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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A25674 it is the complementary color #5DA98B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A25674. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A25674 shade: #A7566F, #B86882, #C97A95, #DA8CA8 and #EB9EBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A25674. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A25674 shade: #A25674, #914461, #80324E, #6F203B and #5E0E28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A25674 shade: #A45675, #A45660 and #A45656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A25674 shade: #A45675, #A4568A, #A4569F, #9456A4 and #7F56A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A25674 shade matches the following richer shades: #A45675, #B84271, #CC2E6C, #E01A68 and #F50564

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A25674 shade: #A45675, #8F6A79, #7B7F7D, #679382 and #53A786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A25674 shade: #A4569F, #A4568A, #A45675, #A45661 and #A46156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A25674 shade: #6E3A4E, #894862, #A45675, #B3708A and #C28BA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A25674 shade: #A25674, #A49456 and #5694A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A25674 shade: #A25674, #75A456 and #5675A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A25674 shade: #A25674, #A49456, #56A485 and #5666A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A25674 shade: #A25674, #9CA456, #56A485 and #5E56A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 28 / 36

HEX #A25674

RGB 162 86 116

HSL 336.32, 0.31%, 0.49%

LAB 46.44, 34.94, -2.93

 

Complementary color

CMYK 45 / 0 / 18 / 34

HEX #5DA98B

RGB 93 169 139

HSL 156.32, 0.31%, 0.51%

LAB 63.81, -30.8, 8.21

 

CMYK 0 / 49 / 34 / 35

HEX #A7566F

RGB 167 86 111

HSL 341.48, 0.32%, 0.5%

LAB 47, 36.07, 1

 

CMYK 0 / 43 / 29 / 28

HEX #B86882

RGB 184 104 130

HSL 340.5, 0.36%, 0.56%

LAB 53.71, 35.15, -0.27

 

CMYK 0 / 39 / 26 / 21

HEX #C97A95

RGB 201 122 149

HSL 339.49, 0.42%, 0.63%

LAB 60.34, 34.27, -1.36

 

CMYK 0 / 36 / 23 / 15

HEX #DA8CA8

RGB 218 140 168

HSL 338.46, 0.51%, 0.7%

LAB 66.89, 33.44, -2.32

 

CMYK 0 / 33 / 20 / 8

HEX #EB9EBB

RGB 235 158 187

HSL 337.4, 0.66%, 0.77%

LAB 73.35, 32.67, -3.18

 

CMYK 0 / 47 / 28 / 36

HEX #A25674

RGB 162 86 116

HSL 336.32, 0.31%, 0.49%

LAB 46.44, 34.94, -2.93

 

CMYK 0 / 53 / 33 / 43

HEX #914461

RGB 145 68 97

HSL 337.4, 0.36%, 0.42%

LAB 39.61, 35.82, -1.58

 

CMYK 0 / 61 / 39 / 50

HEX #80324E

RGB 128 50 78

HSL 338.46, 0.44%, 0.35%

LAB 32.75, 36.6, 0.14

 

CMYK 0 / 71 / 47 / 56

HEX #6F203B

RGB 111 32 59

HSL 339.49, 0.55%, 0.28%

LAB 25.95, 37.05, 2.48

 

CMYK 0 / 85 / 57 / 63

HEX #5E0E28

RGB 94 14 40

HSL 340.5, 0.74%, 0.21%

LAB 19.42, 36.6, 5.9

 

CMYK 0 / 48 / 29 / 36

HEX #A45675

RGB 164 86 117

HSL 336.15, 0.31%, 0.49%

LAB 46.75, 35.8, -3.04

 

CMYK 0 / 48 / 41 / 36

HEX #A45660

RGB 164 86 96

HSL 352.31, 0.31%, 0.49%

LAB 46.17, 33.1, 8.84

 

CMYK 0 / 48 / 48 / 36

HEX #A45656

RGB 164 86 86

HSL 0, 0.31%, 0.49%

LAB 45.93, 32, 14.57

 

