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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 25 / 53 / 0 / 36 it is the complementary color CMYK 25 / 0 / 48 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 25 / 53 / 0 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 25 / 53 / 0 / 36: CMYK 20 / 51 / 0 / 38, CMYK 19 / 46 / 0 / 31, CMYK 18 / 42 / 0 / 23, CMYK 17 / 39 / 0 / 16 and CMYK 17 / 36 / 0 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 25 / 53 / 0 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 25 / 53 / 0 / 36: CMYK 25 / 53 / 0 / 36, CMYK 27 / 59 / 0 / 44, CMYK 30 / 67 / 0 / 51, CMYK 33 / 78 / 0 / 58 and CMYK 38 / 94 / 0 / 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 53 / 0 / 36

HEX #7A4DA3

RGB 122 77 163

HSL 271.4, 0.36%, 0.47%

LAB 41.36, 36.08, -39.5

 

Complementary color

CMYK 25 / 0 / 48 / 30

HEX #85B25C

RGB 133 178 92

HSL 91.4, 0.36%, 0.53%

LAB 67.72, -30.08, 38.96

 

CMYK 20 / 51 / 0 / 38

HEX #7F4D9E

RGB 127 77 158

HSL 277.04, 0.34%, 0.46%

LAB 41.67, 36.29, -35.98

 

CMYK 19 / 46 / 0 / 31

HEX #905FB1

RGB 144 95 177

HSL 275.85, 0.34%, 0.53%

LAB 48.62, 35.41, -36.1

 

CMYK 18 / 42 / 0 / 23

HEX #A171C4

RGB 161 113 196

HSL 274.7, 0.41%, 0.61%

LAB 55.45, 34.57, -36.2

 

CMYK 17 / 39 / 0 / 16

HEX #B283D7

RGB 178 131 215

HSL 273.57, 0.51%, 0.68%

LAB 62.17, 33.78, -36.31

 

CMYK 17 / 36 / 0 / 8

HEX #C395EA

RGB 195 149 234

HSL 272.47, 0.67%, 0.75%

LAB 68.78, 33.04, -36.41

 

CMYK 25 / 53 / 0 / 36

HEX #7A4DA3

RGB 122 77 163

HSL 271.4, 0.36%, 0.47%

LAB 41.36, 36.08, -39.5

 

CMYK 27 / 59 / 0 / 44

HEX #693B90

RGB 105 59 144

HSL 272.47, 0.42%, 0.4%

LAB 34.28, 37.02, -39.42

 

CMYK 30 / 67 / 0 / 51

HEX #58297D

RGB 88 41 125

HSL 273.57, 0.51%, 0.33%

LAB 27.13, 37.84, -39.22

 

CMYK 33 / 78 / 0 / 58

HEX #47176A

RGB 71 23 106

HSL 274.7, 0.64%, 0.25%

LAB 20.02, 38.23, -38.66

 

CMYK 38 / 94 / 0 / 66

HEX #360557

RGB 54 5 87

HSL 275.85, 0.89%, 0.18%

LAB 13.11, 37.56, -37.4

 

CMYK 25 / 53 / 0 / 36

HEX #7A4DA3

RGB 122 77 163

HSL 271.4, 0.36%, 0.47%

LAB 41.36, 36.08, -39.5

 

CMYK 17 / 53 / 0 / 36

HEX #874CA2

RGB 135 76 162

HSL 281.16, 0.36%, 0.47%

LAB 42.66, 40.03, -36.74

 

CMYK 7 / 53 / 0 / 36

HEX #964CA2

RGB 150 76 162

HSL 291.63, 0.36%, 0.47%

LAB 44.61, 44.29, -33.54

 

CMYK 0 / 53 / 1 / 36

HEX #A24CA1

RGB 162 76 161

HSL 300.7, 0.36%, 0.47%

LAB 46.21, 47.53, -30.31

 

CMYK 0 / 53 / 9 / 36

HEX #A24C93

RGB 162 76 147

HSL 310.47, 0.36%, 0.47%

LAB 45.58, 45.04, -22.95

 

