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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A94E1 it is the complementary color #856B1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A94E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7A94E1: #7F94DC, #90A6EF, #A1B8FF, #B2CAFF and #C3DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A94E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7A94E1: #7A94E1, #6982CE, #5870BB, #475EA8 and #364C95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 34 / 0 / 12

HEX #7A94E1

RGB 122 148 225

HSL 224.85, 0.63%, 0.68%

LAB 62.3, 11.09, -42

 

Complementary color

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 42 / 33 / 0 / 14

HEX #7F94DC

RGB 127 148 220

HSL 226.45, 0.57%, 0.68%

LAB 62.39, 10.9, -39.06

 

CMYK 40 / 31 / 0 / 6

HEX #90A6EF

RGB 144 166 239

HSL 226.11, 0.75%, 0.75%

LAB 69.06, 10.27, -39.02

 

CMYK 37 / 28 / 0 / 0

HEX #A1B8FF

RGB 161 184 255

HSL 225.32, 1%, 0.82%

LAB 75.5, 8.93, -37.58

 

CMYK 30 / 21 / 0 / 0

HEX #B2CAFF

RGB 178 202 255

HSL 221.3, 1%, 0.85%

LAB 81.25, 3.77, -28.62

 

CMYK 24 / 14 / 0 / 0

HEX #C3DCFF

RGB 195 220 255

HSL 215, 1%, 0.88%

LAB 87, -0.87, -19.78

 

CMYK 46 / 34 / 0 / 12

HEX #7A94E1

RGB 122 148 225

HSL 224.85, 0.63%, 0.68%

LAB 62.3, 11.09, -42

 

CMYK 49 / 37 / 0 / 19

HEX #6982CE

RGB 105 130 206

HSL 225.15, 0.51%, 0.61%

LAB 55.51, 11.92, -42.12

 

CMYK 53 / 40 / 0 / 27

HEX #5870BB

RGB 88 112 187

HSL 225.45, 0.42%, 0.54%

LAB 48.57, 12.92, -42.3

 

CMYK 58 / 44 / 0 / 34

HEX #475EA8

RGB 71 94 168

HSL 225.77, 0.41%, 0.47%

LAB 41.49, 14.17, -42.52

 

CMYK 64 / 49 / 0 / 42

HEX #364C95

RGB 54 76 149

HSL 226.11, 0.47%, 0.4%

LAB 34.24, 15.75, -42.8

 

CMYK 46 / 34 / 0 / 12

HEX #7A94E1

RGB 122 148 225

HSL 224.85, 0.63%, 0.68%

LAB 62.3, 11.09, -42

 

CMYK 46 / 41 / 0 / 12

HEX #7984E0

RGB 121 132 224

HSL 233.59, 0.62%, 0.68%

LAB 57.99, 19.96, -48.25

 

CMYK 43 / 46 / 0 / 12

HEX #8079E0

RGB 128 121 224

HSL 244.08, 0.62%, 0.68%

LAB 55.73, 28.17, -51.81

 

CMYK 35 / 46 / 0 / 12

HEX #9179E0

RGB 145 121 224

HSL 253.98, 0.62%, 0.68%

LAB 57.15, 32.42, -49.46

 

CMYK 27 / 46 / 0 / 12

HEX #A379E0

RGB 163 121 224

HSL 264.47, 0.62%, 0.68%

LAB 58.83, 37.19, -46.7

 

CMYK 46 / 34 / 0 / 12

HEX #7A94E1

RGB 122 148 225

HSL 224.85, 0.63%, 0.68%

LAB 62.3, 11.09, -42

 

CMYK 48 / 33 / 0 / 92

HEX #0B0E15

RGB 11 14 21

HSL 222, 0.31%, 0.06%

LAB 3.97, 0.52, -4.19

 

CMYK 46 / 35 / 0 / 72

HEX #272F48

RGB 39 47 72

HSL 225.45, 0.3%, 0.22%

LAB 19.77, 4.23, -16.64

 

CMYK 46 / 34 / 0 / 52

HEX #43517B

RGB 67 81 123

HSL 225, 0.29%, 0.37%

LAB 35.02, 6.56, -25.56

 

CMYK 46 / 34 / 0 / 32

HEX #5E72AE

RGB 94 114 174

HSL 225, 0.33%, 0.53%

LAB 48.85, 9.06, -34.3

 

CMYK 46 / 34 / 0 / 12

HEX #7A94E1

RGB 122 148 225

HSL 224.85, 0.63%, 0.68%

LAB 62.3, 11.09, -42

 

CMYK 3 / 46 / 0 / 12

HEX #D979E0

RGB 217 121 224

HSL 295.92, 0.62%, 0.68%

LAB 64.81, 52.35, -36.88

 

CMYK 15 / 0 / 46 / 12

HEX #BEE079

RGB 190 224 121

HSL 79.81, 0.62%, 0.68%

LAB 84.81, -27.33, 46.55

 

CMYK 46 / 34 / 0 / 12

HEX #7A94E1

RGB 122 148 225

HSL 224.85, 0.63%, 0.68%

LAB 62.3, 11.09, -42

 

CMYK 0 / 46 / 33 / 12

HEX #E07995

RGB 224 121 149

HSL 343.69, 0.62%, 0.68%

LAB 63.09, 42.95, 2.99

 

CMYK 33 / 0 / 46 / 12

HEX #95E079

RGB 149 224 121

HSL 103.69, 0.62%, 0.68%

LAB 82.42, -41.89, 43.06

 

CMYK 46 / 34 / 0 / 12

HEX #7A94E1

RGB 122 148 225

HSL 224.85, 0.63%, 0.68%

LAB 62.3, 11.09, -42

 

CMYK 3 / 46 / 0 / 12

HEX #D979E0

RGB 217 121 224

HSL 295.92, 0.62%, 0.68%

LAB 64.81, 52.35, -36.88

 

CMYK 0 / 12 / 46 / 12

HEX #E0C579

RGB 224 197 121

HSL 44.27, 0.62%, 0.68%

LAB 80.27, -0.44, 41.48

 

CMYK 43 / 0 / 46 / 12

HEX #80E079

RGB 128 224 121

HSL 115.92, 0.62%, 0.68%

LAB 81.45, -48.45, 41.63

 

CMYK 46 / 34 / 0 / 12

HEX #7A94E1

RGB 122 148 225

HSL 224.85, 0.63%, 0.68%

LAB 62.3, 11.09, -42

 

CMYK 0 / 46 / 11 / 12

HEX #E079C8

RGB 224 121 200

HSL 313.98, 0.62%, 0.68%

LAB 64.72, 50.26, -23.53

 

CMYK 0 / 12 / 46 / 12

HEX #E0C579

RGB 224 197 121

HSL 44.27, 0.62%, 0.68%

LAB 80.27, -0.44, 41.48

 

CMYK 46 / 0 / 35 / 12

HEX #79E091

RGB 121 224 145

HSL 133.98, 0.62%, 0.68%

LAB 81.52, -46.75, 29.63

 

Description

Color code: HEX #7A94E1 | qconv.com Color code: HEX #7A94E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 148 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 148 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 34 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 34% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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