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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B3253 it is the complementary color #84CDAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B3253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B3253 shade: #80324E, #914461, #A25674, #B36887 and #C47A9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B3253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B3253 shade: #7B3253, #6A2040, #590E2D, #48001A and #370007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B3253 shade: #7B3253, #7B3240 and #7B3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B3253 shade: #7B3253, #7B3267, #7B327A, #68327B and #54327B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B3253 shade matches the following richer shades: #7B3253, #892452, #971651 and #A5084F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B3253 shade: #7B3253, #6D4055, #5F4E56, #515C57 and #436A59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B3253 shade: #7B327B, #7B3268, #7B3254, #7B3241 and #7B3732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B3253 shade: #411A2C, #5E263F, #7B3253, #983E67 and #B54B7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B3253 shade: #7B3253, #7B6832 and #32717B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B3253 shade: #7B3253, #547B32 and #32547B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B3253 shade: #7B3253, #7B6832, #327B59 and #32467B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B3253 shade: #7B3253, #797B32, #327B59 and #35327B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 33 / 52

HEX #7B3253

RGB 123 50 83

HSL 332.88, 0.42%, 0.34%

LAB 32.07, 35.5, -4.19

 

Complementary color

CMYK 36 / 0 / 16 / 20

HEX #84CDAC

RGB 132 205 172

HSL 152.88, 0.42%, 0.66%

LAB 77.01, -30.01, 9.28

 

CMYK 0 / 61 / 39 / 50

HEX #80324E

RGB 128 50 78

HSL 338.46, 0.44%, 0.35%

LAB 32.75, 36.6, 0.14

 

CMYK 0 / 53 / 33 / 43

HEX #914461

RGB 145 68 97

HSL 337.4, 0.36%, 0.42%

LAB 39.61, 35.82, -1.58

 

CMYK 0 / 47 / 28 / 36

HEX #A25674

RGB 162 86 116

HSL 336.32, 0.31%, 0.49%

LAB 46.44, 34.94, -2.93

 

CMYK 0 / 42 / 25 / 30

HEX #B36887

RGB 179 104 135

HSL 335.2, 0.33%, 0.55%

LAB 53.2, 34.06, -4.04

 

CMYK 0 / 38 / 21 / 23

HEX #C47A9A

RGB 196 122 154

HSL 334.05, 0.39%, 0.62%

LAB 59.88, 33.21, -5

 

CMYK 0 / 59 / 33 / 52

HEX #7B3253

RGB 123 50 83

HSL 332.88, 0.42%, 0.34%

LAB 32.07, 35.5, -4.19

 

CMYK 0 / 70 / 40 / 58

HEX #6A2040

RGB 106 32 64

HSL 334.05, 0.54%, 0.27%

LAB 25.16, 35.95, -2.17

 

CMYK 0 / 84 / 49 / 65

HEX #590E2D

RGB 89 14 45

HSL 335.2, 0.73%, 0.2%

LAB 18.49, 35.53, 0.85

 

CMYK 0 / 100 / 64 / 72

HEX #48001A

RGB 72 0 26

HSL 338.33, 1%, 0.14%

LAB 12.3, 33.51, 5.47

 

CMYK 0 / 100 / 87 / 78

HEX #370007

RGB 55 0 7

HSL 352.36, 1%, 0.11%

LAB 7.48, 27.33, 8.95

 

CMYK 0 / 59 / 33 / 52

HEX #7B3253

RGB 123 50 83

HSL 332.88, 0.42%, 0.34%

LAB 32.07, 35.5, -4.19

 

CMYK 0 / 59 / 48 / 52

HEX #7B3240

RGB 123 50 64

HSL 348.49, 0.42%, 0.34%

LAB 31.49, 33.17, 7.35

 

CMYK 0 / 59 / 59 / 52

HEX #7B3232

RGB 123 50 50

HSL 0, 0.42%, 0.34%

LAB 31.17, 31.83, 16

 

CMYK 0 / 59 / 33 / 52

HEX #7B3253

RGB 123 50 83

HSL 332.88, 0.42%, 0.34%

LAB 32.07, 35.5, -4.19

 

CMYK 0 / 59 / 16 / 52

HEX #7B3267

RGB 123 50 103

HSL 316.44, 0.42%, 0.34%

LAB 32.86, 38.54, -15.87

 

CMYK 0 / 59 / 1 / 52

HEX #7B327A

RGB 123 50 122

HSL 300.82, 0.42%, 0.34%

LAB 33.77, 41.92, -26.46

 

CMYK 15 / 59 / 0 / 52

HEX #68327B

RGB 104 50 123

HSL 284.38, 0.42%, 0.34%

LAB 31.01, 36.72, -31.64

 

CMYK 32 / 59 / 0 / 52

HEX #54327B

RGB 84 50 123

HSL 267.95, 0.42%, 0.34%

LAB 28.37, 31.22, -36

 

CMYK 0 / 59 / 33 / 52

HEX #7B3253

RGB 123 50 83

HSL 332.88, 0.42%, 0.34%

LAB 32.07, 35.5, -4.19

 

CMYK 0 / 74 / 40 / 46

HEX #892452

RGB 137 36 82

HSL 332.67, 0.58%, 0.34%

LAB 32.23, 46.16, -3.02

 

CMYK 0 / 85 / 46 / 41

HEX #971651

RGB 151 22 81

HSL 332.56, 0.75%, 0.34%

LAB 33.45, 54.23, -0.26

 

CMYK 0 / 95 / 52 / 35

HEX #A5084F

RGB 165 8 79

HSL 332.87, 0.91%, 0.34%

LAB 35.47, 59.93, 4.33

 