CMYK 0 / 48 / 29 / 36

HEX #A45675

RGB 164 86 117

HSL 336.15, 0.31%, 0.49%

LAB 46.75, 35.8, -3.04

 

CMYK 0 / 48 / 16 / 36

HEX #A4568A

RGB 164 86 138

HSL 320, 0.31%, 0.49%

LAB 47.47, 39, -14.62

 

CMYK 0 / 48 / 3 / 36

HEX #A4569F

RGB 164 86 159

HSL 303.85, 0.31%, 0.49%

LAB 48.32, 42.65, -25.81

 

CMYK 10 / 48 / 0 / 36

HEX #9456A4

RGB 148 86 164

HSL 287.69, 0.31%, 0.49%

LAB 46.49, 38.77, -31.79

 

CMYK 23 / 48 / 0 / 36

HEX #7F56A4

RGB 127 86 164

HSL 271.54, 0.31%, 0.49%

LAB 44.01, 32.54, -35.85

 

CMYK 0 / 48 / 29 / 36

HEX #A45675

RGB 164 86 117

HSL 336.15, 0.31%, 0.49%

LAB 46.75, 35.8, -3.04

 

CMYK 0 / 64 / 39 / 28

HEX #B84271

RGB 184 66 113

HSL 336.1, 0.47%, 0.49%

LAB 46.01, 51.75, -1.34

 

CMYK 0 / 77 / 47 / 20

HEX #CC2E6C

RGB 204 46 108

HSL 336.46, 0.63%, 0.49%

LAB 46.81, 64.27, 3.32

 

CMYK 0 / 88 / 54 / 12

HEX #E01A68

RGB 224 26 104

HSL 336.36, 0.79%, 0.49%

LAB 48.99, 73.44, 9.4

 

CMYK 0 / 98 / 59 / 4

HEX #F50564

RGB 245 5 100

HSL 336.25, 0.96%, 0.49%

LAB 52.33, 80.19, 17.13

 

CMYK 0 / 48 / 29 / 36

HEX #A45675

RGB 164 86 117

HSL 336.15, 0.31%, 0.49%

LAB 46.75, 35.8, -3.04

 

CMYK 0 / 26 / 15 / 44

HEX #8F6A79

RGB 143 106 121

HSL 335.68, 0.15%, 0.49%

LAB 48.92, 17.24, -2.55

 

CMYK 3 / 0 / 2 / 50

HEX #7B7F7D

RGB 123 127 125

HSL 150, 0.02%, 0.49%

LAB 52.81, -1.89, 0.56

 

CMYK 30 / 0 / 12 / 42

HEX #679382

RGB 103 147 130

HSL 156.82, 0.18%, 0.49%

LAB 57.43, -18.82, 4.2

 

CMYK 50 / 0 / 20 / 35

HEX #53A786

RGB 83 167 134

HSL 156.43, 0.34%, 0.49%

LAB 62.67, -33.57, 9.33

 

CMYK 0 / 48 / 3 / 36

HEX #A4569F

RGB 164 86 159

HSL 303.85, 0.31%, 0.49%

LAB 48.32, 42.65, -25.81

 

CMYK 0 / 48 / 16 / 36

HEX #A4568A

RGB 164 86 138

HSL 320, 0.31%, 0.49%

LAB 47.47, 39, -14.62

 

CMYK 0 / 48 / 29 / 36

HEX #A45675

RGB 164 86 117

HSL 336.15, 0.31%, 0.49%

LAB 46.75, 35.8, -3.04

 

CMYK 0 / 48 / 41 / 36

HEX #A45661

RGB 164 86 97

HSL 351.54, 0.31%, 0.49%

LAB 46.19, 33.22, 8.27

 

CMYK 0 / 41 / 48 / 36

HEX #A46156

RGB 164 97 86

HSL 8.46, 0.31%, 0.49%

LAB 48.4, 25.93, 17.93

 

