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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CE196 it is the complementary color #831E69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CE196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CE196 shade: #81E191, #92F3A4, #A3FFB7, #B4FFCA and #C5FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CE196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CE196 shade: #7CE196, #6BCF83, #5ABD70, #49AB5D and #38994A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CE196 shade: #7AE194, #7BE17A, #97E17A, #B3E17A and #CEE17A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CE196 shade: #7AE194, #7AE1B0, #7AE1CC, #7ADAE1 and #7ABEE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CE196 shade matches the following richer shades: #7AE194, #6DEE8E and #60FB88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CE196 shade: #7AE194, #87D49B, #94C6A1, #A2B9A8 and #AFACAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CE196 shade: #97E17A, #7CE17A, #7AE194, #7AE1AF and #7AE1CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CE196 shade: #37D25F, #58D97A, #7AE194, #9CE8AF and #BDF0CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CE196 shade: #7CE196, #7AB3E1 and #E17A89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CE196 shade: #7CE196, #947AE1 and #E1947A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CE196 shade: #7CE196, #7AB3E1, #E17AC7 and #E1A87A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CE196 shade: #7CE196, #7A94E1, #E17AC7 and #E1C77A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 33 / 12

HEX #7CE196

RGB 124 225 150

HSL 135.45, 0.63%, 0.68%

LAB 82.02, -45.51, 27.76

 

Complementary color

CMYK 0 / 77 / 20 / 49

HEX #831E69

RGB 131 30 105

HSL 315.45, 0.63%, 0.32%

LAB 31.29, 49.59, -19.47

 

CMYK 43 / 0 / 36 / 12

HEX #81E191

RGB 129 225 145

HSL 130, 0.62%, 0.69%

LAB 82.14, -44.96, 30.52

 

CMYK 40 / 0 / 33 / 5

HEX #92F3A4

RGB 146 243 164

HSL 131.13, 0.8%, 0.76%

LAB 88.4, -44.73, 29.35

 

CMYK 36 / 0 / 28 / 0

HEX #A3FFB7

RGB 163 255 183

HSL 133.04, 1%, 0.82%

LAB 92.89, -41.86, 25.96

 

CMYK 29 / 0 / 21 / 0

HEX #B4FFCA

RGB 180 255 202

HSL 137.6, 1%, 0.85%

LAB 94.09, -33.47, 18.08

 

CMYK 23 / 0 / 13 / 0

HEX #C5FFDD

RGB 197 255 221

HSL 144.83, 1%, 0.89%

LAB 95.42, -24.8, 10.34

 

CMYK 45 / 0 / 33 / 12

HEX #7CE196

RGB 124 225 150

HSL 135.45, 0.63%, 0.68%

LAB 82.02, -45.51, 27.76

 

CMYK 48 / 0 / 37 / 19

HEX #6BCF83

RGB 107 207 131

HSL 134.4, 0.51%, 0.62%

LAB 75.69, -45.69, 28.98

 

CMYK 52 / 0 / 41 / 26

HEX #5ABD70

RGB 90 189 112

HSL 133.33, 0.43%, 0.55%

LAB 69.28, -45.8, 30.28

 

CMYK 57 / 0 / 46 / 33

HEX #49AB5D

RGB 73 171 93

HSL 132.24, 0.4%, 0.48%

LAB 62.79, -45.79, 31.67

 

CMYK 63 / 0 / 52 / 40

HEX #38994A

RGB 56 153 74

HSL 131.13, 0.46%, 0.41%

LAB 56.21, -45.56, 33.12

 

CMYK 46 / 0 / 34 / 12

HEX #7AE194

RGB 122 225 148

HSL 135.15, 0.63%, 0.68%

LAB 81.91, -46.39, 28.62

 

CMYK 45 / 0 / 46 / 12

HEX #7BE17A

RGB 123 225 122

HSL 119.42, 0.63%, 0.68%

LAB 81.55, -50.17, 41.22

 

