / 49

HEX #558160

RGB 85 129 96

HSL 135, 0.21%, 0.42%

LAB 50.07, -22.57, 13.18

 

CMYK 9 / 0 / 6 / 56

HEX #667069

RGB 102 112 105

HSL 138, 0.05%, 0.42%

LAB 46.22, -5.25, 2.59

 

CMYK 0 / 21 / 6 / 53

HEX #785F71

RGB 120 95 113

HSL 316.8, 0.12%, 0.42%

LAB 43.32, 13.44, -6.31

 

CMYK 49 / 0 / 70 / 36

HEX #53A432

RGB 83 164 50

HSL 102.63, 0.53%, 0.42%

LAB 60.44, -45.5, 49.37

 

CMYK 68 / 0 / 70 / 36

HEX #34A432

RGB 52 164 50

HSL 118.95, 0.53%, 0.42%

LAB 59.44, -53.39, 48.01

 

CMYK 70 / 0 / 52 / 36

HEX #32A44F

RGB 50 164 79

HSL 135.26, 0.53%, 0.42%

LAB 59.7, -50.21, 34.85

 

CMYK 70 / 0 / 34 / 36

HEX #32A46D

RGB 50 164 109

HSL 151.05, 0.53%, 0.42%

LAB 60.19, -44.76, 19.55

 

CMYK 70 / 0 / 15 / 36

HEX #32A48B

RGB 50 164 139

HSL 166.84, 0.53%, 0.42%

LAB 60.86, -37.67, 3.8

 

CMYK 69 / 0 / 51 / 60

HEX #1F6531

RGB 31 101 49

HSL 135.43, 0.53%, 0.26%

LAB 37.52, -34.14, 23.14

 

CMYK 69 / 0 / 52 / 48

HEX #298440

RGB 41 132 64

HSL 135.16, 0.53%, 0.34%

LAB 48.69, -42.08, 28.95

 

CMYK 70 / 0 / 52 / 36

HEX #32A44F

RGB 50 164 79

HSL 135.26, 0.53%, 0.42%

LAB 59.7, -50.21, 34.85

 

CMYK 69 / 0 / 51 / 24

HEX #3CC35F

RGB 60 195 95

HSL 135.56, 0.53%, 0.5%

LAB 70.05, -57.32, 39.68

 

CMYK 55 / 0 / 41 / 20

HEX #5CCD79

RGB 92 205 121

HSL 135.4, 0.53%, 0.58%

LAB 74.39, -50.35, 32.32

 

CMYK 70 / 0 / 52 / 36

HEX #32A44F

RGB 50 164 79

HSL 135.26, 0.53%, 0.42%

LAB 59.7, -50.21, 34.85

 

CMYK 70 / 31 / 0 / 36

HEX #3271A4

RGB 50 113 164

HSL 206.84, 0.53%, 0.42%

LAB 45.86, -3.09, -33.3

 

CMYK 0 / 70 / 59 / 36

HEX #A43243

RGB 164 50 67

HSL 351.05, 0.53%, 0.42%

LAB 38.86, 47.78, 16.7

 

CMYK 70 / 0 / 52 / 36

HEX #32A44F

RGB 50 164 79

HSL 135.26, 0.53%, 0.42%

LAB 59.7, -50.21, 34.85

 

CMYK 52 / 70 / 0 / 36

HEX #4F32A4

RGB 79 50 164

HSL 255.26, 0.53%, 0.42%

LAB 30.93, 41.84, -57.14

 

CMYK 0 / 52 / 70 / 36

HEX #A44F32

RGB 164 79 50

HSL 15.26, 0.53%, 0.42%

LAB 43.82, 32.86, 33.08

 

CMYK 70 / 0 / 52 / 36

HEX #32A44F

RGB 50 164 79

HSL 135.26, 0.53%, 0.42%

LAB 59.7, -50.21, 34.85

 

CMYK 70 / 31 / 0 / 36

HEX #3271A4

RGB 50 113 164

HSL 206.84, 0.53%, 0.42%

LAB 45.86, -3.09, -33.3

 

CMYK 0 / 70 / 18 / 36

HEX #A43287

RGB 164 50 135

HSL 315.26, 0.53%, 0.42%

LAB 41.09, 55.33, -22.59

 

CMYK 0 / 38 / 70 / 36

HEX #A46532

RGB 164 101 50

HSL 26.84, 0.53%, 0.42%

LAB 48.8, 20.74, 38.7

 

CMYK 70 / 0 / 52 / 36

HEX #32A44F

RGB 50 164 79

HSL 135.26, 0.53%, 0.42%

LAB 59.7, -50.21, 34.85

 

CMYK 70 / 52 / 0 / 36

HEX #324FA4

RGB 50 79 164

HSL 224.74, 0.53%, 0.42%

LAB 35.89, 18.61, -49.19

 

CMYK 0 / 70 / 18 / 36

HEX #A43287

RGB 164 50 135

HSL 315.26, 0.53%, 0.42%

LAB 41.09, 55.33, -22.59

 

CMYK 0 / 18 / 70 / 36

HEX #A48732

RGB 164 135 50

HSL 44.74, 0.53%, 0.42%

LAB 57.51, 1.56, 48.04

 

Description

Color code: HEX #32A44F | qconv.com Color code: HEX #32A44F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 164 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 164 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 52 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 52% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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