CMYK 0 / 47 / 29 / 57

HEX #6E3A4E

RGB 110 58 78

HSL 336.92, 0.31%, 0.33%

LAB 31.56, 25.56, -1.93

 

CMYK 0 / 47 / 28 / 46

HEX #894862

RGB 137 72 98

HSL 336, 0.31%, 0.41%

LAB 39.3, 30.86, -2.79

 

CMYK 0 / 48 / 29 / 36

HEX #A45675

RGB 164 86 117

HSL 336.15, 0.31%, 0.49%

LAB 46.75, 35.8, -3.04

 

CMYK 0 / 37 / 23 / 30

HEX #B3708A

RGB 179 112 138

HSL 336.72, 0.31%, 0.57%

LAB 55.08, 30.12, -3.04

 

CMYK 0 / 28 / 18 / 24

HEX #C28BA0

RGB 194 139 160

HSL 337.09, 0.31%, 0.65%

LAB 63.73, 24.11, -2.76

 

CMYK 0 / 47 / 28 / 36

HEX #A25674

RGB 162 86 116

HSL 336.32, 0.31%, 0.49%

LAB 46.44, 34.94, -2.93

 

CMYK 0 / 10 / 48 / 36

HEX #A49456

RGB 164 148 86

HSL 47.69, 0.31%, 0.49%

LAB 61.43, -2.74, 34.79

 

CMYK 48 / 10 / 0 / 36

HEX #5694A4

RGB 86 148 164

HSL 192.31, 0.31%, 0.49%

LAB 57.88, -15.58, -14.65

 

CMYK 0 / 47 / 28 / 36

HEX #A25674

RGB 162 86 116

HSL 336.32, 0.31%, 0.49%

LAB 46.44, 34.94, -2.93

 

CMYK 29 / 0 / 48 / 36

HEX #75A456

RGB 117 164 86

HSL 96.15, 0.31%, 0.49%

LAB 62.51, -30.07, 35.36

 

CMYK 48 / 29 / 0 / 36

HEX #5675A4

RGB 86 117 164

HSL 216.15, 0.31%, 0.49%

LAB 48.74, 2.12, -28.68

 

CMYK 0 / 47 / 28 / 36

HEX #A25674

RGB 162 86 116

HSL 336.32, 0.31%, 0.49%

LAB 46.44, 34.94, -2.93

 

CMYK 0 / 10 / 48 / 36

HEX #A49456

RGB 164 148 86

HSL 47.69, 0.31%, 0.49%

LAB 61.43, -2.74, 34.79

 

CMYK 48 / 0 / 19 / 36

HEX #56A485

RGB 86 164 133

HSL 156.15, 0.31%, 0.49%

LAB 61.85, -31.62, 8.72

 

CMYK 48 / 38 / 0 / 36

HEX #5666A4

RGB 86 102 164

HSL 227.69, 0.31%, 0.49%

LAB 44.46, 11.31, -35.38

 

CMYK 0 / 47 / 28 / 36

HEX #A25674

RGB 162 86 116

HSL 336.32, 0.31%, 0.49%

LAB 46.44, 34.94, -2.93

 

CMYK 5 / 0 / 48 / 36

HEX #9CA456

RGB 156 164 86

HSL 66.15, 0.31%, 0.49%

LAB 65.19, -14.66, 39.25

 

CMYK 48 / 0 / 19 / 36

HEX #56A485

RGB 86 164 133

HSL 156.15, 0.31%, 0.49%

LAB 61.85, -31.62, 8.72

 

CMYK 43 / 48 / 0 / 36

HEX #5E56A4

RGB 94 86 164

HSL 246.15, 0.31%, 0.49%

LAB 40.76, 23.39, -41.21

 

Description

Color code: HEX #A25674 | qconv.com Color code: HEX #A25674 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 86 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 86 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 28 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 28% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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