CMYK 33 / 0 / 46 / 12

HEX #97E17A

RGB 151 225 122

HSL 103.11, 0.63%, 0.68%

LAB 82.83, -41.54, 43.1

 

CMYK 20 / 0 / 46 / 12

HEX #B3E17A

RGB 179 225 122

HSL 86.8, 0.63%, 0.68%

LAB 84.4, -31.77, 45.4

 

CMYK 8 / 0 / 46 / 12

HEX #CEE17A

RGB 206 225 122

HSL 71.07, 0.63%, 0.68%

LAB 86.19, -21.6, 48.02

 

CMYK 46 / 0 / 34 / 12

HEX #7AE194

RGB 122 225 148

HSL 135.15, 0.63%, 0.68%

LAB 81.91, -46.39, 28.62

 

CMYK 46 / 0 / 22 / 12

HEX #7AE1B0

RGB 122 225 176

HSL 151.46, 0.63%, 0.68%

LAB 82.44, -41.13, 14.8

 

CMYK 46 / 0 / 9 / 12

HEX #7AE1CC

RGB 122 225 204

HSL 167.77, 0.63%, 0.68%

LAB 83.1, -35.01, 0.96

 

CMYK 46 / 3 / 0 / 12

HEX #7ADAE1

RGB 122 218 225

HSL 184.08, 0.63%, 0.68%

LAB 81.68, -26.54, -12.28

 

CMYK 46 / 16 / 0 / 12

HEX #7ABEE1

RGB 122 190 225

HSL 200.39, 0.63%, 0.68%

LAB 73.8, -12.3, -24.18

 

CMYK 46 / 0 / 34 / 12

HEX #7AE194

RGB 122 225 148

HSL 135.15, 0.63%, 0.68%

LAB 81.91, -46.39, 28.62

 

CMYK 54 / 0 / 40 / 7

HEX #6DEE8E

RGB 109 238 142

HSL 135.35, 0.79%, 0.68%

LAB 85.18, -55.98, 35.89

 

CMYK 62 / 0 / 46 / 2

HEX #60FB88

RGB 96 251 136

HSL 135.48, 0.95%, 0.68%

LAB 88.57, -64.64, 43.13

 

CMYK 46 / 0 / 34 / 12

HEX #7AE194

RGB 122 225 148

HSL 135.15, 0.63%, 0.68%

LAB 81.91, -46.39, 28.62

 

CMYK 36 / 0 / 27 / 17

HEX #87D49B

RGB 135 212 155

HSL 135.58, 0.47%, 0.68%

LAB 78.81, -35.7, 20.87

 

CMYK 25 / 0 / 19 / 22

HEX #94C6A1

RGB 148 198 161

HSL 135.6, 0.3%, 0.68%

LAB 75.61, -23.84, 13.32

 

CMYK 12 / 0 / 9 / 27

HEX #A2B9A8

RGB 162 185 168

HSL 135.65, 0.14%, 0.68%

LAB 73.03, -11.19, 5.97

 

CMYK 0 / 2 / 1 / 31

HEX #AFACAE

RGB 175 172 174

HSL 320, 0.02%, 0.68%

LAB 70.65, 1.44, -0.65

 

CMYK 33 / 0 / 46 / 12

HEX #97E17A

RGB 151 225 122

HSL 103.11, 0.63%, 0.68%

LAB 82.83, -41.54, 43.1

 

CMYK 45 / 0 / 46 / 12

HEX #7CE17A

RGB 124 225 122

HSL 118.83, 0.63%, 0.68%

LAB 81.59, -49.89, 41.28

 

CMYK 46 / 0 / 34 / 12

HEX #7AE194

RGB 122 225 148

HSL 135.15, 0.63%, 0.68%

LAB 81.91, -46.39, 28.62

 

CMYK 46 / 0 / 22 / 12

HEX #7AE1AF

RGB 122 225 175

HSL 150.87, 0.63%, 0.68%

LAB 82.42, -41.33, 15.29

 

