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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B39B6 it is the complementary color #84C649. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B39B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B39B6 shade: #8039B1, #914BC4, #A25DD7, #B36FEA and #C481FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B39B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B39B6 shade: #7B39B6, #6A27A3, #591590, #48037D and #37006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B39B6 shade: #7B3AB6, #9D3AB6, #B63AAE, #B63A8C and #B63A6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B39B6 shade: #7B3AB6, #5A3AB6 and #3A3AB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B39B6 shade matches the following richer shades: #7B3AB6, #7C26CA and #7E13DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B39B6 shade: #7B3AB6, #7A4DA3, #79608F, #78747C and #778769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B39B6 shade: #3A3CB6, #593AB6, #7A3AB6, #9B3AB6 and #B63AB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B39B6 shade: #512677, #663097, #7B3AB6, #9051C8 and #A470D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B39B6 shade: #7B39B6, #B63A5D and #3AB648

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B39B6 shade: #7B39B6, #B67A3A and #3AB67A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B39B6 shade: #7B39B6, #B63A5D, #76B63A and #3AB693

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B39B6 shade: #7B39B6, #B63C3A, #76B63A and #3AB4B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 69 / 0 / 29

HEX #7B39B6

RGB 123 57 182

HSL 271.68, 0.52%, 0.47%

LAB 38.75, 51.54, -54.94

 

Complementary color

CMYK 33 / 0 / 63 / 22

HEX #84C649

RGB 132 198 73

HSL 91.68, 0.52%, 0.53%

LAB 73.4, -41.49, 54.38

 

CMYK 28 / 68 / 0 / 31

HEX #8039B1

RGB 128 57 177

HSL 275.5, 0.51%, 0.46%

LAB 39.05, 51.43, -51.47

 

CMYK 26 / 62 / 0 / 23

HEX #914BC4

RGB 145 75 196

HSL 274.71, 0.51%, 0.53%

LAB 45.69, 50.83, -51.81

 

CMYK 25 / 57 / 0 / 16

HEX #A25DD7

RGB 162 93 215

HSL 273.93, 0.6%, 0.6%

LAB 52.3, 50.05, -52

 

CMYK 24 / 53 / 0 / 8

HEX #B36FEA

RGB 179 111 234

HSL 273.17, 0.75%, 0.68%

LAB 58.88, 49.21, -52.1

 

CMYK 23 / 49 / 0 / 1

HEX #C481FD

RGB 196 129 253

HSL 272.42, 0.97%, 0.75%

LAB 65.38, 48.35, -52.16

 

CMYK 32 / 69 / 0 / 29

HEX #7B39B6

RGB 123 57 182

HSL 271.68, 0.52%, 0.47%

LAB 38.75, 51.54, -54.94

 

CMYK 35 / 76 / 0 / 36

HEX #6A27A3

RGB 106 39 163

HSL 272.42, 0.61%, 0.4%

LAB 32.17, 51.84, -54.39

 

CMYK 38 / 85 / 0 / 44

HEX #591590

RGB 89 21 144

HSL 273.17, 0.75%, 0.32%

LAB 25.78, 51.3, -53.28

 

CMYK 42 / 98 / 0 / 51

HEX #48037D

RGB 72 3 125

HSL 273.93, 0.95%, 0.25%

LAB 19.73, 49.46, -51.37

 

CMYK 48 / 100 / 0 / 58

HEX #37006A

RGB 55 0 106

HSL 271.13, 1%, 0.21%

LAB 14.7, 44.14, -47.47

 

CMYK 32 / 68 / 0 / 29

HEX #7B3AB6

RGB 123 58 182

HSL 271.45, 0.52%, 0.47%

LAB 38.92, 51.06, -54.66

 

CMYK 14 / 68 / 0 / 29

HEX #9D3AB6

RGB 157 58 182

HSL 287.9, 0.52%, 0.47%

LAB 43.61, 58.47, -46.87

 

CMYK 0 / 68 / 4 / 29

HEX #B63AAE

RGB 182 58 174

HSL 303.87, 0.52%, 0.47%

LAB 47.01, 62.85, -36.53

 

CMYK 0 / 68 / 23 / 29

HEX #B63A8C

RGB 182 58 140

HSL 320.32, 0.52%, 0.47%

LAB 45.45, 57.78, -18.66

 

CMYK 0 / 68 / 41 / 29

HEX #B63A6B

RGB 182 58 107

HSL 336.29, 0.52%, 0.47%

LAB 44.28, 53.81, -0.23

 

CMYK 32 / 68 / 0 / 29

HEX #7B3AB6

RGB 123 58 182

HSL 271.45, 0.52%, 0.47%

LAB 38.92, 51.06, -54.66

 

CMYK 51 / 68 / 0 / 29

HEX #5A3AB6

RGB 90 58 182

HSL 255.48, 0.52%, 0.47%

LAB 35.16, 44.64, -60.95

 

CMYK 68 / 68 / 0 / 29

HEX #3A3AB6

RGB 58 58 182

HSL 240, 0.52%, 0.47%

LAB 32.49, 39.74, -65.43

 

CMYK 32 / 68 / 0 / 29

HEX #7B3AB6

RGB 123 58 182

HSL 271.45, 0.52%, 0.47%

LAB 38.92, 51.06, -54.66

 

CMYK 39 / 81 / 0 / 21

HEX #7C26CA

RGB 124 38 202

HSL 271.46, 0.68%, 0.47%

LAB 37.73, 64.15, -68.33

 

CMYK 43 / 91 / 0 / 13

HEX #7E13DD

RGB 126 19 221

HSL 271.78, 0.84%, 0.47%

LAB 38.06, 73.46, -78.75

 