CMYK 0 / 59 / 33 / 52

HEX #7B3253

RGB 123 50 83

HSL 332.88, 0.42%, 0.34%

LAB 32.07, 35.5, -4.19

 

CMYK 0 / 41 / 22 / 57

HEX #6D4055

RGB 109 64 85

HSL 332, 0.26%, 0.34%

LAB 33.08, 22.75, -4.21

 

CMYK 0 / 18 / 9 / 63

HEX #5F4E56

RGB 95 78 86

HSL 331.76, 0.1%, 0.34%

LAB 35.11, 8.63, -2.04

 

CMYK 12 / 0 / 5 / 64

HEX #515C57

RGB 81 92 87

HSL 152.73, 0.06%, 0.34%

LAB 38.01, -5.39, 1.42

 

CMYK 37 / 0 / 16 / 58

HEX #436A59

RGB 67 106 89

HSL 153.85, 0.23%, 0.34%

LAB 41.57, -17.97, 5.21

 

CMYK 0 / 59 / 0 / 52

HEX #7B327B

RGB 123 50 123

HSL 300, 0.42%, 0.34%

LAB 33.82, 42.1, -27.01

 

CMYK 0 / 59 / 15 / 52

HEX #7B3268

RGB 123 50 104

HSL 315.62, 0.42%, 0.34%

LAB 32.9, 38.71, -16.44

 

CMYK 0 / 59 / 32 / 52

HEX #7B3254

RGB 123 50 84

HSL 332.05, 0.42%, 0.34%

LAB 32.11, 35.64, -4.79

 

CMYK 0 / 59 / 47 / 52

HEX #7B3241

RGB 123 50 65

HSL 347.67, 0.42%, 0.34%

LAB 31.52, 33.28, 6.73

 

CMYK 0 / 55 / 59 / 52

HEX #7B3732

RGB 123 55 50

HSL 4.11, 0.42%, 0.34%

LAB 32.2, 29.15, 17.35

 

CMYK 0 / 60 / 32 / 75

HEX #411A2C

RGB 65 26 44

HSL 332.31, 0.43%, 0.18%

LAB 15.72, 21.37, -3.05

 

CMYK 0 / 60 / 33 / 63

HEX #5E263F

RGB 94 38 63

HSL 333.21, 0.42%, 0.26%

LAB 24.08, 28.59, -3.33

 

CMYK 0 / 59 / 33 / 52

HEX #7B3253

RGB 123 50 83

HSL 332.88, 0.42%, 0.34%

LAB 32.07, 35.5, -4.19

 

CMYK 0 / 59 / 32 / 40

HEX #983E67

RGB 152 62 103

HSL 332.67, 0.42%, 0.42%

LAB 39.75, 42.08, -5

 

CMYK 0 / 59 / 32 / 29

HEX #B54B7B

RGB 181 75 123

HSL 332.83, 0.42%, 0.5%

LAB 47.35, 47.94, -5.52

 

CMYK 0 / 59 / 33 / 52

HEX #7B3253

RGB 123 50 83

HSL 332.88, 0.42%, 0.34%

LAB 32.07, 35.5, -4.19

 

CMYK 0 / 15 / 59 / 52

HEX #7B6832

RGB 123 104 50

HSL 44.38, 0.42%, 0.34%

LAB 44.72, 0.4, 32.76

 

CMYK 59 / 8 / 0 / 52

HEX #32717B

RGB 50 113 123

HSL 188.22, 0.42%, 0.34%

LAB 44.12, -16.98, -11.64

 

CMYK 0 / 59 / 33 / 52

HEX #7B3253

RGB 123 50 83

HSL 332.88, 0.42%, 0.34%

LAB 32.07, 35.5, -4.19

 

CMYK 32 / 0 / 59 / 52

HEX #547B32

RGB 84 123 50

HSL 92.05, 0.42%, 0.34%

LAB 47.34, -27.06, 34.99

 

CMYK 59 / 32 / 0 / 52

HEX #32547B

RGB 50 84 123

HSL 212.05, 0.42%, 0.34%

LAB 34.9, 0.28, -25.83

 

CMYK 0 / 59 / 33 / 52

HEX #7B3253

RGB 123 50 83

HSL 332.88, 0.42%, 0.34%

LAB 32.07, 35.5, -4.19

 

CMYK 0 / 15 / 59 / 52

HEX #7B6832

RGB 123 104 50

HSL 44.38, 0.42%, 0.34%

LAB 44.72, 0.4, 32.76

 

CMYK 59 / 0 / 28 / 52

HEX #327B59

RGB 50 123 89

HSL 152.05, 0.42%, 0.34%

LAB 46.4, -31.34, 11.91

 

CMYK 59 / 43 / 0 / 52

HEX #32467B

RGB 50 70 123

HSL 223.56, 0.42%, 0.34%

LAB 30.61, 9.47, -32.59

 

CMYK 0 / 59 / 33 / 52

HEX #7B3253

RGB 123 50 83

HSL 332.88, 0.42%, 0.34%

LAB 32.07, 35.5, -4.19

 

CMYK 2 / 0 / 59 / 52

HEX #797B32

RGB 121 123 50

HSL 61.64, 0.42%, 0.34%

LAB 50.05, -11.27, 38.79

 

CMYK 59 / 0 / 28 / 52

HEX #327B59

RGB 50 123 89

HSL 152.05, 0.42%, 0.34%

LAB 46.4, -31.34, 11.91

 

CMYK 57 / 59 / 0 / 52

HEX #35327B

RGB 53 50 123

HSL 242.47, 0.42%, 0.34%

LAB 25.16, 23.68, -41.33

 

Description

Color code: HEX #7B3253 | qconv.com Color code: HEX #7B3253 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 50 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 50 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 33 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 33% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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