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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BDE39 it is the complementary color #8421C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BDE39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7BDE39: #80DE34, #91F047, #A2FF5A, #B3FF6D and #C4FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BDE39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7BDE39: #7BDE39, #6ACC26, #59BA13, #48A800 and #379600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 74 / 13

HEX #7BDE39

RGB 123 222 57

HSL 96, 0.71%, 0.55%

LAB 80.04, -55.48, 67.16

 

Complementary color

CMYK 33 / 83 / 0 / 22

HEX #8421C6

RGB 132 33 198

HSL 276, 0.71%, 0.45%

LAB 37.97, 66.02, -65.56

 

CMYK 42 / 0 / 77 / 13

HEX #80DE34

RGB 128 222 52

HSL 93.18, 0.72%, 0.54%

LAB 80.22, -54.2, 68.99

 

CMYK 40 / 0 / 70 / 6

HEX #91F047

RGB 145 240 71

HSL 93.73, 0.85%, 0.61%

LAB 86.4, -54.67, 69.03

 

CMYK 36 / 0 / 65 / 0

HEX #A2FF5A

RGB 162 255 90

HSL 93.82, 1%, 0.68%

LAB 91.66, -53.78, 67.66

 

CMYK 30 / 0 / 57 / 0

HEX #B3FF6D

RGB 179 255 109

HSL 91.23, 1%, 0.71%

LAB 92.67, -46.47, 61.2

 

CMYK 23 / 0 / 50 / 0

HEX #C4FF80

RGB 196 255 128

HSL 87.87, 1%, 0.75%

LAB 93.8, -38.68, 54.29

 

CMYK 45 / 0 / 74 / 13

HEX #7BDE39

RGB 123 222 57

HSL 96, 0.71%, 0.55%

LAB 80.04, -55.48, 67.16

 

CMYK 48 / 0 / 81 / 20

HEX #6ACC26

RGB 106 204 38

HSL 95.42, 0.69%, 0.47%

LAB 73.8, -54.82, 66.69

 

CMYK 52 / 0 / 90 / 27

HEX #59BA13

RGB 89 186 19

HSL 94.85, 0.81%, 0.4%

LAB 67.49, -53.84, 65.13

 

CMYK 57 / 0 / 100 / 34

HEX #48A800

RGB 72 168 0

HSL 94.29, 1%, 0.33%

LAB 61.12, -52.5, 62.35

 

CMYK 63 / 0 / 100 / 41

HEX #379600

RGB 55 150 0

HSL 98, 1%, 0.29%

LAB 54.68, -50.53, 57.03

 

CMYK 45 / 0 / 74 / 13

HEX #7BDE39

RGB 123 222 57

HSL 96, 0.71%, 0.55%

LAB 80.04, -55.48, 67.16

 

CMYK 57 / 0 / 74 / 13

HEX #60DD3A

RGB 96 221 58

HSL 106.01, 0.71%, 0.55%

LAB 78.76, -62.62, 65.23

 

CMYK 69 / 0 / 74 / 13

HEX #45DD3A

RGB 69 221 58

HSL 115.95, 0.71%, 0.55%

LAB 78.04, -68.46, 64.28

 

CMYK 74 / 0 / 66 / 13

HEX #3ADD4B

RGB 58 221 75

HSL 126.26, 0.71%, 0.55%

LAB 77.95, -68.83, 57.8

 

CMYK 74 / 0 / 54 / 13

HEX #3ADD66

RGB 58 221 102

HSL 136.2, 0.71%, 0.55%

LAB 78.21, -65.65, 46.28

 

CMYK 45 / 0 / 74 / 13

HEX #7BDE39

RGB 123 222 57

HSL 96, 0.71%, 0.55%

LAB 80.04, -55.48, 67.16

 

CMYK 44 / 0 / 72 / 93

HEX #0A1205

RGB 10 18 5

HSL 96.92, 0.57%, 0.05%

LAB 4.59, -4.67, 4.73

 

CMYK 45 / 0 / 74 / 73

HEX #264512

RGB 38 69 18

HSL 96.47, 0.59%, 0.17%

LAB 25.9, -21.94, 26.27

 

CMYK 45 / 0 / 74 / 53

HEX #42781F

RGB 66 120 31

HSL 96.4, 0.59%, 0.3%

LAB 45.21, -34.16, 41.06

 

CMYK 44 / 0 / 74 / 33

HEX #5FAB2C

RGB 95 171 44

HSL 95.91, 0.59%, 0.42%

LAB 63.13, -44.98, 54.56

 

CMYK 45 / 0 / 74 / 13

HEX #7BDE39

RGB 123 222 57

HSL 96, 0.71%, 0.55%

LAB 80.04, -55.48, 67.16

 

CMYK 74 / 0 / 14 / 13

HEX #3ADDBD

RGB 58 221 189

HSL 168.22, 0.71%, 0.55%

LAB 79.78, -48.45, 3.88

 

CMYK 0 / 74 / 14 / 13

HEX #DD3ABD

RGB 221 58 189

HSL 311.78, 0.71%, 0.55%

LAB 54.1, 74.13, -33.71

 

CMYK 45 / 0 / 74 / 13

HEX #7BDE39

RGB 123 222 57

HSL 96, 0.71%, 0.55%

LAB 80.04, -55.48, 67.16

 

CMYK 74 / 44 / 0 / 13

HEX #3A7BDD

RGB 58 123 221

HSL 216.07, 0.71%, 0.55%

LAB 52.16, 12.64, -56.05

 

CMYK 0 / 74 / 44 / 13

HEX #DD3A7B

RGB 221 58 123

HSL 336.07, 0.71%, 0.55%

LAB 51.64, 66.5, 1.58

 

CMYK 45 / 0 / 74 / 13

HEX #7BDE39

RGB 123 222 57

HSL 96, 0.71%, 0.55%

LAB 80.04, -55.48, 67.16

 

CMYK 74 / 0 / 14 / 13

HEX #3ADDBD

RGB 58 221 189

HSL 168.22, 0.71%, 0.55%

LAB 79.78, -48.45, 3.88

 

CMYK 29 / 74 / 0 / 13

HEX #9C3ADD

RGB 156 58 221

HSL 276.07, 0.71%, 0.55%

LAB 46.06, 66.27, -65.51

 

CMYK 0 / 74 / 59 / 13

HEX #DD3A5B

RGB 221 58 91

HSL 347.85, 0.71%, 0.55%

LAB 50.87, 63.98, 19.82

 

CMYK 45 / 0 / 74 / 13

HEX #7BDE39

RGB 123 222 57

HSL 96, 0.71%, 0.55%

LAB 80.04, -55.48, 67.16

 

CMYK 74 / 7 / 0 / 13

HEX #3ACDDD

RGB 58 205 221

HSL 185.89, 0.71%, 0.55%

LAB 75.94, -32.42, -18.97

 

CMYK 29 / 74 / 0 / 13

HEX #9C3ADD

RGB 156 58 221

HSL 276.07, 0.71%, 0.55%

LAB 46.06, 66.27, -65.51

 

CMYK 0 / 66 / 74 / 13

HEX #DD4B3A

RGB 221 75 58

HSL 6.26, 0.71%, 0.55%

LAB 52.63, 55.95, 41.15

 

Description

Color code: HEX #7BDE39 | qconv.com Color code: HEX #7BDE39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 222 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 222 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 74 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 74% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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