CMYK 32 / 68 / 0 / 29

HEX #7B3AB6

RGB 123 58 182

HSL 271.45, 0.52%, 0.47%

LAB 38.92, 51.06, -54.66

 

CMYK 25 / 53 / 0 / 36

HEX #7A4DA3

RGB 122 77 163

HSL 271.4, 0.36%, 0.47%

LAB 41.36, 36.08, -39.5

 

CMYK 15 / 33 / 0 / 44

HEX #79608F

RGB 121 96 143

HSL 271.91, 0.2%, 0.47%

LAB 44.82, 19.7, -22.12

 

CMYK 3 / 6 / 0 / 51

HEX #78747C

RGB 120 116 124

HSL 270, 0.03%, 0.47%

LAB 49.42, 3.15, -3.85

 

CMYK 12 / 0 / 22 / 47

HEX #778769

RGB 119 135 105

HSL 92, 0.13%, 0.47%

LAB 54.31, -11.63, 14.23

 

CMYK 68 / 67 / 0 / 29

HEX #3A3CB6

RGB 58 60 182

HSL 239.03, 0.52%, 0.47%

LAB 32.94, 38.52, -64.69

 

CMYK 51 / 68 / 0 / 29

HEX #593AB6

RGB 89 58 182

HSL 255, 0.52%, 0.47%

LAB 35.06, 44.46, -61.12

 

CMYK 33 / 68 / 0 / 29

HEX #7A3AB6

RGB 122 58 182

HSL 270.97, 0.52%, 0.47%

LAB 38.8, 50.85, -54.88

 

CMYK 15 / 68 / 0 / 29

HEX #9B3AB6

RGB 155 58 182

HSL 286.94, 0.52%, 0.47%

LAB 43.32, 58.02, -47.36

 

CMYK 0 / 68 / 3 / 29

HEX #B63AB0

RGB 182 58 176

HSL 302.9, 0.52%, 0.47%

LAB 47.11, 63.17, -37.55

 

CMYK 32 / 68 / 0 / 53

HEX #512677

RGB 81 38 119

HSL 271.85, 0.52%, 0.31%

LAB 25.16, 36.24, -38.65

 

CMYK 32 / 68 / 0 / 41

HEX #663097

RGB 102 48 151

HSL 271.46, 0.52%, 0.39%

LAB 32.2, 43.93, -47.08

 

CMYK 32 / 68 / 0 / 29

HEX #7B3AB6

RGB 123 58 182

HSL 271.45, 0.52%, 0.47%

LAB 38.92, 51.06, -54.66

 

CMYK 28 / 60 / 0 / 22

HEX #9051C8

RGB 144 81 200

HSL 271.76, 0.52%, 0.55%

LAB 46.95, 48.45, -52.1

 

CMYK 22 / 47 / 0 / 18

HEX #A470D2

RGB 164 112 210

HSL 271.84, 0.52%, 0.63%

LAB 56.22, 39.18, -42.93

 

CMYK 32 / 69 / 0 / 29

HEX #7B39B6

RGB 123 57 182

HSL 271.68, 0.52%, 0.47%

LAB 38.75, 51.54, -54.94

 

CMYK 0 / 68 / 49 / 29

HEX #B63A5D

RGB 182 58 93

HSL 343.06, 0.52%, 0.47%

LAB 43.89, 52.44, 7.87

 

CMYK 68 / 0 / 60 / 29

HEX #3AB648

RGB 58 182 72

HSL 126.77, 0.52%, 0.47%

LAB 65.61, -56.16, 45.31

 

CMYK 32 / 69 / 0 / 29

HEX #7B39B6

RGB 123 57 182

HSL 271.68, 0.52%, 0.47%

LAB 38.75, 51.54, -54.94

 

CMYK 0 / 33 / 68 / 29

HEX #B67A3A

RGB 182 122 58

HSL 30.97, 0.52%, 0.47%

LAB 56.26, 17.29, 43.54

 

CMYK 68 / 0 / 33 / 29

HEX #3AB67A

RGB 58 182 122

HSL 150.97, 0.52%, 0.47%

LAB 66.34, -47.97, 20.89

 

CMYK 32 / 69 / 0 / 29

HEX #7B39B6

RGB 123 57 182

HSL 271.68, 0.52%, 0.47%

LAB 38.75, 51.54, -54.94

 

CMYK 0 / 68 / 49 / 29

HEX #B63A5D

RGB 182 58 93

HSL 343.06, 0.52%, 0.47%

LAB 43.89, 52.44, 7.87

 

CMYK 35 / 0 / 68 / 29

HEX #76B63A

RGB 118 182 58

HSL 90.97, 0.52%, 0.47%

LAB 67.73, -40.72, 54.29

 

CMYK 68 / 0 / 19 / 29

HEX #3AB693

RGB 58 182 147

HSL 163.06, 0.52%, 0.47%

LAB 66.87, -42.32, 8.01

 

CMYK 32 / 69 / 0 / 29

HEX #7B39B6

RGB 123 57 182

HSL 271.68, 0.52%, 0.47%

LAB 38.75, 51.54, -54.94

 

CMYK 0 / 67 / 68 / 29

HEX #B63C3A

RGB 182 60 58

HSL 0.97, 0.52%, 0.47%

LAB 43.48, 49.07, 28.79

 

CMYK 35 / 0 / 68 / 29

HEX #76B63A

RGB 118 182 58

HSL 90.97, 0.52%, 0.47%

LAB 67.73, -40.72, 54.29

 

CMYK 68 / 1 / 0 / 29

HEX #3AB4B6

RGB 58 180 182

HSL 180.97, 0.52%, 0.47%

LAB 67.22, -32.01, -10.81

 

Description

Color code: HEX #7B39B6 | qconv.com Color code: HEX #7B39B6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 57 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 57 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 69 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 69% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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