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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B772E it is the complementary color #8488D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B772E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7B772E: #807729, #91893C, #A29B4F, #B3AD62 and #C4BF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B772E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7B772E: #7B772E, #6A651B, #595308, #484100 and #372F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 63 / 52

HEX #7B772E

RGB 123 119 46

HSL 56.88, 0.46%, 0.33%

LAB 49.01, -8.47, 39.63

 

Complementary color

CMYK 37 / 35 / 0 / 18

HEX #8488D1

RGB 132 136 209

HSL 236.88, 0.46%, 0.67%

LAB 59.08, 16.15, -38.07

 

CMYK 0 / 7 / 68 / 50

HEX #807729

RGB 128 119 41

HSL 53.79, 0.51%, 0.33%

LAB 49.43, -6.52, 42.53

 

CMYK 0 / 6 / 59 / 43

HEX #91893C

RGB 145 137 60

HSL 54.35, 0.41%, 0.4%

LAB 56.32, -7.38, 41.55

 

CMYK 0 / 4 / 51 / 36

HEX #A29B4F

RGB 162 155 79

HSL 54.94, 0.34%, 0.47%

LAB 63.08, -8.06, 40.37

 

CMYK 0 / 3 / 45 / 30

HEX #B3AD62

RGB 179 173 98

HSL 55.56, 0.35%, 0.54%

LAB 69.72, -8.6, 39.13

 

CMYK 0 / 3 / 40 / 23

HEX #C4BF75

RGB 196 191 117

HSL 56.2, 0.4%, 0.61%

LAB 76.24, -9.04, 37.92

 

CMYK 0 / 3 / 63 / 52

HEX #7B772E

RGB 123 119 46

HSL 56.88, 0.46%, 0.33%

LAB 49.01, -8.47, 39.63

 

CMYK 0 / 5 / 75 / 58

HEX #6A651B

RGB 106 101 27

HSL 56.2, 0.59%, 0.26%

LAB 41.92, -7.53, 40.34

 

CMYK 0 / 7 / 91 / 65

HEX #595308

RGB 89 83 8

HSL 55.56, 0.84%, 0.19%

LAB 34.66, -6.23, 39.88

 

CMYK 0 / 10 / 100 / 72

HEX #484100

RGB 72 65 0

HSL 54.17, 1%, 0.14%

LAB 27.18, -4.41, 36.06

 

CMYK 0 / 15 / 100 / 78

HEX #372F00

RGB 55 47 0

HSL 51.27, 1%, 0.11%

LAB 19.41, -2.14, 27.57

 

CMYK 0 / 3 / 63 / 52

HEX #7B772E

RGB 123 119 46

HSL 56.88, 0.46%, 0.33%

LAB 49.01, -8.47, 39.63

 

CMYK 6 / 0 / 63 / 52

HEX #737A2D

RGB 115 122 45

HSL 65.45, 0.46%, 0.33%

LAB 49.2, -13.83, 40.1

 

CMYK 16 / 0 / 63 / 52

HEX #667A2D

RGB 102 122 45

HSL 75.58, 0.46%, 0.33%

LAB 48.18, -19.58, 38.69

 

CMYK 27 / 0 / 63 / 52

HEX #597A2D

RGB 89 122 45

HSL 85.71, 0.46%, 0.33%

LAB 47.28, -25.07, 37.45

 

CMYK 38 / 0 / 63 / 52

HEX #4C7A2D

RGB 76 122 45

HSL 95.84, 0.46%, 0.33%

LAB 46.51, -30.17, 36.37

 

CMYK 0 / 3 / 63 / 52

HEX #7B772E

RGB 123 119 46

HSL 56.88, 0.46%, 0.33%

LAB 49.01, -8.47, 39.63

 

CMYK 0 / 3 / 63 / 32

HEX #AEA841

RGB 174 168 65

HSL 56.7, 0.46%, 0.47%

LAB 67.57, -10.87, 52.34

 

CMYK 0 / 3 / 63 / 12

HEX #E1DA54

RGB 225 218 84

HSL 57.02, 0.7%, 0.61%

LAB 85.4, -13.64, 64.58

 

CMYK 0 / 5 / 62 / 92

HEX #151408

RGB 21 20 8

HSL 55.38, 0.45%, 0.06%

LAB 6.12, -1.66, 5.85

 

CMYK 0 / 3 / 63 / 72

HEX #48461B

RGB 72 70 27

HSL 57.33, 0.45%, 0.19%

LAB 29, -5.86, 25.74

 

CMYK 0 / 3 / 63 / 52

HEX #7B772E

RGB 123 119 46

HSL 56.88, 0.46%, 0.33%

LAB 49.01, -8.47, 39.63

 

CMYK 63 / 0 / 55 / 52

HEX #2D7A37

RGB 45 122 55

HSL 127.79, 0.46%, 0.33%

LAB 45.29, -38.59, 29.56

 

CMYK 30 / 63 / 0 / 52

HEX #562D7A

RGB 86 45 122

HSL 271.95, 0.46%, 0.33%

LAB 27.46, 34.39, -36.81

 

CMYK 0 / 3 / 63 / 52

HEX #7B772E

RGB 123 119 46

HSL 56.88, 0.46%, 0.33%

LAB 49.01, -8.47, 39.63

 

CMYK 63 / 0 / 4 / 52

HEX #2D7A75

RGB 45 122 117

HSL 176.1, 0.46%, 0.33%

LAB 46.66, -24.57, -4.27

 

CMYK 4 / 63 / 0 / 52

HEX #752D7A

RGB 117 45 122

HSL 296.1, 0.46%, 0.33%

LAB 31.95, 42.65, -29.39

 

CMYK 0 / 3 / 63 / 52

HEX #7B772E

RGB 123 119 46

HSL 56.88, 0.46%, 0.33%

LAB 49.01, -8.47, 39.63

 

CMYK 63 / 0 / 55 / 52

HEX #2D7A37

RGB 45 122 55

HSL 127.79, 0.46%, 0.33%

LAB 45.29, -38.59, 29.56

 

CMYK 63 / 59 / 0 / 52

HEX #2D327A

RGB 45 50 122

HSL 236.1, 0.46%, 0.33%

LAB 24.46, 21.71, -41.86

 

CMYK 0 / 63 / 8 / 52

HEX #7A2D70

RGB 122 45 112

HSL 307.79, 0.46%, 0.33%

LAB 32.22, 42.2, -22.59

 

CMYK 0 / 3 / 63 / 52

HEX #7B772E

RGB 123 119 46

HSL 56.88, 0.46%, 0.33%

LAB 49.01, -8.47, 39.63

 

CMYK 63 / 0 / 36 / 52

HEX #2D7A4E

RGB 45 122 78

HSL 145.71, 0.46%, 0.33%

LAB 45.67, -34.46, 17.28

 

CMYK 63 / 59 / 0 / 52

HEX #2D327A

RGB 45 50 122

HSL 236.1, 0.46%, 0.33%

LAB 24.46, 21.71, -41.86

 

CMYK 0 / 63 / 27 / 52

HEX #7A2D59

RGB 122 45 89

HSL 325.71, 0.46%, 0.33%

LAB 31.2, 38.5, -9.41

 

Description

Color code: HEX #7B772E | qconv.com Color code: HEX #7B772E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 119 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 119 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 63 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 63% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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