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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B3B8B it is the complementary color #84C474. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B3B8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7B3B8B: #803B86, #914D99, #A25FAC, #B371BF and #C483D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B3B8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7B3B8B: #7B3B8B, #6A2978, #591765, #480552 and #37003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 58 / 0 / 45

HEX #7B3B8B

RGB 123 59 139

HSL 288, 0.4%, 0.39%

LAB 36.37, 40.76, -32.89

 

Complementary color

CMYK 33 / 0 / 41 / 23

HEX #84C474

RGB 132 196 116

HSL 108, 0.4%, 0.61%

LAB 73.32, -35.67, 33.81

 

CMYK 4 / 56 / 0 / 47

HEX #803B86

RGB 128 59 134

HSL 295.2, 0.39%, 0.38%

LAB 36.81, 41.16, -29.07

 

CMYK 5 / 50 / 0 / 40

HEX #914D99

RGB 145 77 153

HSL 293.68, 0.33%, 0.45%

LAB 43.69, 40.49, -29.65

 

CMYK 6 / 45 / 0 / 33

HEX #A25FAC

RGB 162 95 172

HSL 292.21, 0.32%, 0.52%

LAB 50.5, 39.73, -30.08

 

CMYK 6 / 41 / 0 / 25

HEX #B371BF

RGB 179 113 191

HSL 290.77, 0.38%, 0.6%

LAB 57.23, 38.95, -30.44

 

CMYK 7 / 38 / 0 / 18

HEX #C483D2

RGB 196 131 210

HSL 289.37, 0.47%, 0.67%

LAB 63.85, 38.19, -30.75

 

CMYK 12 / 58 / 0 / 45

HEX #7B3B8B

RGB 123 59 139

HSL 288, 0.4%, 0.39%

LAB 36.37, 40.76, -32.89

 

CMYK 12 / 66 / 0 / 53

HEX #6A2978

RGB 106 41 120

HSL 289.37, 0.49%, 0.32%

LAB 29.43, 41.23, -32.24

 

CMYK 12 / 77 / 0 / 60

HEX #591765

RGB 89 23 101

HSL 290.77, 0.63%, 0.24%

LAB 22.57, 41.06, -31.13

 

CMYK 12 / 94 / 0 / 68

HEX #480552

RGB 72 5 82

HSL 292.21, 0.89%, 0.17%

LAB 15.98, 39.62, -29.19

 

CMYK 13 / 100 / 0 / 75

HEX #37003F

RGB 55 0 63

HSL 292.38, 1%, 0.12%

LAB 10.34, 34.61, -25.23

 

CMYK 12 / 58 / 0 / 45

HEX #7B3B8B

RGB 123 59 139

HSL 288, 0.4%, 0.39%

LAB 36.37, 40.76, -32.89

 

CMYK 2 / 58 / 0 / 45

HEX #883B8B

RGB 136 59 139

HSL 297.75, 0.4%, 0.39%

LAB 38.25, 44.41, -29.81

 

CMYK 0 / 58 / 8 / 45

HEX #8B3B80

RGB 139 59 128

HSL 308.25, 0.4%, 0.39%

LAB 38.16, 43.27, -23.16

 

CMYK 0 / 58 / 17 / 45

HEX #8B3B73

RGB 139 59 115

HSL 318, 0.4%, 0.39%

LAB 37.58, 41.08, -15.98

 

CMYK 0 / 58 / 27 / 45

HEX #8B3B66

RGB 139 59 102

HSL 327.75, 0.4%, 0.39%

LAB 37.07, 39.08, -8.59

 

CMYK 12 / 58 / 0 / 45

HEX #7B3B8B

RGB 123 59 139

HSL 288, 0.4%, 0.39%

LAB 36.37, 40.76, -32.89

 

CMYK 12 / 57 / 0 / 25

HEX #A851BE

RGB 168 81 190

HSL 287.89, 0.46%, 0.53%

LAB 49.41, 52.28, -42.22

 

CMYK 12 / 58 / 0 / 5

HEX #D566F1

RGB 213 102 241

HSL 287.91, 0.83%, 0.67%

LAB 61.65, 63.65, -51.33

 

CMYK 11 / 57 / 0 / 85

HEX #211025

RGB 33 16 37

HSL 288.57, 0.4%, 0.1%

LAB 7.47, 13.48, -10.94

 

CMYK 11 / 58 / 0 / 65

HEX #4E2558

RGB 78 37 88

HSL 288.24, 0.41%, 0.25%

LAB 22.47, 28.33, -22.82

 

CMYK 12 / 58 / 0 / 45

HEX #7B3B8B

RGB 123 59 139

HSL 288, 0.4%, 0.39%

LAB 36.37, 40.76, -32.89

 

CMYK 0 / 58 / 58 / 45

HEX #8B3B3B

RGB 139 59 59

HSL 0, 0.4%, 0.39%

LAB 35.85, 34.11, 16.95

 

CMYK 58 / 0 / 35 / 45

HEX #3B8B5B

RGB 59 139 91

HSL 144, 0.4%, 0.39%

LAB 52.01, -36.02, 18.5

 

CMYK 12 / 58 / 0 / 45

HEX #7B3B8B

RGB 123 59 139

HSL 288, 0.4%, 0.39%

LAB 36.37, 40.76, -32.89

 

CMYK 0 / 12 / 58 / 45

HEX #8B7B3B

RGB 139 123 59

HSL 48, 0.4%, 0.39%

LAB 51.8, -2.39, 36.72

 

CMYK 58 / 0 / 12 / 45

HEX #3B8B7B

RGB 59 139 123

HSL 168, 0.4%, 0.39%

LAB 52.76, -28.52, 1.21

 

CMYK 12 / 58 / 0 / 45

HEX #7B3B8B

RGB 123 59 139

HSL 288, 0.4%, 0.39%

LAB 36.37, 40.76, -32.89

 

CMYK 0 / 58 / 58 / 45

HEX #8B3B3B

RGB 139 59 59

HSL 0, 0.4%, 0.39%

LAB 35.85, 34.11, 16.95

 

CMYK 46 / 0 / 58 / 45

HEX #4B8B3B

RGB 75 139 59

HSL 108, 0.4%, 0.39%

LAB 52.15, -36.63, 35.99

 

CMYK 58 / 0 / 0 / 45

HEX #3B8B8B

RGB 59 139 139

HSL 180, 0.4%, 0.39%

LAB 53.23, -24.09, -7.37

 

CMYK 12 / 58 / 0 / 45

HEX #7B3B8B

RGB 123 59 139

HSL 288, 0.4%, 0.39%

LAB 36.37, 40.76, -32.89

 

CMYK 0 / 40 / 58 / 45

HEX #8B533B

RGB 139 83 59

HSL 18, 0.4%, 0.39%

LAB 41.2, 20.79, 23.87

 

CMYK 46 / 0 / 58 / 45

HEX #4B8B3B

RGB 75 139 59

HSL 108, 0.4%, 0.39%

LAB 52.15, -36.63, 35.99

 

CMYK 58 / 17 / 0 / 45

HEX #3B738B

RGB 59 115 139

HSL 198, 0.4%, 0.39%

LAB 45.71, -11.08, -18.74

 

Description

Color code: HEX #7B3B8B | qconv.com Color code: HEX #7B3B8B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 59 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 59 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 58 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 58% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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