CMYK 25 / 53 / 0 / 36

HEX #7A4DA3

RGB 122 77 163

HSL 271.4, 0.36%, 0.47%

LAB 41.36, 36.08, -39.5

 

CMYK 25 / 53 / 0 / 16

HEX #A065D6

RGB 160 101 214

HSL 271.33, 0.58%, 0.62%

LAB 53.64, 45.07, -49.32

 

CMYK 30 / 50 / 0 / 96

HEX #07050A

RGB 7 5 10

HSL 264, 0.33%, 0.03%

LAB 1.59, 1.22, -1.71

 

CMYK 25 / 52 / 0 / 76

HEX #2E1D3D

RGB 46 29 61

HSL 271.88, 0.36%, 0.18%

LAB 14.38, 15.91, -17.45

 

CMYK 25 / 53 / 0 / 56

HEX #543570

RGB 84 53 112

HSL 271.53, 0.36%, 0.32%

LAB 28.38, 26.48, -29.01

 

CMYK 25 / 53 / 0 / 36

HEX #7A4DA3

RGB 122 77 163

HSL 271.4, 0.36%, 0.47%

LAB 41.36, 36.08, -39.5

 

CMYK 0 / 53 / 38 / 36

HEX #A24C65

RGB 162 76 101

HSL 342.56, 0.36%, 0.47%

LAB 43.93, 38.25, 2.56

 

CMYK 53 / 0 / 47 / 36

HEX #4CA256

RGB 76 162 86

HSL 126.98, 0.36%, 0.47%

LAB 59.93, -42.41, 31.71

 

CMYK 25 / 53 / 0 / 36

HEX #7A4DA3

RGB 122 77 163

HSL 271.4, 0.36%, 0.47%

LAB 41.36, 36.08, -39.5

 

CMYK 0 / 25 / 53 / 36

HEX #A2794C

RGB 162 121 76

HSL 31.4, 0.36%, 0.47%

LAB 53.9, 10.49, 30.74

 

CMYK 53 / 0 / 25 / 36

HEX #4CA279

RGB 76 162 121

HSL 151.4, 0.36%, 0.47%

LAB 60.57, -35.88, 13.56

 

CMYK 25 / 53 / 0 / 36

HEX #7A4DA3

RGB 122 77 163

HSL 271.4, 0.36%, 0.47%

LAB 41.36, 36.08, -39.5

 

CMYK 0 / 53 / 38 / 36

HEX #A24C65

RGB 162 76 101

HSL 342.56, 0.36%, 0.47%

LAB 43.93, 38.25, 2.56

 

CMYK 27 / 0 / 53 / 36

HEX #76A24C

RGB 118 162 76

HSL 90.7, 0.36%, 0.47%

LAB 61.84, -29.94, 39.59

 

CMYK 53 / 0 / 15 / 36

HEX #4CA28A

RGB 76 162 138

HSL 163.26, 0.36%, 0.47%

LAB 60.97, -31.96, 4.61

 

CMYK 25 / 53 / 0 / 36

HEX #7A4DA3

RGB 122 77 163

HSL 271.4, 0.36%, 0.47%

LAB 41.36, 36.08, -39.5

 

CMYK 0 / 52 / 53 / 36

HEX #A24E4C

RGB 162 78 76

HSL 1.4, 0.36%, 0.47%

LAB 43.73, 34.53, 17.59

 

CMYK 27 / 0 / 53 / 36

HEX #76A24C

RGB 118 162 76

HSL 90.7, 0.36%, 0.47%

LAB 61.84, -29.94, 39.59

 

CMYK 53 / 1 / 0 / 36

HEX #4CA1A2

RGB 76 161 162

HSL 180.7, 0.36%, 0.47%

LAB 61.34, -25.21, -8.37

 

Description

Color code: CMYK 25 / 53 / 0 / 36 | qconv.com Color code: CMYK 25 / 53 / 0 / 36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 77 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 77 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 53 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 53% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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