CMYK 46 / 0 / 10 / 12

HEX #7AE1CB

RGB 122 225 203

HSL 167.18, 0.63%, 0.68%

LAB 83.07, -35.24, 1.46

 

CMYK 74 / 0 / 55 / 18

HEX #37D25F

RGB 55 210 95

HSL 135.48, 0.63%, 0.52%

LAB 74.66, -63.34, 45.26

 

CMYK 59 / 0 / 44 / 15

HEX #58D97A

RGB 88 217 122

HSL 135.81, 0.63%, 0.6%

LAB 77.94, -55.8, 36.38

 

CMYK 46 / 0 / 34 / 12

HEX #7AE194

RGB 122 225 148

HSL 135.15, 0.63%, 0.68%

LAB 81.91, -46.39, 28.62

 

CMYK 33 / 0 / 25 / 9

HEX #9CE8AF

RGB 156 232 175

HSL 135, 0.62%, 0.76%

LAB 85.94, -34.97, 20.44

 

CMYK 21 / 0 / 16 / 6

HEX #BDF0CA

RGB 189 240 202

HSL 135.29, 0.63%, 0.84%

LAB 90.51, -23.58, 13.09

 

CMYK 45 / 0 / 33 / 12

HEX #7CE196

RGB 124 225 150

HSL 135.45, 0.63%, 0.68%

LAB 82.02, -45.51, 27.76

 

CMYK 46 / 20 / 0 / 12

HEX #7AB3E1

RGB 122 179 225

HSL 206.8, 0.63%, 0.68%

LAB 70.74, -6.4, -28.87

 

CMYK 0 / 46 / 39 / 12

HEX #E17A89

RGB 225 122 137

HSL 351.26, 0.63%, 0.68%

LAB 63.12, 41.38, 9.92

 

CMYK 45 / 0 / 33 / 12

HEX #7CE196

RGB 124 225 150

HSL 135.45, 0.63%, 0.68%

LAB 82.02, -45.51, 27.76

 

CMYK 34 / 46 / 0 / 12

HEX #947AE1

RGB 148 122 225

HSL 255.15, 0.63%, 0.68%

LAB 57.7, 32.89, -49.13

 

CMYK 0 / 34 / 46 / 12

HEX #E1947A

RGB 225 148 122

HSL 15.15, 0.63%, 0.68%

LAB 68.46, 26.11, 25.68

 

CMYK 45 / 0 / 33 / 12

HEX #7CE196

RGB 124 225 150

HSL 135.45, 0.63%, 0.68%

LAB 82.02, -45.51, 27.76

 

CMYK 46 / 20 / 0 / 12

HEX #7AB3E1

RGB 122 179 225

HSL 206.8, 0.63%, 0.68%

LAB 70.74, -6.4, -28.87

 

CMYK 0 / 46 / 12 / 12

HEX #E17AC7

RGB 225 122 199

HSL 315.15, 0.63%, 0.68%

LAB 65, 49.91, -22.52

 

CMYK 0 / 25 / 46 / 12

HEX #E1A87A

RGB 225 168 122

HSL 26.8, 0.63%, 0.68%

LAB 73.17, 15.4, 31.89

 

CMYK 45 / 0 / 33 / 12

HEX #7CE196

RGB 124 225 150

HSL 135.45, 0.63%, 0.68%

LAB 82.02, -45.51, 27.76

 

CMYK 46 / 34 / 0 / 12

HEX #7A94E1

RGB 122 148 225

HSL 224.85, 0.63%, 0.68%

LAB 62.3, 11.09, -42

 

CMYK 0 / 46 / 12 / 12

HEX #E17AC7

RGB 225 122 199

HSL 315.15, 0.63%, 0.68%

LAB 65, 49.91, -22.52

 

CMYK 0 / 12 / 46 / 12

HEX #E1C77A

RGB 225 199 122

HSL 44.85, 0.63%, 0.68%

LAB 80.88, -0.97, 41.76

 

Description

Color code: HEX #7CE196 | qconv.com Color code: HEX #7CE196 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 225 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 225 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 33 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 33% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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