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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BA787 it is the complementary color #845878. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BA787. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7BA787: #80A782, #91B995, #A2CBA8, #B3DDBB and #C4EFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BA787. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7BA787: #7BA787, #6A9574, #598361, #48714E and #375F3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 19 / 35

HEX #7BA787

RGB 123 167 135

HSL 136.36, 0.2%, 0.57%

LAB 64.64, -21.53, 11.83

 

Complementary color

CMYK 0 / 33 / 9 / 48

HEX #845878

RGB 132 88 120

HSL 316.36, 0.2%, 0.43%

LAB 43.12, 23.49, -10.72

 

CMYK 23 / 0 / 22 / 35

HEX #80A782

RGB 128 167 130

HSL 123.08, 0.18%, 0.58%

LAB 64.83, -20.76, 14.91

 

CMYK 22 / 0 / 19 / 27

HEX #91B995

RGB 145 185 149

HSL 126, 0.22%, 0.65%

LAB 71.48, -20.56, 13.96

 

CMYK 20 / 0 / 17 / 20

HEX #A2CBA8

RGB 162 203 168

HSL 128.78, 0.28%, 0.72%

LAB 78, -20.39, 13.06

 

CMYK 19 / 0 / 15 / 13

HEX #B3DDBB

RGB 179 221 187

HSL 131.43, 0.38%, 0.78%

LAB 84.42, -20.24, 12.22

 

CMYK 18 / 0 / 14 / 6

HEX #C4EFCE

RGB 196 239 206

HSL 133.95, 0.57%, 0.85%

LAB 90.75, -20.11, 11.41

 

CMYK 26 / 0 / 19 / 35

HEX #7BA787

RGB 123 167 135

HSL 136.36, 0.2%, 0.57%

LAB 64.64, -21.53, 11.83

 

CMYK 29 / 0 / 22 / 42

HEX #6A9574

RGB 106 149 116

HSL 133.95, 0.17%, 0.5%

LAB 57.87, -21.77, 12.8

 

CMYK 32 / 0 / 26 / 49

HEX #598361

RGB 89 131 97

HSL 131.43, 0.19%, 0.43%

LAB 50.94, -22.04, 13.85

 

CMYK 36 / 0 / 31 / 56

HEX #48714E

RGB 72 113 78

HSL 128.78, 0.22%, 0.36%

LAB 43.85, -22.32, 15.01

 

CMYK 42 / 0 / 38 / 63

HEX #375F3B

RGB 55 95 59

HSL 126, 0.27%, 0.29%

LAB 36.58, -22.61, 16.3

 

CMYK 26 / 0 / 19 / 35

HEX #7BA787

RGB 123 167 135

HSL 136.36, 0.2%, 0.57%

LAB 64.64, -21.53, 11.83

 

CMYK 26 / 0 / 15 / 35

HEX #7BA78E

RGB 123 167 142

HSL 145.91, 0.2%, 0.57%

LAB 64.8, -20.14, 8.17

 

CMYK 26 / 0 / 11 / 35

HEX #7BA795

RGB 123 167 149

HSL 155.45, 0.2%, 0.57%

LAB 64.98, -18.69, 4.52

 

CMYK 26 / 0 / 6 / 35

HEX #7BA79D

RGB 123 167 157

HSL 166.36, 0.2%, 0.57%

LAB 65.19, -16.96, 0.37

 

CMYK 26 / 0 / 2 / 35

HEX #7BA7A4

RGB 123 167 164

HSL 175.91, 0.2%, 0.57%

LAB 65.38, -15.38, -3.26

 

CMYK 26 / 0 / 19 / 35

HEX #7BA787

RGB 123 167 135

HSL 136.36, 0.2%, 0.57%

LAB 64.64, -21.53, 11.83

 

CMYK 26 / 0 / 19 / 15

HEX #A1DAB0

RGB 161 218 176

HSL 135.79, 0.44%, 0.74%

LAB 82.3, -26.63, 14.86

 

CMYK 29 / 0 / 21 / 95

HEX #0A0E0B

RGB 10 14 11

HSL 135, 0.17%, 0.05%

LAB 3.64, -1.65, 0.89

 

CMYK 26 / 0 / 18 / 75

HEX #304135

RGB 48 65 53

HSL 137.65, 0.15%, 0.22%

LAB 25.76, -9.76, 5.12

 

CMYK 27 / 0 / 19 / 55

HEX #55745E

RGB 85 116 94

HSL 137.42, 0.15%, 0.39%

LAB 45.95, -16.1, 8.59

 

CMYK 26 / 0 / 19 / 35

HEX #7BA787

RGB 123 167 135

HSL 136.36, 0.2%, 0.57%

LAB 64.64, -21.53, 11.83

 

CMYK 26 / 13 / 0 / 35

HEX #7B92A7

RGB 123 146 167

HSL 208.64, 0.2%, 0.57%

LAB 59.49, -3.23, -13.73

 

CMYK 0 / 26 / 23 / 35

HEX #A77B81

RGB 167 123 129

HSL 351.82, 0.2%, 0.57%

LAB 56.05, 18.03, 3.46

 

CMYK 26 / 0 / 19 / 35

HEX #7BA787

RGB 123 167 135

HSL 136.36, 0.2%, 0.57%

LAB 64.64, -21.53, 11.83

 

CMYK 19 / 26 / 0 / 35

HEX #877BA7

RGB 135 123 167

HSL 256.36, 0.2%, 0.57%

LAB 54.14, 13.92, -21.78

 

CMYK 0 / 19 / 26 / 35

HEX #A7877B

RGB 167 135 123

HSL 16.36, 0.2%, 0.57%

LAB 58.95, 10.33, 11.05

 

CMYK 26 / 0 / 19 / 35

HEX #7BA787

RGB 123 167 135

HSL 136.36, 0.2%, 0.57%

LAB 64.64, -21.53, 11.83

 

CMYK 26 / 13 / 0 / 35

HEX #7B92A7

RGB 123 146 167

HSL 208.64, 0.2%, 0.57%

LAB 59.49, -3.23, -13.73

 

CMYK 0 / 26 / 7 / 35

HEX #A77B9B

RGB 167 123 155

HSL 316.36, 0.2%, 0.57%

LAB 56.83, 22.44, -10.47

 

CMYK 0 / 14 / 26 / 35

HEX #A78F7B

RGB 167 143 123

HSL 27.27, 0.2%, 0.57%

LAB 61.04, 5.84, 13.98

 

CMYK 26 / 0 / 19 / 35

HEX #7BA787

RGB 123 167 135

HSL 136.36, 0.2%, 0.57%

LAB 64.64, -21.53, 11.83

 

CMYK 26 / 20 / 0 / 35

HEX #7B85A7

RGB 123 133 167

HSL 226.36, 0.2%, 0.57%

LAB 55.86, 4.2, -19.23

 

CMYK 0 / 26 / 7 / 35

HEX #A77B9B

RGB 167 123 155

HSL 316.36, 0.2%, 0.57%

LAB 56.83, 22.44, -10.47

 

CMYK 0 / 6 / 26 / 35

HEX #A79D7B

RGB 167 157 123

HSL 46.36, 0.2%, 0.57%

LAB 64.77, -1.89, 19.14

 

Description

Color code: HEX #7BA787 | qconv.com Color code: HEX #7BA787 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 167 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 167 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 19 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 19% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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